Centre for Digital Cultures

Organisational unit: Institute

Organisation profile

Contemporary culture is characterized by the ubiquity of digital media technologies and infrastructures, which are constantly configuring our techniques for processing, storing, and transmitting data. As a result, our everyday practices of connecting, relating, reading, writing, perceiving, sharing, competing, and communicating are undergoing significant changes. At the same time, these technologies are closely tied to major societal challenges such as climate change, global conflicts, digital divides and social unjustness. In this dynamic context, the Centre for Digital Cultures (CDC) directly addresses the emergence of new and complex qualities of vernacular socio-technical life. This involves the development of advanced theory and innovative study programmes. We are concerned with the question of how we can understand and shape digital cultures today​​​​​​​.

Main research areas

The digital shift re-shapes the cultural sectors, and, indeed, everyday life, politics, law, and economics. the Centre for Digital Cultures (CDC), affiliated to Leuphana University of Lüneburg, examines this shift through a range of interdisciplinary methodologies, including media, cultural and social studies, through knowledge creation and transfer, as well as by developing experimental and interventionist media practices. Established in 2012, as one of the first research centres in Europe to research the emergence of digital cultures, the CDC continues to produce cutting-edge research on socio-technical regimes of inclusion and exclusion. Since its inception, the CDC has built an innovative network and research environment, where academic institutions, practitioners, and civil society stakeholders engage with new concepts, formats, and applications within digital cultures.

Current Research Areas

  • Climate Futures
  • (B)Orders, Identities and Belonging in the Digital Age
  • Cities, Infrastructures, Logistics, Platforms 
  1. Published

    Wahrnehmungsmaschinen: Über das Werk von Seiko Mikami

    Broeckmann, A., 2012, The Big Picture: Weltbilder für die Zukunft ; Ars Electronica 2012, Festival für Kunst, Technologie und Gesellschaft, 30. August - 3. September 2012. Leopoldseder, H. (ed.). Ostfildern: Hatje Cantz Verlag, p. 63-63 1 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  2. Published

    Vom Nutzen enger Kanäle – Diskursverknappung als Methode

    Warnke, M., 2012, Öffentliche Wissenschaft und Neue Medien: Die Rolle der Web 2.0-Kultur in der Wissenschaftsvermittlung. Robertson-von Trotha, C. Y. & Muñoz Morcillo, J. (eds.). Karlsruhe: KIT Scientific Publishing, p. 91-99 9 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  3. Published

    „Wer Bücher hört, kann auch Klänge sehen“: Bemerkungen zur Synästhesie des Hörbuchs.

    Hagen, W., 2014, Das Hörbuch: Audioliteralität und akustische Literatur. Binczek, N. & Epping-Jäger, C. (eds.). 1 ed. Wilhelm Fink Verlag, p. 179-192 15 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  4. Published

    "Kulturinstrument Radio": Zur Genealogie der medialen Katastrophe der Weimarer Republik

    Hagen, W., 2012, Populärkultur, Massemmedien, Avantgarde 1919-1933. Nitsche, J. & Werner, N. (eds.). München: Wilhelm Fink Verlag, p. 67-82 16 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  5. Published

    "Being There!": Epistemologische Skizzen zur Smartphone-Fotografie

    Hagen, W., 12.2012, Bildwerte: Visualität in der digitalen Medienkultur. Freyermuth , G. S. & Gotto, L. (eds.). transcript Verlag, p. 103-135 33 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  6. Published

    Datenbanken als Zitadellen des Web 2.0

    Warnke, M., 2012, Sortieren, Sammeln, Suchen, Spielen.: Die Datenbank als mediale Praxis. Stefan, B., Nohr, R. F. & Wiemer, S. (eds.). 1 ed. Münster/Hamburg/Berlin/London: LIT Verlag, Vol. 18. p. 122-136 14 p. (Medien ' Welten. Braunschweiger Schriften zur Medienkultur; vol. 18).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  7. Published

    Motive vernetzen – Meta-Image als Bild-Zettelkasten: Bilddiskurse in Zeiten des Internet

    Warnke, M., 09.2012, In: FIfF-Kommunikation. 29, 3, p. 50-52 3 p.

    Research output: Journal contributionsJournal articlesResearch

  8. Published

    Privacy is Dead – Ein Fünf-Jahres-Selbstversuch der bewussten Ortsbestimmung mittels GPS

    Loebel, J.-M., 12.12.2012, Automatismen - Selbst-Technologien. Bublitz, H., Kaldrack, I., Röhle, T. & Zeman, M. (eds.). 1. Auflage ed. Wilhelm Fink Verlag, p. 143-163 20 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearchpeer-review

  9. Published

    Digitales Vergessen: Deletion Impossible?

    Kurz, C. & Loebel, J.-M., 15.07.2012, Potentiale des Vergessens. Blum, A., Georgen, T., Knapp, W. & Sellier, V. (eds.). Würzburg: Königshausen & Neumann, p. 343-358 16 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  10. Published

    RiB-Kit (RFID-in-a-Box): Eine mobile RFID-Lösung für neuartige Interaktionskonzepte

    Loebel, J.-M. & Kuper, H.-G., 09.05.2012, Kultur und Informatik : Aus der Vergangenheit in die Zukunft. Sieck, J. & Franken-Wendelstorf, R. (eds.). 1. Auflage ed. vwh-Verlag Werner Hülsbusch, p. 187-196 9 p.

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearchpeer-review

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