Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    Protokoll 28: Quatschmaschine macht Quatsch. Oder auch nicht

    Müggenburg, J., Warnke, M. & Tollmann, V., 09.2023, ChatGPT und andere »Quatschmaschinen« : Gespräche mit Künstlicher Intelligenz. Tuschling, A., Sudmann, A. & Dotzler, B. J. (eds.). transcript Verlag, p. 246-254 9 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  2. Published

    Proxies

    Kyong Chun, W. H., Levin, B. & Tollmann, V., 02.02.2021, Uncertain Archives: Critical Keywords for Big Data. Tylstrup, N. B., Agostinho, D., Ring, A., D'Ignazio, C. & Veel, K. (eds.). Cambridge MA: The MIT Press, p. 419-425 7 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  3. Published

    Pythagoreismus

    Berz, P., 2012, Friedrich Kittler, Technik oder Kunst?. Seitter, W. & Ott, M. (eds.). Wetzlar: Büchse der Pandora, p. 57-69 13 p. (Tumult.Schriften zur Verkehrswissenschaft; vol. 40).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  4. Published

    Quantencomputer/Quantenkryptographie

    Warnke, M., 2014, Handbuch Medienwissenschaft. Schröter, J. (ed.). 1 ed. Stuttgart: J.B. Metzler, p. 369-371 3 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  5. Published

    Quantencomputer. Taktlos

    Warnke, M., 2013, Kulturtechniken der Synchronisation. Kassung, C. & Macho, T. (eds.). Paderborn: Wilhelm Fink Verlag, p. 269-287 18 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  6. Published

    Quantified Selves and Statistical Bodies

    Abend, P. (Editor), Fuchs, M. (Editor), Reichert, R. (Editor), Richterich, A. (Editor) & Wenz, K. (Editor), 04.04.2016, 1 ed. Bielefeld: transcript Verlag. 196 p. (Digital Culture and Society; vol. 2, no. 1)

    Research output: Books and anthologiesSpecial Journal issueResearch

  7. Published

    Quantum computing

    Warnke, M., 2005, HyperKult II: Zur Ortsbestimmung analoger und digitaler Medien. Warnke, M., Coy, W. & Tholen, G. C. (eds.). Bielefeld: transcript Verlag, p. 151-170 20 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  8. Published

    Quantum Computing and the Analog/Digital Distinction

    Schröter, J., Ernst, C. & Warnke, M., 23.02.2022, In: Grey Room. 86, p. 28-49 20 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  9. Published

    Queer mobiles and mobile queers: Intersections, vectors, and movements in India

    Shah, N., 01.01.2016, Routledge Handbook of New Media in Asia. Hjorth, L. & Khoo, O. (eds.). Abingdon: Taylor & Francis, p. 275-284 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  10. Published

    Qu’est-ce que la « marge d’indétermination »?

    Hui, Y., 24.11.2016

    Research output: other publicationsArticles in scientific forums or blogsResearchpeer-review

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