Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. 2012
  2. Published

    Decoding media images of political leaders: The perspective of young adults on the relation of gender and power

    Müller, K., 23.07.2012, In: Interactions - Studies in Communication & Culture. 2, 3, p. 261-277 17 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  3. Published

    Motive vernetzen – Meta-Image als Bild-Zettelkasten: Bilddiskurse in Zeiten des Internet

    Warnke, M., 09.2012, In: FIfF-Kommunikation. 29, 3, p. 50-52 3 p.

    Research output: Journal contributionsJournal articlesResearch

  4. Published

    Using the Domestication Approach for the Analysis of Diffusion and Participation Processes of New Media

    Peil, C. & Röser, J., 09.2012, The Social Use of Media: Cultural and Social Scientific Perspectives on Audience Research. Bilandzic, H., Patriarche, G. & Traudt, P. (eds.). Bristol: Intellect, p. 221-240 20 p. 12. (European Communication Research and Education Association).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  5. Published

    Sabine Ritter: Facetten der Sarah Bartmann. Repräsentation und Rekonstruktionen der 'Hottentottenvenus'

    Stammberger, B., 01.10.2012, In: Soziologische Revue. 35, 4, p. 477-479 3 p.

    Research output: Journal contributionsCritical reviewsResearch

  6. Published

    Dekonstruktion und Evidenz: Ver(un)sicherungen in Medienkulturen. Sulzbach / Taunus: Ulrike Helmer Verlag, 2011, 292 S.

    Maier, T., 11.2012, In: Feministische Studien. 30, 2, p. 343-345 3 p.

    Research output: Journal contributionsCritical reviewsResearch

  7. Published

    "Being There!": Epistemologische Skizzen zur Smartphone-Fotografie

    Hagen, W., 12.2012, Bildwerte: Visualität in der digitalen Medienkultur. Freyermuth , G. S. & Gotto, L. (eds.). transcript Verlag, p. 103-135 33 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  8. Published

    Monstrous Bodies in Rudolf Virchow's Medical Collection in Nineteenth-Century Germany

    Stammberger, B., 12.2012, Exploring the Cultural History of Continental European Freak Shows and Enfreakment. Zittlau, A. & Kerchy, A. (eds.). Newcastle upon Tyne: Cambridge Scholars Publishing, p. 129-149 21 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  9. Published

    Zur Zukunft der öffentlich-rechtlichen Medien: Grundversorgung in 140 Zeichen?

    Graßmuck, V., 12.2012, Jahrbuch Netzpolitik 2012: Von A wie ACTA bis Z wie Zensur. Beckedahl, M. & Meister, A. (eds.). Berlin: epubli GmbH, p. 117-121 5 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransfer

  10. 2013
  11. Published

    303, MPC, A/D: Popmusik und die Ästhetik digitaler Gestaltung

    Großmann, R., 2013, Performativität und Medialität Populärer Kulturen: Theorien, Ästhetiken, Praktiken. Kleiner, M. & Wilke, T. (eds.). Wiesbaden: Springer, p. 299-319 20 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  12. Published

    Bewegte Spiele: Zur Verschiebung des Verhältnisses von Spiel und Alltagswelt durch mobile Games

    Schrape, N. & Fuchs, M., 2013, In: Sprache und Literatur. 44, 1, p. 69-83 15 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review