The Instrument

Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

Standard

The Instrument. / Großmann, Rolf.
The Bloomsbury Handbook of the Anthropology of Sound. ed. / Holger Schulze. 1. ed. New York: Bloomsbury Academic, 2021. p. 59-76 3.

Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

Harvard

Großmann, R 2021, The Instrument. in H Schulze (ed.), The Bloomsbury Handbook of the Anthropology of Sound. 1 edn, 3, Bloomsbury Academic, New York, pp. 59-76.

APA

Großmann, R. (2021). The Instrument. In H. Schulze (Ed.), The Bloomsbury Handbook of the Anthropology of Sound (1 ed., pp. 59-76). Article 3 Bloomsbury Academic.

Vancouver

Großmann R. The Instrument. In Schulze H, editor, The Bloomsbury Handbook of the Anthropology of Sound. 1 ed. New York: Bloomsbury Academic. 2021. p. 59-76. 3

Bibtex

@inbook{bf650d827c954962bdd9672d0243a5f7,
title = "The Instrument",
abstract = "From the point of view of musical tradition, playing a running machine is an antagonism to playing a musical instrument. As soon as the instrument contains a part of the score, either as a running program (as with a pianola, other musicautomata or digital software) or as a sounding music structure (a DJ's turntable or a sampler), the traditional division of composition and performance, which includes as an essential moment the independent interpretation of the structure defined in the score (the work), is broken through.",
keywords = "Music education, Sound Studies, Media and communication studies, Musiktechnologie",
author = "Rolf Gro{\ss}mann",
year = "2021",
language = "English",
isbn = "978-1-5013-3539-6",
pages = "59--76",
editor = "Holger Schulze",
booktitle = "The Bloomsbury Handbook of the Anthropology of Sound",
publisher = "Bloomsbury Academic",
address = "United Kingdom",
edition = "1",

}

RIS

TY - CHAP

T1 - The Instrument

AU - Großmann, Rolf

PY - 2021

Y1 - 2021

N2 - From the point of view of musical tradition, playing a running machine is an antagonism to playing a musical instrument. As soon as the instrument contains a part of the score, either as a running program (as with a pianola, other musicautomata or digital software) or as a sounding music structure (a DJ's turntable or a sampler), the traditional division of composition and performance, which includes as an essential moment the independent interpretation of the structure defined in the score (the work), is broken through.

AB - From the point of view of musical tradition, playing a running machine is an antagonism to playing a musical instrument. As soon as the instrument contains a part of the score, either as a running program (as with a pianola, other musicautomata or digital software) or as a sounding music structure (a DJ's turntable or a sampler), the traditional division of composition and performance, which includes as an essential moment the independent interpretation of the structure defined in the score (the work), is broken through.

KW - Music education

KW - Sound Studies

KW - Media and communication studies

KW - Musiktechnologie

UR - https://www.bloomsbury.com/us/the-bloomsbury-handbook-of-the-anthropology-of-sound-9781501335419/

UR - https://books.google.de/books?id=jy8LEAAAQBAJ&pg=PR4&lpg=PR4&dq=978-1-5013-3542-6&source=bl&ots=HdDeWXjwwh&sig=ACfU3U1TbwpiKXx6n-b1aOUy-Ul-g10QAg&hl=de&sa=X&ved=2ahUKEwj5jpa3sI7vAhWN-KQKHbdID_sQ6AEwAXoECAMQAw#v=onepage&q=978-1-5013-3542-6&f=false

M3 - Contributions to collected editions/anthologies

SN - 978-1-5013-3539-6

SP - 59

EP - 76

BT - The Bloomsbury Handbook of the Anthropology of Sound

A2 - Schulze, Holger

PB - Bloomsbury Academic

CY - New York

ER -