School of Culture and Society
Organisational unit: Research School
Organisation profile
Leuphana University Lüneburg's School of Culture and Society is driven by the deep conviction that contemporary scientific and societal challenges can only be addressed by transcending traditional academic disciplines. Our college’s five institutes feature more than one hundred faculty from disciplines including art history, literary studies, media studies, philosophy, sociology, geography, and history. Together, they form a highly integrated network in terms of both their research and teaching, continuing a successful tradition of cooperation and collaboration in cultural studies that has defined our programme for almost forty years.
Main research areas
Culture and Society at Leuphana
More than 100 academics from the humanities and social sciences work at the School of Culture and Society at Leuphana. They pursue the shared goal of further developing the cultural studies project in the context of changing socio-cultural conditions. The point is not to dissolve individual disciplines in the humanities and social sciences, but rather to establish a specific cultural studies programme that aims at a critique of the present.
Research Areas
The School of Culture and Society focuses on cross-disciplinary research that explores questions that are highly significant to contemporary society. Our two primary research areas (Digital Cultures and Cultures of Critique) and our one research initiative (Cultures of Conflict) form a framework for innovative, advanced research in cultural studies. All of these research areas rely heavily on collaboration, and they include colloquia, conferences, and summer programs as well as ongoing collaborations with numerous externally funded projects.
- 2012
- Published
Das Interieur als psychische Installation: Zur Einrichtung des Innenraums bei Teresa Hubbard/Alexander Birchler und Eija-Liisa Ahtila
Söntgen, B., 2012, Kinematographische Räume: Installationsästhetik in Film und Kunst. Frohne, U. & Haberer, L. (eds.). München: Wilhelm Fink Verlag, p. 419-446 28 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Das Kunstfeld: Akteure, Institutionen und Zentrum-Peripherie-Struktur
Kastelan, C., Tarnai, C. & Wuggenig, U., 2012, Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris. Munder, H. & Wuggenig, U. (eds.). 1 ed. Zürich: JRP Ringier Verlag, p. 87-106 20 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Das Kunstfeld von Zürich - ein Zentrum des Buddhismus?
Wuggenig, U., 2012, Das Kunstfeld: Eine Studie über Akteure und Institutionen der zeitgenössischen Kunst am Beispiel von Zürich, Wien, Hamburg und Paris. Munder, H. & Wuggenig, U. (eds.). Zürich: JRP Ringier Verlag, p. 53-62 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Das schöne Spiel
Schefczyk, M., 2012, In: Agora42. 4, 4, p. 25-30 6 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Das Schreiben, das Interpretieren, die Tatsachen: Dekonstruktion und Evidenz bei Nietzsche
Hobuß, S., 2012, Nietzsches Wissenschafts-Philosophie: Hintergründe, Wirkungen und Aktualität. Heit, H., Abel, G. & Brusotti, M. (eds.). Berlin/Boston: Walter de Gruyter GmbH, p. 271-280 10 p. (Monographien und Texte zur Nietzsche-Forschung; vol. 59).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Das Theater des Herrn Diderot findet im Innenraum statt: Zum Rahmen wahrer Darstellung im späten 18. Jahrhundert
Söntgen, B., 2012, Theaterfeindlichkeit. Diekmann, S., Wild, C. & Brandstetter, G. (eds.). München: Wilhelm Fink Verlag, p. 127-146 20 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
- Published
Das Wesen der Dinge: Hammershøi in den Augen Rainer Maria Rilkes
Hemkendreis, A., 2012, Hammershøi und Europa: Ein dänischer Künstler um 1900. Monrad, K. (ed.). München, London, New York: Prestel Verlag, p. 165-180 16 p.Research output: Contributions to collected editions/works › Other › Research
- Published
Datenbanken als Zitadellen des Web 2.0
Warnke, M., 2012, Sortieren, Sammeln, Suchen, Spielen.: Die Datenbank als mediale Praxis. Stefan, B., Nohr, R. F. & Wiemer, S. (eds.). 1 ed. Münster/Hamburg/Berlin/London: LIT Verlag, Vol. 18. p. 122-136 14 p. (Medien ' Welten. Braunschweiger Schriften zur Medienkultur; vol. 18).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Deliberative Bürgerbeteiligung in der Priorisierungsdebatte: Welchen Beitrag können Bürger leisten ?
Stumpf, S. & Raspe, H., 2012, In: Zeitschrift für Evidenz, Fortbildung und Qualität im Gesundheitswesen. 106, 6, p. 418-425 8 p.Research output: Journal contributions › Journal articles › Research
- Published
Der/Die schlaflose Cyborg: Zur Performance „One Man Unit“ von Paul Wiersbinski und Wieland Schönfelder
Gerhardt, U. & Husse, S., 2012, Cynetart 2012. Trans-Media Akademie Hellerau (ed.). Dresden: Trans-Media-Akademie Hellerau e.V., p. 105-106 2 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research