Centre for Digital Cultures
Organisational unit: Institute
Organisation profile
The Centre for Digital Cultures (CDC) unites a large range of research and development activities dedicated to the digital shift. It engages in knowledge creation and transfer, experimental and interventionist media practices, and research in disciplines such as media, social and cultural studies. The CDC aims to both understand the epochal digital shift through excellent research, and to become one of the major European forces that shape digital cultures to come.
The CDC has seen a remarkable uptake of successful funding bids. The major projects are funded by the European Fund for Regional Development (EFRE) and the State of Lower Saxony, by the German Research Council (DFG) and the VW Foundation respectively. Additional smaller projects are supported by the British Broadcasting Corporation (BBC), Transmediale, and the German Ministry for Education and Research (BMBF). The CDC has by now more than 80 researchers and cultural producers from all over the world. They work on questions such as:
- Transmedia: How can we understand and develop new formats for entertainment as well as culture and education, merging different forms of production, participation, distribution and aesthetics?
- User and Audience Research: What kind of methods enable us to understand new usage and consumption patterns, addressing digital cultures’ both global and local audiences?
- Gamification: Computer games have a growing relevance in contemporary life, not only due to the games themselves, but also through their metaphors and methods. What new opportunities arise?
- Common Media: Which new forms of citizenship and cultural/political engagement are developing in the digital age, and how can we understand, enact and strengthen them?
- Net based Public Broadcast: How can publicly funded provision of information, education, culture and entertainment adapt to the internet? How can new versions of basic provision be realized?
- Hybrid Publishing: Which avenues for the communication and dissemination of knowledge beyond classrooms and research articles can be constructed, adapting the cultural and economic logic of the digital age?
- Computer Simulation: From climate change to mass panics: Knowledge production based on computer simulation is shaping our worldview. How can we analyse and understand its effects?
Research and development at the CDC traverse boundaries between the academic sector, culture and the arts, industry, governmental bodies and civil society. It is a conducive, productive and experimental research environment, in which researchers and entrepreneurs, activists and artists, producers and hackers, thinkers and doers broker dynamic connections. Visions, blueprints and experimental findings get exposed to real-world conditions. The development of innovative teaching formats is a further crucial part of the mix: Leuphana Digital School is bringing knowledge and education online, and a new English-speaking Bachelor in Digital Media started in autumn 2013, developed in cooperation with Leuphana’s Institute for the Culture and Aesthetics of Digital Media, Hamburg Media School and Hongkong City University. The result is a new, open and engaged form of research and development for Europe’s digital cultures.
Topics
- Transmedia
- User and Audience Research
- Gamification
- Common Media
- Net based Public Broadcast
- Hybrid Publishing
- Computer Simulation
- Artistic Research
- New Teaching Formats
- Contributions to collected editions/anthologies › Research › Not peer-reviewed
- Published
Quantencomputer. Taktlos
Warnke, M., 2013, Kulturtechniken der Synchronisation. Kassung, C. & Macho, T. (eds.). Paderborn: Wilhelm Fink Verlag, p. 269-287 18 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Rassismusforschung in Deutschland. Prekäre Geschichte, strukturelle Probleme, neue Herausforderungen
