Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Ereignis
Warnke, M., 2012, Lexikon der Raumphilosophie. Günzel, S. (ed.). Darmstadt: Wissenschaftliche Buchgesellschaft - WBG, p. 100-101 2 p.Research output: Contributions to collected editions/works › Articles for encyclopedia › Research
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Ereignis
Engemann, C., Traue, B. & Scholz, R., 2014, DiskursNetz: Wörterbuch der interdisziplinäre Diskursforschung. Wrana, D., Ziem, A., Reisigl, M., Nonhoff, M. & Angermüller, J. (eds.). Berlin: Suhrkamp Verlag, p. 134 1 p. (Suhrkamp-Taschenbuch Wissenschaft; vol. 2097).Research output: Contributions to collected editions/works › Articles for encyclopedia › Research
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Errechnet, gesteuert, vernetzt: Musik am computer
Warnke, M., 01.2011, In: Neue Zeitschrift für Musik : das Magazin für neue Töne. 172, 1, p. 34-39 6 p.Research output: Journal contributions › Scientific review articles › Research
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“Es ist die Medientheorie avant la lettre, die sich in der Legende vom sterbenden Boten verbirgt"
Krämer, S., 07.2017, Zur Genealogie des MedienDenkens. Irrgang, D. & Hadler, F. (eds.). Berlin: Kulturverlag Kadmos , p. 255-278 24 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Ethos, Pathos, PowerPoint: zur Epistemologie und (Silicon-Valley-)Rhetorik digitaler Präsentationen
Hagen, W., 11.06.2015, Medienkultur und Bildung: ästhetische Erziehung im Zeitalter digitaler Netzwerke. Hagener, M. & Hediger, V. (eds.). Frankfurt a. M.: Campus Verlag, p. 177-200 24 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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"Et mundus hoc est homo" : Von einer sehr alten, nun wieder virtuellen Weltkarte
Warnke, M., 1998, In: Zeitschrift für Semiotik. 20, 1-2, p. 119-132 14 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Exkursion in die Coy-Galaxis
Graßmuck, V., 2012, Per Anhalter durch die Turing-Galaxis. Knaut, A., Kühne, C., Kurz, C., Pohle, J., Rehak, R. & Ullrich, S. (eds.). Münster: MV Wissenschaft, p. 9-17 9 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Explicit Art Historical Image Referencing on a Big Scale
Warnke, M., 2012, In: LIBREAS. Library Ideas. 21, Bilder, Graphen, Visualisierungen, 12 p.Research output: Journal contributions › Journal articles › Research
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Exploding Images
Tollmann, V., 2014, Every Whisper is a crash on my ears. Missa, A. (ed.). London: Arcadia Missa, p. 190-204 15 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Eye Contact with the Machine: Gaze Correction in Video Conferencing
Rapoport, R. & Tollmann, V., 11.2023, Video Conferencing: Infrastructures, Practices, Aesthetics. Volmar, A., Moskatova, O. & Distelmeyer, J. (eds.). Bielefeld: transcript Verlag, p. 209-231 23 p. (Digitale Gesellschaft; vol. 53).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review