School of Culture and Society
Organisational unit: Research School
Organisation profile
Leuphana University Lüneburg's School of Culture and Society is driven by the deep conviction that contemporary scientific and societal challenges can only be addressed by transcending traditional academic disciplines. Our college’s five institutes feature more than one hundred faculty from disciplines including art history, literary studies, media studies, philosophy, sociology, geography, and history. Together, they form a highly integrated network in terms of both their research and teaching, continuing a successful tradition of cooperation and collaboration in cultural studies that has defined our programme for almost forty years.
Main research areas
Culture and Society at Leuphana
More than 100 academics from the humanities and social sciences work at the School of Culture and Society at Leuphana. They pursue the shared goal of further developing the cultural studies project in the context of changing socio-cultural conditions. The point is not to dissolve individual disciplines in the humanities and social sciences, but rather to establish a specific cultural studies programme that aims at a critique of the present.
Research Areas
The School of Culture and Society focuses on cross-disciplinary research that explores questions that are highly significant to contemporary society. Our two primary research areas (Digital Cultures and Cultures of Critique) and our one research initiative (Cultures of Conflict) form a framework for innovative, advanced research in cultural studies. All of these research areas rely heavily on collaboration, and they include colloquia, conferences, and summer programs as well as ongoing collaborations with numerous externally funded projects.
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Identitäten im Netz: Performative Strategien in kollaborativer Online-Musikproduktion
Stenzel, M., 2024, Hildesheim: Universitätsverlag Hildesheim. 384 p. (MusikmachDinge. ((audio)) Ästhetische Strategien und Sound-Kulturen; vol. 10)Research output: Books and anthologies › Monographs › Research
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Identität ausser Kontrolle: Handlungsfähigkeit und Identitätspolitik jenseits des autonomen Subjekts
Paulus, S., 2001, Münster, Westfalen: LIT Verlag. 120 p. (Geschlecht - Kultur - Gesellschaft ; vol. 5)Research output: Books and anthologies › Monographs › Research
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Deep time Heimat: Die prähistorischen Landschaften des Deutschen Reichs
Stoffel, P., 31.10.2020, In: Kulturwissenschaftliche Zeitschrift. 5, 1, p. 31-42 12 p.Research output: Journal contributions › Journal articles › Research › peer-review
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"Ich zeige dir, was du nicht siehst.": Francesca Woodmans Kraft
Söntgen, B., 2014, Francesca Woodman: Werke aus der Sammlung Verbund. Schor, G. & Bronfen, E. (eds.). Köln: Verlag der Buchhandlung Walther König, p. 63-72 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
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Ich trage, wo ich gehe, stets eine Uhr bei mir - Oder: Mein Gott, was sind die Wissenschaften aufregend !
Warnke, M., 2012, Per Anhalter durch die Turing-Galaxis. Knaut, A., Kühne, C., Rehak, R., Stefan, U., Kurz, C. & Pohle, J. (eds.). Münster: MV Wissenschaft, p. 101-109 8 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Ich nicht: Ein Interviewbuch für Fans
Leeb, S. A., 2002, In: Texte zur Kunst. 12, 45, p. 181-185 5 p.Research output: Journal contributions › Critical reviews › Research
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"Ich leide, also bin ich": Selbstverfügter Schmerz als äußerstes Mittel politischer Kunst
Söntgen, B. E., 2016, Ulay: Life-Sized. Ulrich, M. (ed.). Leipzig: Spector Books, p. 111-117 6 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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"Ich kann sagen: Nächstes Jahr ist okay! Mehr kann ich nicht sagen.": Eine bildende Künstlerin und Filmemacherin im Gespräch mit Ulf Wuggenig
Wuggenig, U., 2010, Ein halbes Leben: Biografische Zeugnisse aus einer Arbeitswelt im Umbruch. Schultheis, F., Vogel, B. & Gemperle, M. (eds.). 1. ed. Konstanz: UVK Verlagsgesellschaft mbH, p. 507-522 16 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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"Ich bin Neda": Zur Authentizität ästhetischer Brüche und ihrer sozialen Resonanz im Web 2.0
Simons, S., 2012, Authentisches Erzählen: Produktion, Narration, Rezeption. Weixler, A. (ed.). Berlin; Boston MA: Walter de Gruyter GmbH, p. 291-319 29 p. (Narratologia; no. 33).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review