Bojadzijev, M., Opratko, B., Braun, K. & Liebig, M., 2018, Leerstelle Rassismus? : Analysen und Handlungsmöglichkeiten nach dem NSU. Dürr, T. & Becker, R. (eds.). Schwalbach/Ts.: Wochenschau-Verlag, p. 59-73Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Schwinde(l)ndes Theater: Zur Installation "camera orfeo" von Penelope Wehrli
Leeker, M., 05.2010, Penelope Wehrli : Ich wohne in der Möglichkeit ; raum partituren. Bern: Benteli, p. 214 - 219 5 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Sovereign Media, Critical Infrastructures, and Political Subjectivity
Rossiter, N. & Apprich, C., 31.12.2016, across & beyond: A transmediale Reader on Post-digital Practices, Concepts, and Institutions. Bishop, R., Gansing, K., Parikka, J. & Wilk, E. (eds.). Berlin: Sternberg Press, p. 270-289 20 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Soziale Strukturierungen der photographischen Repräsentationen der häuslichen Objektwelt. Ergebnisse einer Photobefragung
Wuggenig, U., 1994, Das symbolische Kapital der Lebensstile. Zur Kultursoziologie der Moderne nach Pierre Bourdieu. Mörth, I. & Fröhlich, G. (eds.). Frankfurt am Main: Campus Verlag, p. 207-228 22 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Soziale Ungleichheit und legitime Kultur
Wuggenig, U., 1988, Kulturarbeit und Kulturpädagogik: Grundlagen, Praxisfelder, Ausbildung. Müller-Rolli, S. (ed.). München: Juventa Verlag, p. 33-64 32 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Soziologie des Publikums / Sociology of the Audience
Wuggenig, U. & Kockot, V., 1993, Das Bild der Ausstellung: The Image of the Exhibition. Brüderlin, M. (ed.). Wien: Hochschule für Angewandte Kunst Wien, p. 82-90 9 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Soziologie und Bildende Kunst
Wuggenig, U., 1997, Kunst − Geschichte − Soziologie: Beiträge zur soziologischen Kunstbetrachtung aus Österreich ; Festschrift für Gerhardt Kapner zum 70. Geburtstag. Smudits, A. & Staubmann, H. (eds.). Frankfurt am Main / Berlin / New York: Peter Lang Verlag, p. 293-323 31 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Statistische Auswertungsverfahren nominalskalierter Daten
Wuggenig, U. & Engel, U., 1991, Handbuch Qualitative Sozialforschung. Grundlagen, Konzepte, Methoden und Anwendungen. Flick, U., von Kardorff, E., Keupp, H., von Rosenstiel, L. & Wollf, S. (eds.). München: Psychologie Verlagsunion, p. 237-243 7 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Sternenstaub: Zur Anschaulichkeit elektrischer Phänomene Ende des 18. Jahrhunderts
Sprenger, F., 01.04.2014, Zwischen Sichtbarkeit und Unsichtbarkeit: Visualität in Wissenschaft, Literatur und Kunst um 1800. Kaufmann, J., Kirves, M. & Uhlmann, D. (eds.). Paderborn: Wilhelm Fink Verlag, p. 39-64 26 p. (Laboratorium Aufklärung; vol. 24).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Stiftung Journalismus: Zur Konkretion neuer medienpolitischer Strategien
Novy, L., 2013, Rundfunkpolitik und Netzpolitik: Strukturwandel der Medienpolitik in Deutschland. Hachmeister, L. & Anschlag, D. (eds.). Köln: Herbert von Halem Verlag, p. 140-149 10 p. (Edition Medienpraxis; vol. 10).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Stimmen von Marcel Duchamp und Martin Heidegger, Klänge von John Cage und Vivaldi / Voix de Marcel Duchamp et Martin Heidegger, sons de John Cage et Vivaldi: Ergebnisse einer Befragung des Publikums von Fabrice Hyberts '1-1=2' im Musée d'Art Moderne de la Ville de Paris / Résultats d'un sondage du public de '1-1=2' de Fabrice Hybert au Musée d'Art Moderne de la Ville de Paris
Wuggenig, U., 1997, Oumeurt 3. Stoller, D., Werner, K. & Winkelmann, J. (eds.). Leipzig: Messe-Verlag, p. 139-153 15 p. (Oumeurt; vol. 3).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Störungen und Erkenntnistrübungen in Maschinentheatern: Kulturelle Leistungen bildgebender Oberflächen (quadro) im 17. Jahrhundert und seit den 1960er Jahren
Leeker, M., 2008, Spuren der Avantgarde: Theatrum machinarum. Frühe Neuzeit und Moderne im Kulturvergleich. Schramm, H., Lazardzig, J. & Schwarte, L. (eds.). Berlin: Walter de Gruyter GmbH, p. 271-297 27 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Stranger Things (2016)
