School of Culture and Society
Organisational unit: Research School
Organisation profile
Leuphana University Lüneburg's School of Culture and Society is driven by the deep conviction that contemporary scientific and societal challenges can only be addressed by transcending traditional academic disciplines. Our college’s five institutes feature more than one hundred faculty from disciplines including art history, literary studies, media studies, philosophy, sociology, geography, and history. Together, they form a highly integrated network in terms of both their research and teaching, continuing a successful tradition of cooperation and collaboration in cultural studies that has defined our programme for almost forty years.
Main research areas
Culture and Society at Leuphana
More than 100 academics from the humanities and social sciences work at the School of Culture and Society at Leuphana. They pursue the shared goal of further developing the cultural studies project in the context of changing socio-cultural conditions. The point is not to dissolve individual disciplines in the humanities and social sciences, but rather to establish a specific cultural studies programme that aims at a critique of the present.
Research Areas
The School of Culture and Society focuses on cross-disciplinary research that explores questions that are highly significant to contemporary society. Our two primary research areas (Digital Cultures and Cultures of Critique) and our one research initiative (Cultures of Conflict) form a framework for innovative, advanced research in cultural studies. All of these research areas rely heavily on collaboration, and they include colloquia, conferences, and summer programs as well as ongoing collaborations with numerous externally funded projects.
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Das Problem der Unbestimmtheit des Rechts: Konsequenzen für die theoretische und die praktische Rechtskritik
Mattutat, L., 2016, In: Kritische Justiz. 49, 4, p. 496–508 13 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Die vertrackte Urteilsform: Ein Argument zur Frage der Rechtsgeltung mit und gegen Hans Kelsen, Gustav Radbruch und Carl Schmitt
Mattutat, L., 2016, 1. Aufl. ed. Marburg: Tectum Wissenschaftsverlag. 113 p. (Darmstädter Arbeiten zur Literaturwissenschaft und Philosophie; vol. 15)Research output: Books and anthologies › Monographs › Research › peer-review
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Gespielte Medien und die Anfänge 'phonographischer Arbeit'
Großmann, R., 2016, Spiel (mit) der Maschine: Musikalische Medienpraxis in der Frühzeit von Phonographie, Selbstspielklavier, Film und Radio. Saxer, M. (ed.). Bielefeld: transcript Verlag, p. 381-398 18 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Performing (the) digital: Positions of critique in digital cultures
Leeker, M., 11.2016, Performing the Digital: Performance Studies and Performances in Digital Cultures. Beyes, T., Schipper, I. & Leeker, M. (eds.). 1 ed. Bielefeld: transcript Verlag, Vol. 11. p. 21-63 43 p. (Digitale Gesellschaft).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Die vermarktete Stadt: Städtisches Kulturerbe aus marketingtheoretischer Sicht
Saretzki, A., 2016, In: Informationen zur modernen Stadtgeschichte. 2016, 1, p. 66-74 9 p.Research output: Journal contributions › Journal articles › Research › peer-review
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»Aus des Blutes Stimme«. Vermittlung und (Re)Kontextualisierung von NS-Kunst in der Zeitschrift NS-Frauenwarte
Marchal, S. & Zeising, A., 2016, Artige Kunst: Kunst und Politik im Nationalsozialismus. Berswordt-Wallrabe, S., Neumann, J.-U. & Tieze, A. (eds.). Bielefeld: Kerber Verlag, p. 88-102 14 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Sound as Musical Material
Großmann, R. & Hanacek, M., 03.2016, Sound as popular culture: a research companion. Papenburg, J. G. & Schulze, H. (eds.). Cambridge: The MIT Press, p. 53-64 12 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Phonographic work: Reading and writing sound
Großmann, R., 03.2016, Sound as popular culture: a research companion. Papenburg, J. G. & Schulze, H. (eds.). Cambridge: The MIT Press, p. 355-366 12 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Authority and Authorship: Uncovering the Socio-Technical Regimes of Peer-To-Peer Tourism
Bialski, P., 03.05.2016, Re-Inventing the Local In Tourism: Producing, Consuming and Negotiating Place. Russo, A. P. & Richards, G. (eds.). Bristol, GB: Channel View Publications Ltd, p. 35-49 15 p.Research output: Contributions to collected editions/works › Chapter › peer-review
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Qu’est-ce que la « marge d’indétermination »?
Hui, Y., 24.11.2016Research output: other publications › Articles in scientific forums or blogs › Research › peer-review