Kunsten og 11. september 2001

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Kunsten og 11. september 2001. / Maset, Pierangelo.
In: Kunst og Kultur, Vol. 88, No. 2, 26.07.2005, p. 95-102.

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Maset P. Kunsten og 11. september 2001. Kunst og Kultur. 2005 Jul 26;88(2):95-102. doi: 10.18261/ISSN1504-3029-2005-02-05

Bibtex

@article{6deb2bf8e5db43a499e6179ddb241873,
title = "Kunsten og 11. september 2001",
abstract = "Pierangelo Maset writes about contemporary artistic production in recent times of war and terrorism and points to the dangers that lie in following modernity's heritage with its totalitarian aspirations.The art of the twentieth century, he states, has moved tumultuously and catastrophically through {"}Times of Extremes{"}. The role of avant-garde was rarely autonomous but often intimately linked with the ruling systems of power. Although the myth of innocent art prevailed, we should have learned by now that the notion of transcendental and {"}uninterested{"} art is no longer feasible. Also today, the political and socioeconomic conditions artists have to cope with are rather turbulent ...",
keywords = "Didactics of art education, Internationaler Terrorismus , Avantgarde , {\"A}sthetik ",
author = "Pierangelo Maset",
note = "Ill.",
year = "2005",
month = jul,
day = "26",
doi = "10.18261/ISSN1504-3029-2005-02-05",
language = "Norwegisch",
volume = "88",
pages = "95--102",
journal = "Kunst og Kultur",
issn = "0023-5415",
publisher = "Oslo Scandinavian University Press",
number = "2",

}

RIS

TY - JOUR

T1 - Kunsten og 11. september 2001

AU - Maset, Pierangelo

N1 - Ill.

PY - 2005/7/26

Y1 - 2005/7/26

N2 - Pierangelo Maset writes about contemporary artistic production in recent times of war and terrorism and points to the dangers that lie in following modernity's heritage with its totalitarian aspirations.The art of the twentieth century, he states, has moved tumultuously and catastrophically through "Times of Extremes". The role of avant-garde was rarely autonomous but often intimately linked with the ruling systems of power. Although the myth of innocent art prevailed, we should have learned by now that the notion of transcendental and "uninterested" art is no longer feasible. Also today, the political and socioeconomic conditions artists have to cope with are rather turbulent ...

AB - Pierangelo Maset writes about contemporary artistic production in recent times of war and terrorism and points to the dangers that lie in following modernity's heritage with its totalitarian aspirations.The art of the twentieth century, he states, has moved tumultuously and catastrophically through "Times of Extremes". The role of avant-garde was rarely autonomous but often intimately linked with the ruling systems of power. Although the myth of innocent art prevailed, we should have learned by now that the notion of transcendental and "uninterested" art is no longer feasible. Also today, the political and socioeconomic conditions artists have to cope with are rather turbulent ...

KW - Didactics of art education

KW - Internationaler Terrorismus

KW - Avantgarde

KW - Ästhetik

UR - https://www.idunn.no/kk/2005/02/kunsten_og_11_september_21

U2 - 10.18261/ISSN1504-3029-2005-02-05

DO - 10.18261/ISSN1504-3029-2005-02-05

M3 - Zeitschriftenaufsätze

VL - 88

SP - 95

EP - 102

JO - Kunst og Kultur

JF - Kunst og Kultur

SN - 0023-5415

IS - 2

ER -