Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Präsenz von Frauen in den Nachrichten: Medienbeobachtungen 2005
Hesse (Journalistinnenbund), M. & Röser, J., 2006, Bonn: Journalistinnenbund. 50 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Proceedings SMC 2016: 31.8.2016, Hamburg, Germany
Großmann, R. (Editor) & Hajdu, G. (Editor), 31.08.2016, Hamburg: Zentrum für Mikrotonale Musik und Multimediale Komposition (ZM4). 513 p.Research output: Books and anthologies › Conference proceedings › Research
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Profil
Bernard, A., 2017, Nach der Revolution: Ein Brevier digitaler Kulturen. Beyes, T., Metelmann, J. & Pias, C. (eds.). Berlin: Tempus Corporate GmbH, p. 38-48 11 p. (Duisburger Dialoge).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Programm FAKE: Monte Carlo Eventgeneratoren als Werkzeug der Theorie in der frühen Hochenergiephysik
Borrelli, A., 01.12.2019, In: NTM International Journal of History and Ethics of Natural Sciences, Technology and Medicine. 27, 4, p. 479-514 36 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Project »Les Halles, Paris«
Stöcklmayr, N., 2011, Total Fluidity Studio Zaha Hadid: Projects 2000 - 2010 University of Applied Arts Vienna. Hadid, Z. & Schumacher, P. (eds.). Wien: Springer-Verlag Wien, p. 209 1 p.Research output: Contributions to collected editions/works › Other › Research
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Prometheus meets Meta-Image: Implementations of Aby Warburg's methodical approach in the digital era
Warnke, M. & Dieckmann, L., 2016, In: Visual Studies. 31, 2, p. 109-120 12 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Proof of Stake: Technological Claims
Beyes, T. (Editor), Denny, S. (Editor), Holt, R. (Editor), Pias, C. (Editor) & Steinbrügge, B. (Editor), 2023, Milan: Lenz Press. 204 p.Research output: Books and anthologies › Exhibition catalogues › Transfer
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Prostheses of Desire: On Bernard Stiegler's New Critique of Projection
Hörl, E. & De Boever, A. (Translator), 2014, In: Parrhesia : a Journal of Critical Philosophy. 20, p. 2-14 13 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Prothesen, Aufschreibesysteme, Cyborgs
Spreen, D., 2013, In: Ästhetik & Kommunikation. 43, 158-159, p. 89-96 7 p.Research output: Journal contributions › Journal articles › Research
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Protocol
Beuster, G., Leistert, O. & Röhle, T., 31.03.2022, In: Internet Policy Review. 11, 1, p. 1-10 10 p.Research output: Journal contributions › Comments / Debate / Reports › Research