Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

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  1. Guest lectures
  2. Insights from digital cultural studies: Lightning talks II – Ideas for reform

    Großmann, R. (Oral presentation)

    28.02.2018

    Activity: Talk or presentationGuest lecturesResearch

  3. Involuntary Servitude

    Fuchs, M. (Lecturer)

    19.01.2014

    Activity: Talk or presentationGuest lecturesResearch

  4. Kommentar zu dem Vortrag »Die Materialität der Gewalt und die Möglichkeiten der Kultursoziologie« (A. Pettenkofer)

    Spreen, D. (Panel participant)

    21.06.2013

    Activity: Talk or presentationGuest lecturesResearch

  5. Kontur des Lebendigen. Karl Blossfeldt und „der Monismus der allmählichen Uebergänge

    Schnödl, G. (Speaker)

    31.01.201801.02.2018

    Activity: Talk or presentationGuest lecturesResearch

  6. Kritische Übergänge – Relationsmodelle in der Kritik um 1900

    Schnödl, G. (Speaker)

    12.03.201515.03.2015

    Activity: Talk or presentationGuest lecturesResearch

  7. kultur.informatik

    Warnke, M. (Speaker)

    23.04.2004

    Activity: Talk or presentationGuest lecturesEducation

  8. Kunst aus der Maschine

    Warnke, M. (Speaker)

    16.07.2004

    Activity: Talk or presentationGuest lecturesEducation

  9. Lemistik

    Warnke, M. (Lecturer)

    18.01.2017

    Activity: Talk or presentationGuest lecturesResearch

  10. Lifestyle-TV und Lebensführung: Mediale Geschlechterinszenierungen

    Thomas, T. (Speaker)

    12.01.2009

    Activity: Talk or presentationGuest lecturesEducation

  11. Liveness. Annäherung an einen populären Begriff

    Hardjowirogo, S. (Lecturer)

    06.2013

    Activity: Talk or presentationGuest lecturesResearch