School of Culture and Society
Organisational unit: Research School
Organisation profile
Leuphana University Lüneburg's School of Culture and Society is driven by the deep conviction that contemporary scientific and societal challenges can only be addressed by transcending traditional academic disciplines. Our college’s five institutes feature more than one hundred faculty from disciplines including art history, literary studies, media studies, philosophy, sociology, geography, and history. Together, they form a highly integrated network in terms of both their research and teaching, continuing a successful tradition of cooperation and collaboration in cultural studies that has defined our programme for almost forty years.
Main research areas
Culture and Society at Leuphana
More than 100 academics from the humanities and social sciences work at the School of Culture and Society at Leuphana. They pursue the shared goal of further developing the cultural studies project in the context of changing socio-cultural conditions. The point is not to dissolve individual disciplines in the humanities and social sciences, but rather to establish a specific cultural studies programme that aims at a critique of the present.
Research Areas
The School of Culture and Society focuses on cross-disciplinary research that explores questions that are highly significant to contemporary society. Our two primary research areas (Digital Cultures and Cultures of Critique) and our one research initiative (Cultures of Conflict) form a framework for innovative, advanced research in cultural studies. All of these research areas rely heavily on collaboration, and they include colloquia, conferences, and summer programs as well as ongoing collaborations with numerous externally funded projects.
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"Erst hochgejubelt, dann ausgespuckt!": Prominenzgenese und Prominenzverschleiss im Fernsehen
Faulstich, W. & Strobel, R., 2002, Fernsehen für die Spaßgesellschaft: Wettbewerbsziel Aufmerksamkeit - Mainzer Tage der Fernseh-Kritik, veranst. am 14. und 15. Mai 2001. Hall, P. C. (ed.). Mainz: Zweites Deutsche Fernsehen, p. 283-295 13 p.Research output: Contributions to collected editions/works › Article in conference proceedings › Research
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Ertanzte Technikgeschichte(n): Beobachtungen zur zeitgenössischen Begegnung von Tanz und elektronisch-digitaler Technologie
Leeker, M., 2002, Tanz Theorie Text. Klein, G. & Zipprich, C. (eds.). Münster: LIT Verlag, p. 533 - 552 20 p. (Tanzforschung; vol. 12).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Erving Goffman: Social Embarrassment and Social Organization
Knoblauch, H. & Herbrik, R., 2013, Hauptwerke der Emotionssoziologie. Senge, K. & Schützeichel, R. (eds.). Wiesbaden: VS Verlag für Sozialwissenschaften, p. 140-144 5 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Erwartungen an Anderswelten: Umgänge mit Transzendenzen
Herbrik, R., 2014, Unser Alltag ist voll von Gesellschaft: Sozialwissenschaftliche Beiträge. Wiesbaden: VS Verlag für Sozialwissenschaften, p. 259-283 25 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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"Es bleibet aber eine Spur - Doch eines Wortes": zur späten Hymnik und Tragödientheorie Friedrich Hölderlins
Jamme, C. (Editor) & Lemke, A. (Editor), 2004, Paderborn: Wilhelm Fink Verlag. 483 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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“Es ist die Medientheorie avant la lettre, die sich in der Legende vom sterbenden Boten verbirgt"
Krämer, S., 07.2017, Zur Genealogie des MedienDenkens. Irrgang, D. & Hadler, F. (eds.). Berlin: Kulturverlag Kadmos , p. 255-278 24 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Esoterische und exoterische Kunstkritik
Wuggenig, U., 2012, Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris. Munder, H. & Wuggenig, U. (eds.). Zürich: JRP Ringier Verlag, p. 363-379 17 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Esthetics Column. Loss of History - on contemporary Art History
Kemp, W., 01.2012, In: Merkur. 66, 1, p. 58-62 5 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Ethik geht uns alle an: Zur Diskussion um die Bioethik
Schües, C. & Mies, M., 09.1996, In: Olympe - Femenistische Arbeitshefte zur Politik. 5/96, p. 107-111 5 p.Research output: Journal contributions › Journal articles › Research
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Ethik, nachhaltige Entwicklung und zeitgenössische Kunst
Wuggenig, U., 2001, Ethik und Nachhaltigkeit. Altner, G. & Michelsen , G. (eds.). VAS Verlag für Akademische Schriften, p. 240-264 25 p. ( Innovation in den Hochschulen: Nachhaltige Entwicklung ; vol. 5).Research output: Contributions to collected editions/works › Article in conference proceedings › Research