I'd prefer not to: Bartleby and the excesses of interpretation
Publikation: Beiträge in Zeitschriften › Zeitschriftenaufsätze › Forschung › begutachtet
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in: Culture and Organisation, Jahrgang 13, Nr. 2, 01.06.2007, S. 171-183.
Publikation: Beiträge in Zeitschriften › Zeitschriftenaufsätze › Forschung › begutachtet
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TY - JOUR
T1 - I'd prefer not to
T2 - Bartleby and the excesses of interpretation
AU - Beverungen, Armin
AU - Dunne, Stephen
PY - 2007/6/1
Y1 - 2007/6/1
N2 - This paper engages with Herman Melville's short story Bartleby the Scrivener, as well as contemporary discussions thereof, so as to consider a peculiar concept of excess suggested to us by its main character. Our discussion focuses upon three of the most prominent contemporary Bartlebys: 'The Politicized Bartleby' of Slavoj Zizek, Michael Hardt and Antonio Negri; 'The Originary Bartleby' of Gilles Deleuze; and 'The Whatever Bartleby' of Giorgio Agamben. On the basis of these interpretations we derive a concept of excess as the residual surplus of any categorical interpretation, the yet to be accounted for, the not yet explained, the un-interpretable, the indeterminate, the always yet to arrive, precisely that which cannot be captured, held onto nor put in place. This particular discussion of Bartleby is connected to a more general discussion of a management and organization studies that has become increasingly reliant upon literary texts. On this topic, we pass a not altogether optimistic commentary, itself informed by the excessive demand of adequately interpreting Bartleby.
AB - This paper engages with Herman Melville's short story Bartleby the Scrivener, as well as contemporary discussions thereof, so as to consider a peculiar concept of excess suggested to us by its main character. Our discussion focuses upon three of the most prominent contemporary Bartlebys: 'The Politicized Bartleby' of Slavoj Zizek, Michael Hardt and Antonio Negri; 'The Originary Bartleby' of Gilles Deleuze; and 'The Whatever Bartleby' of Giorgio Agamben. On the basis of these interpretations we derive a concept of excess as the residual surplus of any categorical interpretation, the yet to be accounted for, the not yet explained, the un-interpretable, the indeterminate, the always yet to arrive, precisely that which cannot be captured, held onto nor put in place. This particular discussion of Bartleby is connected to a more general discussion of a management and organization studies that has become increasingly reliant upon literary texts. On this topic, we pass a not altogether optimistic commentary, itself informed by the excessive demand of adequately interpreting Bartleby.
KW - Management studies
KW - Bartleby
KW - Excess
KW - Literature
KW - Fiction
KW - Interpretation
KW - Literature studies
KW - Cultural studies
KW - Digital media
KW - Digitale Kultur
KW - Digitale Kulturen
KW - Netzkultur
KW - Medienkultur
KW - Medienkulturen
KW - Medienwissenschaften
KW - Neue Medien
KW - Soziale Medien
KW - Medientheorie
KW - digital Culture
KW - digital cultures
KW - net culture
KW - media culture
KW - media cultures
KW - media studies
KW - new media
KW - social media
KW - media theory
KW - Media and communication studies
KW - Transdisciplinary studies
U2 - 10.1080/14759550701299941
DO - 10.1080/14759550701299941
M3 - Journal articles
VL - 13
SP - 171
EP - 183
JO - Culture and Organisation
JF - Culture and Organisation
SN - 1475-9551
IS - 2
ER -