Institute of Culture and Aesthetics of Digital Media
Organisational unit: Institute
Organisation profile
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
Researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
Main research areas
The ICAM researches the conditions, effects and aesthetics of digital media in connection with processes of culturalization, the technologization of social and economic relations, and the generation and archiving of knowledge. Our studies reflect on how (digital) media always also contribute to shaping the signs and objects they store, transmit or process in a specific way. At the same time, we are interested in how certain cultural techniques contribute to shaping the usage and areas of application of digital media.
In the different core areas researchers at the ICAM explore the cultural and technological history of digital media—from cybernetics and the beginnings of the computer all the way to present-day network technologies, from textual and acoustic to visual forms of media representation, and from the classics to current concepts of media theory formation.
The ICAM maintains close institutional contact and cooperates with the Leuphana, e.g., the Moving Image Lab of the Innovation Incubator, the Leuphana College, the Leuphana Arts Program and the Leuphana Graduate School. Furthermore, the ICAM is responsible for the Audio and Video Labs of the Computer and Media Center of Leuphana.
- 2022
Sound Art Media Material. Pedagogical consequences of the media change for design and instrumental playing
Großmann, R. (Speaker)
16.09.2022Activity: Talk or presentation › Conference Presentations › Research
Geschichtstheoretische Konsultationen
Geulen, C. (Organiser), Schmieder, F. (Organiser) & Hörl, E. (Organiser)
08.11.2022Activity: Participating in or organising an academic or articstic event › External workshops, courses, seminars › Research
Tagung - Die Lehre in der Kritischen Theorie
Betzler, L. (Organiser) & Voller, C. (Organiser)
18.11.2022 → 19.11.2022Activity: Participating in or organising an academic or articstic event › Conferences › Research
- 2023
Radikale Langeweile im Kino
Gräfe, A. (Speaker)
16.06.2023Activity: Talk or presentation › Guest lectures › Transfer
A philosophical dissolution of history
Hörl, E. (Organiser)
21.06.2023 → 22.06.2023Activity: Participating in or organising an academic or articstic event › External workshops, courses, seminars › Research
Conference - Stanford-Leuphana Summer Academy 2023:
Beyes, T. (Speaker) & Pias, C. (Speaker)
25.06.2023 → 30.06.2023Activity: Participating in or organising an academic or articstic event › External workshops, courses, seminars › Research
Jurymitglied für das Berliner Programm Künstlerische Forschung
Tollmann, V. (Consultant)
08.2023Activity: Consultancy
Exit from the Valley. ‘Survival of the Richest’
Hille, L. (Speaker)
05.08.2023Activity: Talk or presentation › Guest lectures › Research
Vom Weltgeist zum Weltmarkt zum Weltgericht – Disruptionserfahrungen mit Melanie Gilligan
Gräfe, A. (Speaker)
18.08.2023Activity: Talk or presentation › Conference Presentations › Research
Reorganisation von Wahrnehmungsweisen
Gräfe, A. (Speaker)
01.09.2023Activity: Talk or presentation › Guest lectures › Research