Wentz, D., 27.02.2019, Filmische Moderne: 60 Fragmente. Fahle, O., Gotto, L., Neitzel, B., Nowak, L., Wagner, H., Wendler, A. & Wentz, D. (eds.). transcript Verlag, p. 439-444 5 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Stranger Things II (2017)
Wentz, D., 27.02.2019, Filmische Moderne: 60 Fragmente. Fahle, O., Gotto, L., Neitzel, B., Nowak, L., Wagner, H., Wendler, A. & Wentz, D. (eds.). transcript Verlag, p. 445-450 6 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Tanz. Kommunikation. Praxis: Zur Einleitung
Klinge, A. & Leeker, M., 2003, Tanz – Kommunikation – Praxis. Klinge, A. & Leeker, M. (eds.). Münster: LIT Verlag, p. 1 - 16 17 p. (Jahrbuch Tanzforschung; vol. 13).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Theater im Zeitalter technologisch implementierter Interaktivität
Leeker, M., 1996, Kunst, Kultur und Bildung im Computerzeitalter. Erdmann, J. W. (ed.). Berlin: Universität der Künste Berlin, p. 85-103 19 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Theater, Performance und technische Interaktion: Subjekte der Fremdheit. Im Spannungsgefüge von Datenkörper und Physis
Leeker, M., 2001, Formen interaktiver Medienkunst: Geschichte, Tendenzen, Utopien. Gendolla, P. (ed.). Frankfurt a. M.: Suhrkamp Verlag, p. 265-290 26 p. (Suhrkamp-Taschenbuch Wissenschaft; vol. 1544).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Theater und Technikgeschichte: Evaluation der Sommerakademie und Ausblick auf die Weiterbildung im Bereich Theater und Medien
Leeker, M., 2001, Maschinen, Medien, Performances: Theater an der Schnittstelle zu digitalen Welten ; Dokumentation und Ergebnisse der Sommerakademie "Theater und Neue Medien, Interaktion und Wirklichkeit" zur Weiterbildung von Theaterkünstlern in Praxis und Theorie des Umgangs mit Digitalen Techniken im Theater, Hellerau 1999. Leeker, M. (ed.). Berlin: Alexander Verlag, p. 355 - 374 20 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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The Clock of the Long-Now: Die Uhr, die Langeweile und der Beobachter
Sprenger, F., 2008, Paradoxien der Langeweile. Heller, F. (ed.). Marburg: Schüren Verlag, p. 104–116 13 p. (AugenBlick : Konstanzer Hefte zur Medienwissenschaft; no. 41).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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The Island of the Day After. The Television Series Lost and the Post-9/11-Era
Niemeyer, K. & Wentz, D., 2018, Lost In Media. Wentz, D., Beil, B. & Schwaab, H. (eds.). Wien: LIT Verlag, p. 137-154 18 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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The Return of the Plague of Ornaments
Wuggenig, U., 2013, D.A. : A Transdisciplinary Handbook of Design Anthropology. Milev, Y. (ed.). Frankfurt am Main, Berlin, Bern, Bruxelles, New York, Oxford, Wien: Peter Lang Verlag, Vol. 1. p. 56-67 12 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Topografische Spurensuche in Köln entlang der Achse Berlin–Köln. Wiedergutmachung und Wiederaufbau (1945–1957): Leopold Reidemeister als Mittler und Streiter für die Moderne
Severin, I. L., 2017, Leopold Reidemeister. Ein Deutscher Museumsmann. . Moeller, M. M. (ed.). München: Hirmer, p. 114-165 52 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Toward a Kaleidoscopic Understanding of Anonymity
Bachmann, G., McHardy, J., Knecht, M. & Zurawski, N., 30.04.2021, Book of Anonymity. Collective, A. (ed.). Brooklyn, NY: punctum books, p. 16-34 19 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Trick 17 zur Einführung
Vehlken, S., Müggenburg, J. K., Sprenger, F. & Müller-Helle, K., 2016, Trick 17: Mediengeschichten zwischen Zauberkunst und Wissenschaft. Vehlken, S., Müller-Helle, K., Müggenburg, J. & Sprenger, F. (eds.). Lüneburg: meson press, p. 7-14 8 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Über symbolische Grenzen: Legitimität und sozialer Gebrauch der Photographie
