Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Protokoll 28: Quatschmaschine macht Quatsch. Oder auch nicht
Müggenburg, J., Warnke, M. & Tollmann, V., 09.2023, ChatGPT und andere »Quatschmaschinen« : Gespräche mit Künstlicher Intelligenz. Tuschling, A., Sudmann, A. & Dotzler, B. J. (eds.). transcript Verlag, p. 246-254 9 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Proxies
Kyong Chun, W. H., Levin, B. & Tollmann, V., 02.02.2021, Uncertain Archives: Critical Keywords for Big Data. Tylstrup, N. B., Agostinho, D., Ring, A., D'Ignazio, C. & Veel, K. (eds.). Cambridge MA: The MIT Press, p. 419-425 7 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Pythagoreismus
Berz, P., 2012, Friedrich Kittler, Technik oder Kunst?. Seitter, W. & Ott, M. (eds.). Wetzlar: Büchse der Pandora, p. 57-69 13 p. (Tumult.Schriften zur Verkehrswissenschaft; vol. 40).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Quantencomputer/Quantenkryptographie
Warnke, M., 2014, Handbuch Medienwissenschaft. Schröter, J. (ed.). 1 ed. Stuttgart: J.B. Metzler, p. 369-371 3 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Quantencomputer. Taktlos
Warnke, M., 2013, Kulturtechniken der Synchronisation. Kassung, C. & Macho, T. (eds.). Paderborn: Wilhelm Fink Verlag, p. 269-287 18 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Quantified Selves and Statistical Bodies
Abend, P. (Editor), Fuchs, M. (Editor), Reichert, R. (Editor), Richterich, A. (Editor) & Wenz, K. (Editor), 04.04.2016, 1 ed. Bielefeld: transcript Verlag. 196 p. (Digital Culture and Society; vol. 2, no. 1)Research output: Books and anthologies › Special Journal issue › Research
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Quantum computing
Warnke, M., 2005, HyperKult II: Zur Ortsbestimmung analoger und digitaler Medien. Warnke, M., Coy, W. & Tholen, G. C. (eds.). Bielefeld: transcript Verlag, p. 151-170 20 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Quantum Computing and the Analog/Digital Distinction
Schröter, J., Ernst, C. & Warnke, M., 23.02.2022, In: Grey Room. 86, p. 28-49 20 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Queer mobiles and mobile queers: Intersections, vectors, and movements in India
Shah, N., 01.01.2016, Routledge Handbook of New Media in Asia. Hjorth, L. & Khoo, O. (eds.). Abingdon: Taylor & Francis, p. 275-284 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Qu’est-ce que la « marge d’indétermination »?
Hui, Y., 24.11.2016Research output: other publications › Articles in scientific forums or blogs › Research › peer-review