Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Weltentzug und Weltzerfall (world-withdrawal and world-decay): Heidegger’s notions of withdrawal from the world and the decays of worlds in the times of computer games
Fuchs, M., 01.01.2016, Philosophical Perspectives on Play. Maclean, M., Russell, W. & Ryall, E. (eds.). London: Routledge Taylor & Francis Group, p. 152-165 14 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Quantified Selves and Statistical Bodies
Abend, P. (Editor), Fuchs, M. (Editor), Reichert, R. (Editor), Richterich, A. (Editor) & Wenz, K. (Editor), 04.04.2016, 1 ed. Bielefeld: transcript Verlag. 196 p. (Digital Culture and Society; vol. 2, no. 1)Research output: Books and anthologies › Special Journal issue › Research
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“Sposi, Amici, al ballo, al gioco!”: Brevi cenni di ludicizzazione … del diciottesimo secolo
Fuchs, M., 02.04.2016, Oltre il gioco: Critica della ludicizzazione urbana. Bittanti, M. & Zilio, E. (eds.). 1 ed. Milano: Unicopli, p. 23-34 12 p. 1. (Ludologica: Videogames d'autore; vol. 28).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Die Ökologisierung des Denkens
Hörl, E. H., 2016, In: Zeitschrift für Medienwissenschaft. 14, 1, p. 33-45 13 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Other Beginnings of Participative Sense Culture: Wild Media, Speculative Ecologies, Transgressions of the Cybernetic Hypothesis
Hörl, E. H., 2016, ReClaiming Participation: technology - mediation - collectivity. Denecke, M., Gatzert, A., Otto, I. & Stock, R. (eds.). Bielefeld: transcript Verlag, p. 93-122 28 p. (Media studies).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Pete Rock: For Pete's Sake
Pelleter, M., 2015, In: JUICE. 138, Juli/August 2015, p. 64-70 7 p.Research output: Journal contributions › Journal articles › Transfer › peer-review
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Über Klangerzeuger, Metallkisten und Breakbeat-Labore: Konstellationen aus Sound, Technik, Wissen und Praxis
Hardjowirogo, S.-I. & Pelleter, M., 01.2015, In: Navigationen. 15, 2, p. 99-111 13 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Arne Till Bense, Musik und Virtualität: Digitale Virtualität im Kontext computerbasierter Musikproduktion
Großmann, R., 2015, In: Die Musikforschung. 68, 3, p. 330-332 3 p.Research output: Journal contributions › Critical reviews › Research
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Das totale Archiv: Zur Funktion des Nicht-Wissens in der digitalen Kultur
Bernard, A., 2016, In: Merkur. 801, 70, p. 5-17 12 p.Research output: Journal contributions › Journal articles › Transfer › peer-review
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Soundcultures, Audio Cultures, Auditory Cultures: Der Diskurs um die auditive Kultur und die Musikwissenschaft
Großmann, R., 2015, In: Navigationen. 15, 2, p. 13-30 18 p.Research output: Journal contributions › Journal articles › Research › peer-review