Wuggenig, U., 1996, Games, Fights, Collaborations: Das Spiel von Grenze und Überschreitung ; Kunst und cultural studies in den 90er Jahren. von Bismarck, B., Stoller, D. & Wuggenig, U. (eds.). Ostfildern-Ruit: Hatje Cantz Verlag, p. 36-51 16 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Vom Nutzen enger Kanäle – Diskursverknappung als Methode
Warnke, M., 2012, Öffentliche Wissenschaft und Neue Medien: Die Rolle der Web 2.0-Kultur in der Wissenschaftsvermittlung. Robertson-von Trotha, C. Y. & Muñoz Morcillo, J. (eds.). Karlsruhe: KIT Scientific Publishing, p. 91-99 9 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Von der Performance mit Musik zur Performanz rückgekoppelter Maschinengeräusche: Töne, Klänge und Geräusche in Installationen und Performances in den achtziger Jahren und um 2000
Leeker, M., 2006, Reflexzonen, Migration. Brüstle, C. & Rebstock, M. (eds.). 1 ed. Saarbrücken: Pfau Verlag, p. 165-177 13 p. (Musik im Dialog; vol. 6)(Jahrbuch der Berliner Gesellschaft für Neue Musik; vol. 2003/2004).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Von Knoten zu Knoten: Eine Einleitung
Apprich, C. & Stalder, F., 02.2012, Vergessene Zukunft: Radikale Netzkulturen in Europa. Apprich, C. & Stalder, F. (eds.). Berlin: transcript Verlag, p. 9-16 8 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Was ist Kunst? Antworten aus soziologischer Perspektive
Wuggenig, U., 1994, Was ist Kunst?. Fein, M. & Freis, M. (eds.). Lüneburg: Universität Lüneburg, p. 5-13 9 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Weibliche Medien um 1900: Über okkulte Herkünfte der Medienwissenschaft
Leeker, M., 2008, Gendermedia: Zum Denken einer neuen Disziplin. Wagner, H. (ed.). Weimar: Verlag und Datenbank für Geisteswissenschaften - VDG Weimar, p. 117 - 140 24 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Welche Öffentlichkeiten? Einleitung
Beyes, T., 2014, Soziale Medien – neue Massen: Medienwissenschaftliches Symposion der DFG. Baxmann, I., Beyes, T. & Pias, C. (eds.). Zürich: Diaphanes Verlag, p. 231-235 5 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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„Wer Bücher hört, kann auch Klänge sehen“: Bemerkungen zur Synästhesie des Hörbuchs.
Hagen, W., 2014, Das Hörbuch: Audioliteralität und akustische Literatur. Binczek, N. & Epping-Jäger, C. (eds.). 1 ed. Wilhelm Fink Verlag, p. 179-192 15 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Who's Hacking Whom?
Ridgway, R., 02.2017, Hacks, Leaks, and Breaches. Coleman, E. G. & Kelty, C. M. (eds.). United States: CreateSpace Independent Publishing, Vol. 8. p. 120-126 7 p. (Limn; vol. 8).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Wir sind drin. Zur Gegenwart digitaler Kulturen
Beyes, T., Metelmann, J. & Pias, C., 2017, Nach der Revolution: Ein Brevier digitaler Kulturen. Beyes, T., Metelmann, J. & Pias, C. (eds.). Berlin: Tempus Corporate GmbH, p. 5-11 7 p. (Edition Speersort)(Duisburger Dialoge).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Contributions to collected editions/anthologies › Research › Peer-reviewed
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Agentenspiele. Crowd Management, Sozialsimulation und Big Data
Vehlken, S. & Pias, C., 01.02.2014, Managementperspektiven für die Zivilgesellschaft des 21. Jahrhunderts: Management als Liberal Art. von Müller, C. & Zinth, C-P. (eds.). Berlin: Springer, p. 167-182 16 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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›A moving picture of thought‹: Diagrammatisches Schließen im Kino
Wentz, D., 2014, Wissensraum Film. Gradinari, I., Müller, D. & Pause, J. (eds.). Wiesbaden: Reichert, p. 39-60 22 p. (Trierer Beiträge zu den historischen Kulturwissenschaften; vol. 13).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Art, Aesthetics and Organization
