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Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

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Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

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  1. Published

    Übermittlung, Passage, Kanal, Medium

    Warnke, M., 2010, Sujet Supposé Savoir: Zum Moment der Übertragung in Kunst Pädagogik Psychoanalyse. Crommelin, A., Meyer, T. & Zahn, M. (eds.). Berlin: Kulturverlag Kadmos , p. 83-85 3 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  2. Published

    Über Britta Schinzels intellektuelle Reisen, den Epistemischen Vorteil und ihre Kunst der Doppelstütze

    Warnke, M., 2008, Kaleidoskop – Festschrift für Prof. Dr. Britta Schinzel. Freiburg: Institut für Informatik und Gesellschaft der Universität Freiburg, p. 86-87 2 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer

  3. Published

    Meta-Image – a collaborative environment for the image discourse

    Warnke, M., Dieckmann, L. & Kliemann, A., 2010, EVA LONDON 2010: Electronic Visualisation and the Arts. Seal, A., Bowen, J. & Ng, K. (eds.). BCS - The Chartered Institute for IT, p. 190 - 198 9 p.

    Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review

  4. Published

    Schwärme. Zootechnologien

    Vehlken, S., 2007, Politische Zoologie. von der Heiden, A. & Vogl, J. (eds.). Zürich, Berlin: Diaphanes Verlag, p. 235-257 23 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  5. Published

    Stille Wasser sind kalt: Winde, Wellen und suprafluide Gewässer nahe Null

    Vehlken, S., 2007, Stehende Gewässer: Medien der Stagnation. Butis, B. (ed.). Zürich, Berlin: Diaphanes Verlag, p. 225-237 13 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  6. Published

    Fish & Chips: Schwärme, Simulation, Selbstoptimierung

    Vehlken, S., 2009, Schwärme - Kollektive ohne Zentrum: Eine Wissensgeschichte zwischen Leben und Information. Horn, E. & Gisi, L. M. (eds.). Bielefeld: transcript Verlag, p. 125-162 38 p. (Masse und Medium; vol. 7).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  7. Published

    Überleben rechnen. Biologically Inspired Computing zwischen Panik und Crowd Control.

    Vehlken, S., 2009, Informatik 2009 im Focus das Leben: Beiträge der 39. Jahrestagung der Gesellschaft für Informatik e.V.. Fischer, S., Maehle, E. & Reischuk, R. (eds.). Lübeck: Gesellschaft für Informatik e.V., p. 63, 847-859 13 p. (Lecture Notes in Informatics - Proceedings; no. P-154).

    Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review

  8. Published

    Angsthasen: Schwärme als Transformationsungestalten zwischen Tierpsychologie und Bewegungsphysik

    Vehlken, S., 2009, In: Zeitschrift für Medien- und Kulturforschung. 0, p. 133-147 15 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  9. Published

    Das Rauschen der Schwärme

    Vehlken, S., 2010, In: Mare. 78, p. 54-55 2 p.

    Research output: Journal contributions › Other (editorial matter etc.) › Transfer

  10. Published

    Think-Tank-Denken: Zur Epistemologie der Beratung

    Brandstetter, T., Pias, C. & Vehlken, S., 2010, Think Tanks. Die Beratung der Gesellschaft. Brandstetter, T., Pias, C. & Vehlken, S. (eds.). Diaphanes Verlag, p. 17-58 42 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

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