TY - CHAP

T1 - Medialization of Touristic Reality

T2 - The Berlin Wall Revisited

AU - Saretzki, Anja

N1 - Literaturverz. S. 23

PY - 2010/6/28

Y1 - 2010/6/28

N2 - We can assume that we meet reality not only when we see things, but when dissonant experiences occur. So we do not have to focus on the question of the essential being of the real. Instead, we have to concentrate on the problem, which relationships can be established with the experience of the world as conveyed in tourism.Within the context of a case study on visitors of the Berlin Wall four kinds of relationships with reality can be demonstrated. The concept of reality as an immediate evidence is geared to the genuine act of seeing. It includes immediate cognition and recognition of ultimate realities in terms of an existential authenticity. If the knowledge of reality results from mediating authorities, then a guaranteed reality is given. That is, the tourist who visits this cultural heritage is provided with an objective authenticity in terms of absolute facts. This however contradicts the knowledge of authenticity as a social construct. The third kind of relationship with reality can be understood as the realisation of a coherent context. Relicts of the Berlin Wall are brought into a new context of meaning and create an individual authenticity. This kind of authenticity does not ask for assurance, but comes to a coherent update each time. But when this way of contextualisation proves to be dissonant, the context itself becomes a problem. Such a relationship with reality is based on the experience of resistance. Reality has lost its connection to individual experience. Reality interrupts the visitor as something unexpected. The consequent reaction is not reflection, but a reflex that is accompanied with the suspicion of all this being an illusion: Are the images, conveyed to the tourist, real or just a simulation?For this reason, the promotion of cultural heritage faces a problem: The more the cultural heritage becomes decontextualised, the more it becomes an object of disneyfication; moreover, the visitor doubts the experienced reality. The postmodern game with authenticity and the discursiveness of contexts cause the abandonment of authenticity. Past becomes arbitrary and cultural heritage is not conveyed, but rather a promoted setting.

AB - We can assume that we meet reality not only when we see things, but when dissonant experiences occur. So we do not have to focus on the question of the essential being of the real. Instead, we have to concentrate on the problem, which relationships can be established with the experience of the world as conveyed in tourism.Within the context of a case study on visitors of the Berlin Wall four kinds of relationships with reality can be demonstrated. The concept of reality as an immediate evidence is geared to the genuine act of seeing. It includes immediate cognition and recognition of ultimate realities in terms of an existential authenticity. If the knowledge of reality results from mediating authorities, then a guaranteed reality is given. That is, the tourist who visits this cultural heritage is provided with an objective authenticity in terms of absolute facts. This however contradicts the knowledge of authenticity as a social construct. The third kind of relationship with reality can be understood as the realisation of a coherent context. Relicts of the Berlin Wall are brought into a new context of meaning and create an individual authenticity. This kind of authenticity does not ask for assurance, but comes to a coherent update each time. But when this way of contextualisation proves to be dissonant, the context itself becomes a problem. Such a relationship with reality is based on the experience of resistance. Reality has lost its connection to individual experience. Reality interrupts the visitor as something unexpected. The consequent reaction is not reflection, but a reflex that is accompanied with the suspicion of all this being an illusion: Are the images, conveyed to the tourist, real or just a simulation?For this reason, the promotion of cultural heritage faces a problem: The more the cultural heritage becomes decontextualised, the more it becomes an object of disneyfication; moreover, the visitor doubts the experienced reality. The postmodern game with authenticity and the discursiveness of contexts cause the abandonment of authenticity. Past becomes arbitrary and cultural heritage is not conveyed, but rather a promoted setting.

KW - Culture and Space

KW - Authenticity

KW - Cultural Heritage

KW - Berlin Wall

KW - Blumenberg

KW - authenticity

KW - cultural heritage

KW - Berlin Wall

KW - Tourism studies

KW - Authenticity

KW - Heritage Tourism

KW - authenticity

UR - http://www.scopus.com/inward/record.url?scp=84890263091&partnerID=8YFLogxK

M3 - Chapter

SN - 978-1-84593-611-2

VL - 2

SP - 13

EP - 23

BT - Tourism and Visual Culture

A2 - Burns, Peter

A2 - Lester, Jo-Anne

A2 - Bibbings, Lyn

PB - CAB International

CY - Wallingford

ER -