Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
- 2023
- Published
Proof of Stake: Technological Claims
Beyes, T. (Editor), Denny, S. (Editor), Holt, R. (Editor), Pias, C. (Editor) & Steinbrügge, B. (Editor), 2023, Milan: Lenz Press. 204 p.Research output: Books and anthologies › Exhibition catalogues › Transfer
- Published
The Smartness Mandate: Orit Halpern/Robert Mitchell. Cambridge/London (The MIT Press) 2022
Tollmann, V., 2023, In: Springerin : Hefte für Gegenwartskunst. 29, 2, p. 75 1 p.Research output: Journal contributions › Critical reviews › Education
- 2022
- Published
›Politik‹ und ›die Künste‹
Muhle, M. & Gräfe, A., 12.12.2022, Handbuch Kunstphilosophie. Siegmund , J. (ed.). Bielefeld: transcript Verlag, p. 579-596 18 p. (Philosophie).Research output: Contributions to collected editions/works › Articles for encyclopedia › Research
- Published
Access and tinkering: designing assistive technologies as political practice–A discussion with Zeynep Karagöz, Thomas Miebach and Daniel Wessolek
Bieling, T., Şahinol, M., Stock, R. & Wiechern, A., 16.11.2022, In: Journal of Enabling Technologies. 16, 3, p. 231-242 12 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Eighteenth-century lotteries
Fuchs, M., 11.2022, The Casino, Card and Betting Game Reader: Communities, Cultures and Play. Johnson, M. R. (ed.). New York: Bloomsbury Academic, p. 374-393 20 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
»HOW TO MAKE YOUR OWN SAMPLES«: Beat-Bildung, Zeit-Maschinen und Phonographizität zweiter Ordnung
Pelleter, M., 11.10.2022, HipHop im 21. Jahrhundert: Medialität, Tradierung, Gesellschaftskritik und Bildungsaspekte einer (Jugend-)Kultur. Wilke, T. & Rappe, M. (eds.). Wiesbaden: Springer, p. 331-346 16 p.Research output: Contributions to collected editions/works › Chapter
- Published
Schwärmen
Vehlken, S., 10.2022, Historisches Wörterbuch des Mediengebrauchs. Christians, H., Bickenbach, M. & Wegmann, N. (eds.). 1 ed. Wien: Böhlau Verlag GmbH, Vol. 3. p. 404-429 26 p.Research output: Contributions to collected editions/works › Articles for encyclopedia › Research
- Published
Operative communication: project Cybersyn and the intersection of information design, interface design, and interaction design
Vehlken, S., 09.2022, In: AI and Society. 37, 3, p. 1131-1152 22 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Das Lego-Ornament der Masse
Gräfe, A., 01.07.2022, Im Sinne der Materialität : Film und Gesellschaft nach Siegfried Kracauer. Hunter, L. & Trautmann, F. (eds.). Berlin: Bertz+Fischer Verlag, p. 91-103 13 p. (IfS - Aus der Reihe; vol. 1).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer
- Published
Arrival of a Kitty: history and theory of the first computer simulation of a living eing
Konstantinow, N. N., McAleer, K. (Translator), Warnke, M. (Editor) & Velminski, W. (Editor), 06.2022, Berlin: ciconia ciconia Verlag. 139 p.Research output: Books and anthologies › Book