Institute of Culture and Aesthetics of Digital Media

Organisational unit: Institute

Organisation profile

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.

Main research areas

The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.

In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation. 

The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana. 

  1. 2016
  2. Mitglied des IFIP-Beirats, Sitzung des IFIP-Beirats

    Warnke, M. (Reviewer)

    26.02.2016

    Activity: Other expert activitiesAcademic ConsultantResearch

  3. Vortrag „Close seeing und Formen der digitalen Annotation“

    Warnke, M. (Oral presentation)

    26.02.2016

    Activity: Talk or presentationGuest lecturesResearch

  4. Computer Simulation as media of knowledge production in the practice of quantum theory

    Warnke, M. (Oral presentation)

    03.02.2016

    Activity: Talk or presentationGuest lecturesResearch

  5. „Was bisher fehlte, war die Distanz vom Objekt.“ Immanenz und Transzendenz in Spenglers Geschichtsmorphologie

    Schnödl, G. (Speaker)

    27.01.201629.01.2016

    Activity: Talk or presentationGuest lecturesResearch

  6. Resonanzen. Oswald Spengler und die Postmoderne

    Hörl, E. (Speaker), Wagner, J. (Speaker), Schnödl, G. (Speaker) & Voller, C. (Speaker)

    25.01.201627.01.2016

    Activity: Participating in or organising an academic or articstic eventConferencesResearch

  7. In­ter­fe­ren­ces | Events

    Warnke, M. (Organiser)

    20.01.201621.01.2016

    Activity: Participating in or organising an academic or articstic eventConferencesResearch

  8. BA-Arbeiten 2016

    Vehlken, S. (Reviewer)

    2016

    Activity: Other expert activitiesAcademic ConsultantEducation

  9. Deutscher Hochschulverband (External organisation)

    Vehlken, S. (Member)

    2016 → …

    Activity: MembershipLearned societies and special interest organisationsResearch

  10. MA-Arbeiten 2016

    Vehlken, S. (Reviewer)

    2016

    Activity: Other expert activitiesAcademic ConsultantEducation

  11. 2015
  12. Von Blutzellen und Bevölkerungsservos: Warum die Kybernetik nie nichtmodern gewesen ist

    Müggenburg, J. (Lecturer)

    02.12.2015

    Activity: Talk or presentationGuest lecturesResearch