Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
- 2023
- Published
Whitehead’s Ethics: Fill in the Blanks
Bella, D. & Stürmer, M., 01.11.2023, In: Process Studies. 52, 2, p. 179-200 22 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Eye Contact with the Machine: Gaze Correction in Video Conferencing
Rapoport, R. & Tollmann, V., 11.2023, Video Conferencing: Infrastructures, Practices, Aesthetics. Volmar, A., Moskatova, O. & Distelmeyer, J. (eds.). Bielefeld: transcript Verlag, p. 209-231 23 p. (Digitale Gesellschaft; vol. 53).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Ausweitung der Coachingzone: Drei Versuche zur Selbstoptimierung in der Mittelschicht
Roloff, S., 06.09.2023, 978-3-8376-6803-2: transcript Verlag. 170 p.Research output: Books and anthologies › Book
- Published
Protokoll 28: Quatschmaschine macht Quatsch. Oder auch nicht
Müggenburg, J., Warnke, M. & Tollmann, V., 09.2023, ChatGPT und andere »Quatschmaschinen« : Gespräche mit Künstlicher Intelligenz. Tuschling, A., Sudmann, A. & Dotzler, B. J. (eds.). transcript Verlag, p. 246-254 9 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Skin in the Game: Ästhetik der Dis/Korrelation: Über Shane Densons "Post-Cinematic Bodies“
Tollmann, V., 09.2023, In: CARGO Film/Medien/Kultur. 15, 59, p. 71-73 3 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
The Break In and With History: Nancy‘s Thinking of History in the Light of the Disruptive Condition
Hörl, E., 06.2023, Thinking With – Jean-Luc Nancy. Lindberg, S., Magun, A. & Tatari, M. (eds.). Zürich: Diaphanes Verlag, p. 185-200 16 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Nun brat’ mir doch eine(r) einen Elch! Oder: zur Kritik der Kochkunst
Warnke, M., 31.05.2023, Ins Bild kommen: Spielräume der Kunstkritik. Hosseini, A., Kipke, A., Kuhn, H. & Woisnitza, M. (eds.). Paderborn: Brill | Fink, p. 109-112 4 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Inheriting Cosmopolitics: Pericles, Whitehead, Stengers
Stürmer, M. & Bella, D., 05.2023, In: Theory, Culture & Society. 40, 3, p. 3-21 19 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Schwerpunkt "Protokolle"
Leistert, O. (Editor) & Shnayien, M. (Editor), 17.04.2023, transcript Verlag. 160 p. (Zeitschrift für Medienwissenschaft; vol. 15, no. 1)Research output: Books and anthologies › Special Journal issue › Research
- Published
Should we really ‘hermeneutise’ the Digital Humanities? A plea for the epistemic productivity of a ‘cultural technique of flattening’ in the Humanities.
Krämer, S., 30.01.2023, In: Journal of Cultural Analytics. 7, 4, 22 p.Research output: Journal contributions › Journal articles › Research › peer-review