School of Culture and Society

Organisational unit: Research School

Organisation profile

Leuphana University Lüneburg's School of Culture and Society is driven by the deep conviction that contemporary scientific and societal challenges can only be addressed by transcending traditional academic disciplines. Our college’s five institutes feature more than one hundred faculty from disciplines including art history, literary studies, media studies, philosophy, sociology, geography, and history. Together, they form a highly integrated network in terms of both their research and teaching, continuing a successful tradition of cooperation and collaboration in cultural studies that has defined our programme for almost forty years.

Main research areas

 

Culture and Society at Leuphana

More than 100 academics from the humanities and social sciences work at the School of Culture and Society at Leuphana. They pursue the shared goal of further developing the cultural studies project in the context of changing socio-cultural conditions. The point is not to dissolve individual disciplines in the humanities and social sciences, but rather to establish a specific cultural studies programme that aims at a critique of the present.

Research Areas

The School of Culture and Society focuses on cross-disciplinary research that explores questions that are highly significant to contemporary society. Our two primary research areas (Digital Cultures and Cultures of Critique) and our one research initiative (Cultures of Conflict) form a framework for innovative, advanced research in cultural studies. All of these research areas rely heavily on collaboration, and they include colloquia, conferences, and summer programs as well as ongoing collaborations with numerous externally funded projects.

 

  1. Toward a New Aesthetics: Institutional Criticism in Art Education from 1900 to Today

    Neugärtner, S. (Editor), Buchloh, B., Holert, T., Capper, E. R., Saletnik, J., Sprowl, R., Foster, N., Sadka, N., Leam, S., Watts, J., Kindsfather, E., Akoi-Jackson, B., Nogueira, I., Bruhn, K. & Schoel, M.-C., 04.2025, (In preparation) Boston/Leiden: Brill Verlag. 300 p. (Doing Arts Thinking: Arts Practice, Research and Education; vol. 18)

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  2. Demokratie als Religion. Wie Wilhelm Weitling von seinen frühsozialistischen Schwestern lernte

    Meyzaud, M., 01.2026, (Submitted) In: Kulturwissenschaftliche Zeitschrift.

    Research output: Journal contributionsJournal articlesResearch

  3. Postwachstum gestalten: designethnografische Perspektiven auf Prototypen des gesellschaftlichen Wandels

    Ibach, M., 2026, Bielefeld: transcript Verlag. 271 p. (Design; vol. 62)

    Research output: Books and anthologiesMonographsResearch

  4. „Frieden, Freiheit, Souveränität“: Symbolische Herrschaft im verschwörungsideologischen Souveränismus am Beispiel der ‚Reichsbüger:innen‘

    Kretschmann, A. & Rowitz, L., 2026, Symbolische Ordnung und Rassismuskritik. Arslan, E. & Bozay, K. (eds.). Wiesbaden: Springer VS, p. 313-325

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  5. Rehearsing Organization: Art, eutopia, pre-enactment

    Beyes, T. & Vilstrup Holm, D., 2026, (Accepted/In press) In: Organization Studies. 26 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  6. Il comunismo nietzscheano di Nicola Massimo De Feo

    Nigro, R., 2025, La rivoluzione inquieta. N. M. De Feo vent’anni dopo. Nigro, R. & Spagnuolo, M. (eds.). ManifestoLibri, p. 88-108

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  7. Discomfort in the Italian Operaism: The Nietzschean Legacy in the Work of Nicola Massimo De Feo

    Nigro, R., 2026, (Accepted/In press) The Resistible Crisis of Italian Thought. Dal Bo, F. & Salzini, C. (eds.). SUNY Press, p. 35–54

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  8. Anna-Lena Eick. „Geschichte zerfällt in Bilder, nicht in Geschichten“. Visualität in der literarischen Geschichtsdarstellung. Paderborn: Brill/Fink, 2024. 407 S.

    Drews, K., 2026, Komparatistik : Jahrbuch der Deutschen Gesellschaft für Allgemeine und Vergleichende Literaturwissenschaft 2026. Eckel, W. & Solte-Gresser, C. (eds.). Bielefeld: Aisthesis Verlag, p. 247-251 5 p. (Komparatistik. Jahrbuch der Deutschen Gesellschaft für Allgemeine und Vergleichende Literaturwissenschaft; vol. 2026).

    Research output: Contributions to collected editions/worksCritical ReviewsResearch

  9. Curating the Algorithm: An Educational Encounter with AI and Art Exhibitions

    Romero-Ferrón, B. & Rodríguez Ortega, N., 2026, (Accepted/In press) Anthology Art History and Artificial Intelligence. Palgrave Macmillan

    Research output: Contributions to collected editions/worksChapterpeer-review

  10. Regressing to Nature. Culture Industry and Fascism in Times of Ecological Crisis

    Stubenrauch, H., 2026, (Accepted/In press) In: Constellations. An International Journal of Critical and Democratic Theory.

    Research output: Journal contributionsJournal articlesResearchpeer-review