Post-Cinematic Distribution Flows: Alternative Content, Sports Films and the (In)stability of the Multiplex Market.

Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

Standard

Post-Cinematic Distribution Flows: Alternative Content, Sports Films and the (In)stability of the Multiplex Market. / Hoof, Florian.
The State of Post-Cinema. Tracing the Moving Image in the Age of Digital Dissemination. ed. / Malte Hagner; Vinzenz Hediger; Alena Strohmaier. London: Palgrave Macmillan, 2016. p. 149-163.

Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

Harvard

Hoof, F 2016, Post-Cinematic Distribution Flows: Alternative Content, Sports Films and the (In)stability of the Multiplex Market. in M Hagner, V Hediger & A Strohmaier (eds), The State of Post-Cinema. Tracing the Moving Image in the Age of Digital Dissemination. Palgrave Macmillan, London, pp. 149-163. https://doi.org/10.1057/978-1-137-52939-8_9

APA

Hoof, F. (2016). Post-Cinematic Distribution Flows: Alternative Content, Sports Films and the (In)stability of the Multiplex Market. In M. Hagner, V. Hediger, & A. Strohmaier (Eds.), The State of Post-Cinema. Tracing the Moving Image in the Age of Digital Dissemination (pp. 149-163). Palgrave Macmillan. https://doi.org/10.1057/978-1-137-52939-8_9

Vancouver

Hoof F. Post-Cinematic Distribution Flows: Alternative Content, Sports Films and the (In)stability of the Multiplex Market. In Hagner M, Hediger V, Strohmaier A, editors, The State of Post-Cinema. Tracing the Moving Image in the Age of Digital Dissemination. London: Palgrave Macmillan. 2016. p. 149-163 doi: 10.1057/978-1-137-52939-8_9

Bibtex

@inbook{bc51cff90e0842caa98f7f54681418b7,
title = "Post-Cinematic Distribution Flows: Alternative Content, Sports Films and the (In)stability of the Multiplex Market.",
abstract = "This chapter focuses on the state of post-cinema by analyzing contemporary cinema content that has not been produced and distributed by the motion picture industry. So-called “alternative content” such as sports films, opera, video games, and television series only recently began to draw a great deal of attention within the multiplex cinema industry. While film studios as part of integrated media corporations expand into ancillary markets to minimize economic risks, multiplex operators are trying to diversify risks by integrating alternative content. These post-cinematic distribution flows are capable of attracting cinema audiences through their own alternative production, distribution, and mobilization system.",
keywords = "Cultural studies, Media and communication studies, Film industry, live broadcasting, mobilization power, motion picture industry, film distribution",
author = "Florian Hoof",
year = "2016",
doi = "10.1057/978-1-137-52939-8_9",
language = "English",
isbn = "978-1-137-52938-1",
pages = "149--163",
editor = "Malte Hagner and Vinzenz Hediger and Alena Strohmaier",
booktitle = "The State of Post-Cinema. Tracing the Moving Image in the Age of Digital Dissemination",
publisher = "Palgrave Macmillan",
address = "Switzerland",

}

RIS

TY - CHAP

T1 - Post-Cinematic Distribution Flows

T2 - Alternative Content, Sports Films and the (In)stability of the Multiplex Market.

AU - Hoof, Florian

PY - 2016

Y1 - 2016

N2 - This chapter focuses on the state of post-cinema by analyzing contemporary cinema content that has not been produced and distributed by the motion picture industry. So-called “alternative content” such as sports films, opera, video games, and television series only recently began to draw a great deal of attention within the multiplex cinema industry. While film studios as part of integrated media corporations expand into ancillary markets to minimize economic risks, multiplex operators are trying to diversify risks by integrating alternative content. These post-cinematic distribution flows are capable of attracting cinema audiences through their own alternative production, distribution, and mobilization system.

AB - This chapter focuses on the state of post-cinema by analyzing contemporary cinema content that has not been produced and distributed by the motion picture industry. So-called “alternative content” such as sports films, opera, video games, and television series only recently began to draw a great deal of attention within the multiplex cinema industry. While film studios as part of integrated media corporations expand into ancillary markets to minimize economic risks, multiplex operators are trying to diversify risks by integrating alternative content. These post-cinematic distribution flows are capable of attracting cinema audiences through their own alternative production, distribution, and mobilization system.

KW - Cultural studies

KW - Media and communication studies

KW - Film industry

KW - live broadcasting

KW - mobilization power

KW - motion picture industry

KW - film distribution

U2 - 10.1057/978-1-137-52939-8_9

DO - 10.1057/978-1-137-52939-8_9

M3 - Contributions to collected editions/anthologies

SN - 978-1-137-52938-1

SP - 149

EP - 163

BT - The State of Post-Cinema. Tracing the Moving Image in the Age of Digital Dissemination

A2 - Hagner, Malte

A2 - Hediger, Vinzenz

A2 - Strohmaier, Alena

PB - Palgrave Macmillan

CY - London

ER -