Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
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Critique and the Digital
Hörl, E. (Editor), Pinkrah, N. Y. (Editor) & Warnsholdt, C. L. (Editor), 2021, Zürich/Berlin: Diaphanes Verlag. 296 p.Research output: Books and anthologies › Collected editions and anthologies › Transfer
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Critique of Environmentality: On the World-Wide Axiomatics of Environmentalitarian Time
Hörl, E., 2021, Critique and the Digital. Hörl, E., Pinkrah, N. & Warnsholdt, L. (eds.). Zürich: Diaphanes Verlag, p. 109-146 38 p. (Critical Stances).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Cruelty and Total War: Political-Philosophical Preconditions of the Dissociation Mentality
Spreen, D., 2011, On Cruelty · Sur la cruauté · Über Grausamkeit. Köln: Rüdiger Köppe Verlag, p. 231-254 23 p. (Siegener Beiträge zur Soziologie; vol. 11).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Cultural Politics of Games
Fuchs, M., 2021, Strategies in Contemporary New Media Art. Grau, O. & Hinterwaldner, I. (eds.). Berlin, Boston: De Gruyter Saur, p. 78-86 9 p.Research output: Contributions to collected editions/works › Chapter › peer-review
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Culture, Technology, and Process in “Media Theories”: Toward a shift in the understanding of media in organizational research
Hoof, F. & Boell, S. K., 01.09.2019, In: Organization. 26, 5, p. 636-654 19 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Cybernetics: The Macy Conferences 1946-1953. The Complete Transactions
Pias, C. (Editor), 03.2016, Zurich: Diaphanes Verlag. 736 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Cyberprovincialism
Fuchs, M., 2009, Coded Cultures : Exploring Creative Emergences. Russegger, G. & Tarasiewicz, M. (eds.). Wien, Yokomaha u.a.: 5uper.net, p. 58 1 p.Research output: Contributions to collected editions/works › Article in conference proceedings › Research
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Cyberspace
Warnke, M., 2012, Lexikon der Raumphilosophie. Günzel, S. (ed.). Darmstadt: Wissenschaftliche Buchgesellschaft - WBG, p. 69 1 p.Research output: Contributions to collected editions/works › Articles for encyclopedia › Research
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Cyberspace Battleground: Kriegsvideos auf You Tube
Virchow, F. & Thomas, T., 2010, Wahrheitsmaschinen: Der Einfluss technischer Innovationen auf die Darstellung und das Bild des Krieges in den Medien und Künsten. Glunz, C. & Schneider, T. F. (eds.). Göttingen: V&R unipress, p. 107-124 18 p. (Krieg und Literatur / War and Literature - International Yearbook on War and Anti-War Literature. Schriften des Erich Maria Remarque Archivs; vol. 15).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Cyborgs und andere Techno-Körper: Ein Essay im Grenzbereich von Bios und Techne
Spreen, D., 2000, 2. ed. Passau: Erster Deutscher Fantasy Club. 184 p. (Sekundärliterarische Reihe; vol. 27)Research output: Books and anthologies › Monographs › Research › peer-review