Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Perspektiven kritischer Medienkulturtheorie und -analyse: Aktuelle Herausforderungen und theoretische Potentiale
Thomas, T., 2010, Medienkultur im Wandel. Hepp, A., Höhn, M. & Wimmer, J. (eds.). UVK Verlagsgesellschaft mbH, p. 73-89 17 p. (Schriftenreihe der Deutschen Gesellschaft für Publizistik- und Kommunikationswissenschaft; vol. 37).Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review
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Pervasive Intelligence: The Tempo-Spatiality of Drone Swarms
Vehlken, S., 22.08.2018, In: Digital Culture & Society. 4, 1, p. 107-132 26 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Perverse Bienen: Artificial Life und der Apfel der Erkenntnis
Schmickl, T., Müggenburg, J. K. & Warnke, M., 01.03.2018, In: Zeitschrift für Medienwissenschaft. 10, 18-1, p. 98-110 13 p.Research output: Journal contributions › Journal articles › Research › peer-review
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PETAL: a proposal of an XML standard for the visual arts
Terstegge, C., Warnke, M. & Wedemeyer, C., 2002, Electronic Imaging & the Visual Arts. Eva 2002 Florence. Capellini, V., Hemsley, J. & Stanke, G. (eds.). Berlin: Gesellschaft zur Förderung angewandter Informatik e.V., p. 94-99 6 p.Research output: Contributions to collected editions/works › Article in conference proceedings › Research
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PeTAL-DTD
Warnke, M., Terstegge, C. & Wedemeyer, C., 2007Research output: Non-textual form types › Data set › Research
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Pete Rock: For Pete's Sake
Pelleter, M., 2015, In: JUICE. 138, Juli/August 2015, p. 64-70 7 p.Research output: Journal contributions › Journal articles › Transfer › peer-review
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Peter Sloterdijk (1947b)
Beyes, T., 2014, The Oxford Handbook of Process Philosophy and Organization Studies. Helin , J., Hernes, T., Hjorth, D. & Holt, R. (eds.). Oxford: Oxford University Press, p. 567-584 18 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Phantasmal Spaces: Archetypical Venues in Computer Games
Fuchs, M., 2019, New York: Bloomsbury Academic. 136 p.Research output: Books and anthologies › Monographs › Research › peer-review
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Phantasmen. Quelques fleurs
Schwarzhans, W. & Bösenberg, E. S., 10.07.2017, (Mit) Pflanzen kartographieren. Loreck, H., Klier, A. & Lindeborg, S. (eds.). Hamburg: Materialverlag-HFBK Hamburg, p. 84-87 4 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Philosophie der Zeugenschaft: Eine Anthologie
Krämer, S. (Editor), Schmidt, S. (Editor) & Schülein, J.-G., 01.02.2017, Münster: mentis Verlag. 243 p.Research output: Books and anthologies › Collected editions and anthologies › Research