Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. Published

    Präsenz von Frauen in den Nachrichten: Medienbeobachtungen 2005

    Hesse (Journalistinnenbund), M. & Röser, J., 2006, Bonn: Journalistinnenbund. 50 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  2. Published

    Proceedings SMC 2016: 31.8.2016, Hamburg, Germany

    Großmann, R. (Editor) & Hajdu, G. (Editor), 31.08.2016, Hamburg: Zentrum für Mikrotonale Musik und Multimediale Komposition (ZM4). 513 p.

    Research output: Books and anthologiesConference proceedingsResearch

  3. Published

    Profil

    Bernard, A., 2017, Nach der Revolution: Ein Brevier digitaler Kulturen. Beyes, T., Metelmann, J. & Pias, C. (eds.). Berlin: Tempus Corporate GmbH, p. 38-48 11 p. (Duisburger Dialoge).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  4. Published
  5. Published

    Project »Les Halles, Paris«

    Stöcklmayr, N., 2011, Total Fluidity Studio Zaha Hadid: Projects 2000 - 2010 University of Applied Arts Vienna. Hadid, Z. & Schumacher, P. (eds.). Wien: Springer-Verlag Wien, p. 209 1 p.

    Research output: Contributions to collected editions/worksOtherResearch

  6. Published

    Prometheus meets Meta-Image: Implementations of Aby Warburg's methodical approach in the digital era

    Warnke, M. & Dieckmann, L., 2016, In: Visual Studies. 31, 2, p. 109-120 12 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  7. Published

    Proof of Stake: Technological Claims

    Beyes, T. (Editor), Denny, S. (Editor), Holt, R. (Editor), Pias, C. (Editor) & Steinbrügge, B. (Editor), 2023, Milan: Lenz Press. 204 p.

    Research output: Books and anthologiesExhibition cataloguesTransfer

  8. Published

    Prostheses of Desire: On Bernard Stiegler's New Critique of Projection

    Hörl, E. & De Boever, A. (Translator), 2014, In: Parrhesia : a Journal of Critical Philosophy. 20, p. 2-14 13 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  9. Published

    Prothesen, Aufschreibesysteme, Cyborgs

    Spreen, D., 2013, In: Ästhetik & Kommunikation. 43, 158-159, p. 89-96 7 p.

    Research output: Journal contributionsJournal articlesResearch

  10. Published

    Protocol

    Beuster, G., Leistert, O. & Röhle, T., 31.03.2022, In: Internet Policy Review. 11, 1, p. 1-10 10 p.

    Research output: Journal contributionsComments / Debate / ReportsResearch

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