Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
- 2000
Jahrestagung der DGPuK-Fachgruppe „Methoden der Publizistik- und Kommunikationswissenschaft“ - 2000
Grittmann, E. (Speaker)
09.2000 → 10.2000Activity: Participating in or organising an academic or articstic event › Conferences › Transfer
HyperKult IX - Computer als Medium: Augmented Space 2000
Warnke, M. (Organiser) & Großmann, R. (Organiser)
20.07.2000 → 22.07.2000Activity: Participating in or organising an academic or articstic event › Conferences › Research
Medienwerk und Konsumobjekt - Thesen zu einer Ästhetik der medialen Existenz von Musik 2000
Großmann, R. (Speaker)
06.05.2000Activity: Talk or presentation › Conference Presentations › Research
Der Rhythmus der Linien 2000
Großmann, R. (Speaker)
2000Activity: Talk or presentation › talk or presentation in privat or public events › Transfer
Fortschritt' Informationskompetenz: Die Suche nach Bewertungskriterien im Internet 2000
Großmann, R. (Speaker)
2000Activity: Talk or presentation › Guest lectures › Research
Gesellschaft für Medienwissenschaft e.V. (External organisation)
Großmann, R. (Member)
2000 → 2023Activity: Membership › Learned societies and special interest organisations › Research
Neue Gesellschaft, Frankfurter Hefte (Journal)
Spreen, D. (Editorial Board)
2000 → 2006Activity: Publication peer-review and editorial work › Editor of journals › Transfer
- 1999
HyperKult VIII - Computer als Medium: Endzeit/Endspiel 1999
Warnke, M. (Organiser) & Großmann, R. (Organiser)
19.07.1999 → 21.07.1999Activity: Participating in or organising an academic or articstic event › Conferences › Research
Wider die Erinnerung: Der mediale Diskurs um die Ausstellung ‚Vernichtungskrieg’
Grittmann, E. (Speaker)
05.1999Activity: Talk or presentation › Guest lectures › Education
Foro Artistico 1999
Großmann, R. (Speaker)
1999Activity: Participating in or organising an academic or articstic event › Conferences › Research
Lernumgebungen mit Standardtools. Ein Plädoyer für offenes medienkompetentes Lehren und Lernen 1999
Großmann, R. (Speaker)
1999Activity: Participating in or organising an academic or articstic event › Conferences › Research
sample and hold - der Klang der gefüllten Speicher 1999
Großmann, R. (Speaker)
1999Activity: Participating in or organising an academic or articstic event › Conferences › Research
Schönheit und Ästhetizität – Zur Verwissenschaftlichung künstlerischer Kategorien - 1999
Großmann, R. (Speaker)
1999Activity: Participating in or organising an academic or articstic event › Conferences › Research
Stader Universitätstag 1999
Großmann, R. (Speaker) & Warnke, M. (Speaker)
1999Activity: Talk or presentation › Conference Presentations › Research
- 1998
HyperKult VII - Computer als Medium: Cut, Copy & Paste 1998
Warnke, M. (Organiser)
16.07.1998 → 18.07.1998Activity: Participating in or organising an academic or articstic event › Conferences › Research
Forschungstage der Universität Lüneburg 1998
Großmann, R. (Speaker)
1998Activity: Participating in or organising an academic or articstic event › Conferences › Research
HyperKult VII 1997
Warnke, M. (Speaker)
1998Activity: Participating in or organising an academic or articstic event › Conferences › Research
Xtended Sampling II 1998
Großmann, R. (Speaker)
1998Activity: Participating in or organising an academic or articstic event › Conferences › Research
- 1997
HyperKult VI - Computer als Medium: Monitor 1997
Warnke, M. (Organiser) & Großmann, R. (Organiser)
14.07.1997 → 16.07.1997Activity: Participating in or organising an academic or articstic event › Conferences › Research
Ästhetik & Kommunikation (Journal)
Spreen, D. (Editorial Board)
1997 → 2018Activity: Publication peer-review and editorial work › Editor of journals › Research