School of Culture and Society
Organisational unit: Research School
Organisation profile
Leuphana University Lüneburg's School of Culture and Society is driven by the deep conviction that contemporary scientific and societal challenges can only be addressed by transcending traditional academic disciplines. Our college’s five institutes feature more than one hundred faculty from disciplines including art history, literary studies, media studies, philosophy, sociology, geography, and history. Together, they form a highly integrated network in terms of both their research and teaching, continuing a successful tradition of cooperation and collaboration in cultural studies that has defined our programme for almost forty years.
Main research areas
Culture and Society at Leuphana
More than 100 academics from the humanities and social sciences work at the School of Culture and Society at Leuphana. They pursue the shared goal of further developing the cultural studies project in the context of changing socio-cultural conditions. The point is not to dissolve individual disciplines in the humanities and social sciences, but rather to establish a specific cultural studies programme that aims at a critique of the present.
Research Areas
The School of Culture and Society focuses on cross-disciplinary research that explores questions that are highly significant to contemporary society. Our two primary research areas (Digital Cultures and Cultures of Critique) and our one research initiative (Cultures of Conflict) form a framework for innovative, advanced research in cultural studies. All of these research areas rely heavily on collaboration, and they include colloquia, conferences, and summer programs as well as ongoing collaborations with numerous externally funded projects.
- 2011
- Published
Mehr Strategie wagen
Raschke, J. & Tils, R., 2011, In: Politik & Kommunikation. Juli/August, p. 14-15 2 p.Research output: Journal contributions › Journal articles › Research
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Mill und Marx über die Zukunft des Kapitalismus. Eine Miszelle
Schefczyk, M., 2011, Capitalism Revisited – Anmerkungen zur Zukunft des Kapitalismus. Pasero, U., van den Berg, K. & Kabalak, A. (eds.). 1 ed. Marburg: Metropolis Verlag für Ökonomie, p. 123-132 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Mitologia illuminata: Thomas Mann e il mito
Jamme, C., 2011, Thomas Mann tra etica e politica. Cantillo, G., Conte, D. & Donise, A. (eds.). Bologna: Il Mulino, p. 107-117 11 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Mit Pixel und Korn: DV-Ästhetik und DOGMA-Film
Kirchner, A., 2011, Film im Zeitalter "Neuer Medien": Fernsehen und Video. Segeberg, H. (ed.). 1 ed. München: Wilhelm Fink Verlag, Vol. 1. p. 339-366 28 p. (Mediengeschichte des Films; vol. 7).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Monster und Freaks: Eine Wissensgeschichte außergewöhnlicher Körper im 19. Jahrhundert
Stammberger, B., 2011, 1. Auflage ed. Bielefeld: transcript Verlag. 341 p.Research output: Books and anthologies › Monographs › Research
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Motive vernetzen: Meta-Image als Bild-Zettelkasten: Bilddiskurse in Zeiten des Internets
Warnke, M., 2011, In: KUNST Magazin. 10, p. 10-15 6 p.Research output: Journal contributions › Journal articles › Research
- Published
Museumslandschaft im Wandel
Kirchberg, V., 2011, In: Gazzetta ProLitteris. 50, 2, p. 46-53 8 p.Research output: Journal contributions › Journal articles › Research
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Musik und Medien: Kommentar zu K. Blaukopf (1996), Die Mediamorphose der Musik als globales Phänomen; K. Blaukopf (1996), Mutation durch technische Medien
Großmann, R., 2011, Systematische Musikwissenschaft. Auhagen, W., Busch, V. & Hemming, J. (eds.). Laaber: Laaber Verlag, p. 131-140 (Kompendien Musik; vol. 9).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Musik und Medium: Kommentar zu: K. Blaukopf (1996), Die Mediamorphose der Musik als globales Phänomen; K. Blaukopf (1996), Mutation durch technische Medien
Großmann, R., 2011, Systematische Musikwissenschaft: Ziele - Methoden - Geschichte. Auhagen, W., Busch, V. & Hemming, J. (eds.). Laaber: Laaber Verlag, p. 131-140 10 p. (Kompendien Musik; vol. 9, no. 1).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published