Beyes, T., 26.08.2016, A Research Agenda for Management and Organization Studies. Czarniawska, B. (ed.). 1 ed. Cheltenham: Edward Elgar Publishing, p. 115-125 11 p. (Elgar research agendas).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Astro-Kulturen zwischen epistemisch-diskursiven Notwendigkeiten und schwachen Ontologien: Ein Nachwort
Leeker, M., 2014, Astroculture: Figurations of Cosmology in Media and Arts. Neef, S., Sussman, H. & Boschung, D. (eds.). 1. ed. Paderborn: Wilhelm Fink Verlag, p. 217-231 15 p. (Morphomata; vol. 17).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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As You Like It: Critique in the Era of an Affirmative Discourse
Bunz, M., 04.2013, Unlike Us Reader: Social Media Monopolies and Their Alternatives. Lovink, G. & Rasch, M. (eds.). Amsterdam: Institute of Network Cultures, Vol. 8. p. 137-145 (Inc Reader).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Atomare Hinterlassenschaften: Die strahlende Zukunft des kalten Krieges
Sprenger, F., 2014, Den Kalten Krieg denken.: Beiträge zur sozialen Ideengeschichte seit 1945.. Bernhard, P. & Nehring, H. (eds.). Essen: Klartext Verlag, p. 337-358 22 p. (Frieden und Krieg; vol. 19).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Bilder/Räume denken. Zum diagrammatischen Bild
Wentz, D., 2012, Raum Wissen Medien. : Zur raumtheoretischen Reformulierung des Medienbegriffs. Müller, D. & Scholz, S. (eds.). Bielefeld: transcript Verlag, p. 253-270 18 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Biopolitical Interventions in the Urban Data Space
Apprich, C., 2012, Activist media and biopolitics: critical media interventions in the age of biopower. Sützl, W. & Hug, T. (eds.). Innsbruck: innsbruck university press, p. 39-46 8 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Blöde Sklaven oder lebhafte Artefakte ? Eine Debatte der 1960er
Müggenburg, J. & Pias, C., 2013, Automatismen - Selbst-Technologien. Bublitz, H., Kaldrack, I., Röhle, T. & Zeman, M. (eds.). Paderborn: Wilhelm Fink Verlag, p. 45-69 24 p. (Schriftenreihe des Graduiertenkollegs "Automatismen").Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Bühne: Raumbildende Prozesse im Theater
Eke, N. O., Haß, U. & Kaldrack, I., 2014, Bühne : raumbildende Prozesse im Theater. Haß, U., Eke, N. O., Kaldrack, I., Keil, R., Winkler, H. & Ecker, G. (eds.). Paderborn: Wilhelm Fink Verlag, p. 9 - 12 4 p. (Schriftenreihe des Graduiertenkollegs "Automatismen").Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Collectives, Connectives, and the ‘Nonsense1 of Participation
Pias, C., 02.2016, ReClaiming participation: technology - mediation - collectivity . Denecke, M., Ganzert, A., Stock, R. & Otto, I. (eds.). Bielefeld: transcript Verlag, p. 23-38 17 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Communication Regimes and Creativity
Traue, B. C., 2014, Culture, Communication, and Creativity: Reframing the Relations of Media, Knowledge, and Innovation in Society. Knoblauch, H., Jacobs, M. & Tuma, R. (eds.). Frankfurt am Main: Peter Lang Verlag, p. 227-246 20 p. 31Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Crowdfunding the Commons?
Ridgway, R., 2015, MoneyLab Reader: An Intervention in Digital Economy. Lovink, G., Tkacz, N. & de Vries, P. (eds.). Amsterdam: Institute of Network Cultures, p. 281 - 294 14 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Das Diktat der Fruchtbarkeit
Bernard, A., 2016, Fortpflanzungsmedizin in Deutschland: Entwicklungen, Fragen, Kontroversen. Woopen, C. (ed.). Bonn: Bundeszentrale für politische Bildung, p. 11-19 9 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Das Fleisch der Diskurse: Zur Verbindung von Biographie- und Diskursforschung in der wissenssoziologischen Subjektivierungsanalyse am Beispiel der Behindertenpädagogik
Pfahl, L., Schürmann, L. & Traue, B. C., 2015, Erziehungswissenschaftliche Diskursforschung: Empirische Analysen zu Bildungs- und Erziehungsverhältnissen. Wiesbaden: VS Verlag für Sozialwissenschaften, p. 89-106 18 p. (Interdisziplinäre Diskursforschung).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review