Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
- 2024
- Published
Identitäten im Netz: Performative Strategien in kollaborativer Online-Musikproduktion
Stenzel, M., 2024, Hildesheim: Universitätsverlag Hildesheim. 384 p. (MusikmachDinge. ((audio)) Ästhetische Strategien und Sound-Kulturen; vol. 10)Research output: Books and anthologies › Monographs › Research
- Published
- Published
Sozialkybernetik in statu nascendi: Die Entstehungsgeschichte des chinesischen Sozialkredit-Systems
Warnke, M. & Woesler, M., 2024, 1 ed. Berlin: Matthes & Seitz Berlin. 346 p.Research output: Books and anthologies › Book
- Accepted/In press
Theorie des Quantum Computings
Warnke, M., 15.02.2026, Handbuch Medientheorien im 21. Jahrhundert . Ernst, C., Schröter, J., Sudmann, A. & Krtilova, K. (eds.). Springer Fachmedien Wiesbaden GmbHResearch output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Where there is no World and no Epoch: Bernard Stieglerüs Thinking of the Entropocene
Hörl, E., 25.01.2024, Bernard Stiegler: Memories of the Future. Buseyne, B., Tsagdis, G. & Willemarck, P. (eds.). Bloomsbury Publishing Plc., p. 107-123 17 p.Research output: Contributions to collected editions/works › Chapter › peer-review
- Published
Zur Spaltung des Verstandes: Das Prinzip der Anarchie und die Kritik epochaler Ökonomien
Schneider, N., 31.01.2024, Reiner Schürmann, Diskordanz der Zeiten. Schneider, N. (ed.). 1. ed. Zürich: Diaphanes Verlag, p. 195-206 12 p. (TransPositionen).Research output: Contributions to collected editions/works › Chapter
- Published
A Thinking of Suspension: Melancholy and Politics Where There Is No Epoch
Hörl, E. & Schott, N. F. (Translator), 08.02.2024, On Bernard Stiegler: Philosopher of Friendship. Nancy, J.-L. (ed.). 1 ed. London: Bloomsbury Academic, p. 63-80 18 p.Research output: Contributions to collected editions/works › Chapter
- Published
Übung im Denken: Der Moment des »Dazwischen« in Manon de Boers An Experiment in Leisure
Gräfe, A., 05.2024, Denken des Medialen: Zur Bedeutung des »Dazwischen«. Schürmann, E. & Sternagel, J. (eds.). Bielefeld: transcript Verlag, p. 137-152 16 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Correction to: Operative communication: project Cybersyn and the intersection of information design, interface design, and interaction design (AI & SOCIETY, (2022), 10.1007/s00146-021-01346-2)
Vehlken, S., 06.2024, In: AI & Society. 39, 3, p. 1533-1534 2 p.Research output: Journal contributions › Comments / Debate / Reports › Research
- Published
Langeweile Aushalten: Kontingenzerfahrung in der Gegenwartskunst
Gräfe, A., 06.2024, Berlin: Kulturverlag Kadmos . 226 p. (Kaleidogramme; vol. 203)Research output: Books and anthologies › Monographs › Research