Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. 1989
  2. Published

    Informatik: elementare Einführung in Entwurf, Analyse und maschinelle Verarbeitung von Algorithmen

    Warnke, M., 1989, München: Oldenbourg Schulbuchverl. 235 p.

    Research output: Books and anthologiesMonographsResearch

  3. 1990
  4. Published

    Das Thema ist die ganze Welt: Hypertext im Museum

    Warnke, M., 1990, Hypertext und Hypermedia: von theoretischen Konzepten zur praktischen Anwendung. Gloor, P. & Streitz, N. (eds.). Berlin: Springer, p. 268-277 10 p. (Informatik-Fachberichte; vol. 249).

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearch

  5. 1991
  6. Published

    Informatik: elementare Einführung in Entwurf, Analyse und maschinelle Verarbeitung von Algorithmen

    Warnke, M., 1991, 2. ed. München: Oldenbourg Schulbuchverl. 235 p.

    Research output: Books and anthologiesMonographsResearch

  7. 1992
  8. Published

    Die Ebstorfer Weltkarte: Der Computer als Medium für selbstbestimmtes Lernen

    Warnke, M., 1992, In: Computer + Unterricht. 2, 5, p. 27-31 5 p.

    Research output: Journal contributionsJournal articlesResearch

  9. Published

    Workshop über "Hypersystem-Konzepte in Medien und kultureller Produktion"

    Warnke, M., 1992, In: Zeitschrift für Semiotik. 14, 1-2, p. 151-153 3 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  10. Published

    Zur Informatisierung von Kunst und Kultur

    Warnke, M., Müller, G., Langenheder, W. & Schinzel, B., 1992, Informatik cui bono?: GI-FB 8 Fachtagung, Freiburg, 23.-26. September 1992, Proceedings. Langenheder, W., Müller, G. & Schinzel, B. (eds.). Springer, p. 202-207 5 p. (Informatik aktuell).

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearch

  11. 1993
  12. Published

    Computer als Medium

    Warnke, M., 1993, In: Zeitschrift für Semiotik. 15, 3-4, p. 448-449 2 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  13. 1994
  14. Published

    Vorwort

    Warnke, M. & Bogh Andersen, P., 1994, In: Zeitschrift für Semiotik. 16, 1-2, p. 3-4 2 p.

    Research output: Journal contributionsOther (editorial matter etc.)Research

  15. 1995
  16. Published

    Computer als Medium (Hyperkult V)

    Warnke, M., 1995, In: Zeitschrift für Semiotik. 17, 3-4, p. 474-475 2 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  17. Published

    "Du kannst nicht sehen, was Du nicht erklären kannst«

    Warnke, M., 1995, Weltbilder, Bildwelten: Computergestützte Visionen. Dencker, K. P. (ed.). Hamburg: Hans-Bredow-Institut für Medienforschung an der Universität Hamburg, p. 6-9 4 p. (Interface; vol. 2).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

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