School of Culture and Society
Organisational unit: Faculty
Organisation profile
The School of Culture and Society continues an almost thirty-year tradition of teaching and research in cultural studies at Leuphana University of Lüneburg. At the faculty, more than one hundred scholars from disciplines such as art history, literary studies, media studies, philosophy, sociology, geography and history teach and conduct research in a total of five institutes. The faculty currently offers three majors ("Cultural Studies," "Studium Individuale", and "Digital Media") and four minors ("Philosophy," "Digital Media / Information Technology and Culture", and "Studium Individuale") at Leuphana College and four master's degrees ("Critical Studies - Arts - Theory - History", "Media and Digital Cultures", "Culture and Organization" and "Theory and History of Modernity").
Topics
Die Wissenschaftsinitiative Kulturforschung fragt nach den historischen und kulturellen Grundlagen, Praktiken und Werten der Zivilgesellschaft im 21. Jahrhundert. Aus der Perspektive der Geistes- und Sozialwissenschaften verbindet die Initiative zwei anwendungsorientierte Forschungsschwerpunkte (Kunst & visuelle Kultur, Medienkultur & Kommunikation) mit einem starken Kernbereich Integrativer Kulturforschung. Beteiligt sind derzeit etwa 20 Professuren aus den Disziplinen Kunst, Medien, Philosophie, Geschichte, Literatur, Soziologie, Politik, Informatik und Geographie/Raumwissenschaft.
- Contributions to collected editions/anthologies › Research › Peer-reviewed
- Published
The Manifestation of Authoritarian Populism in Europe: Challenging the Fragile Compromise of Liberal Democracy
Tiedemann, N., Bolldorf, H., Caterina, D., Huke, N., Opratko, B. & Syrovatka, F., 08.11.2022, The Crisis and Future of Democracy. Regelmann, A-C. (ed.). Brussel: Rosa Luxemburg Stiftung, p. 18-69 42 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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The Modern Concept of Fashion and its Origins in Romanticism
Förster-Beuthan, Y., 2012, The Actuality of Romanticism. Deiters, F-J., Fliethmann, A., Lang, B., Lewis, A. & Weller, C. (eds.). Rombach Verlag, Vol. 5. p. 141-159 19 p. (Limbus – Australisches Jahrbuch für germanistische Literatur- und Kulturwissenschaft; vol. 5).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
The organizational a priori: Critique of the digital as critique of organization
Beyes, T., 2021, Critique and the Digital. Hörl, E., Pinkrah, N. Y. & Warnholdt, C. L. (eds.). Zürich/Berlin: Diaphanes Verlag, p. 229-248 20 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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The Ornament of Mass Customization: On the Collective Consciousness of Dispersed Examiners
Simons, S., 2016, Social Media: New Masses. Baxmann, I., Beyes, T. & Pias, C. (eds.). Zürich: Diaphanes Verlag, p. 225-246 22 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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The Power of Information: A Journey Back in Time to the Faultlines of Globalization, Art, and Media in the Early 1990s
Bunz, M., 2013, The whole earth: California and the disappearance of the outside. Diederichsen, D. & Franke, A. (eds.). Berlin: Sternberg Press, p. 172-176 5 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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There is no Software, there are just Services: Introduction
Kaldrack, I. & Leeker, M., 2015, There is no Software, there are just Services. Kaldrack, I. & Leeker, M. (eds.). Lüneburg: meson press, p. 9-19 11 p. (Digital Cultures).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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The Sharing Turn: Why We are Generally Nice and Have a Good Chance to Cooperate our Way Out of the Mess We Have Gotten Ourselves Into
Graßmuck, V., 2012, Media, Knowledge and Education: Cultures and Ethics of Sharing: Medien - Wissen - Bildung: Kulturen und Ethiken des Teilens. Sützl, W., Stalder, F., Maier, R. & Hug, T. (eds.). Innsbruck: innsbruck university press, p. 17-34 18 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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The Stakes of the Stage: Piscator's Scenography as a Practice of Critique and Benjamin's Discontent with the "Zeittheater"
Woisnitza, M., 2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich: Diaphanes Verlag, p. 297-324 28 p. (Critical stances).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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The state of the internets: Notes for a new historiography of technosociality
Shah, N., 01.01.2017, The Routledge Companion to Global Internet Histories. Goggin, G. & McLelland, M. (eds.). New York: Routledge Taylor & Francis Group, p. 49-60 12 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
The 'West' versus 'the Rest'? Festival Curators as Gatekeepers for Sociocultural Diversity
Gaupp, L., 2020, Managing Culture: Reflecting on exchange in global times. Durrer, V. & Henze, R. (eds.). Cham: Palgrave Macmillan, p. 127-153 27 p. (Sociology of the Arts).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review