Bild, Ding, Material: Nimben und Goldgründe italienischer Tafelmalerei in transkultureller Perspektive

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Bild, Ding, Material: Nimben und Goldgründe italienischer Tafelmalerei in transkultureller Perspektive. / Schulz, Vera Simone.
In: Zeitschrift fur Kunstgeschichte, Vol. 79, No. 4, 30.12.2016, p. 508-541.

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@article{3195c45448ba4291aa9154058019a446,
title = "Bild, Ding, Material: Nimben und Goldgr{\"u}nde italienischer Tafelmalerei in transkultureller Perspektive",
abstract = "With a special focus on processes of artistic transfer between the Apennine peninsula and other regions in the Mediterranean and beyond, this paper sheds new light on haloes and gold grounds in thirteenth-to fifteenth-century Italian painting. By means of case studies, it analyzes both (1) the role of haloes and gold grounds within the specific logic of the images, and (2) the impact of imported artifacts (their techniques, decoration, and materiality) on Italian panel painting as well as the complex interplays between imports and local production. Elucidating the intersections, frictions, and fields of tension between visual and material culture, this paper contributes to discussions on transmedial and transmaterial dynamics, transcultural art history, and the multireferentiality of gold.",
keywords = "Kunstwissenschaft",
author = "Schulz, {Vera Simone}",
year = "2016",
month = dec,
day = "30",
doi = "10.1515/zkg-2016-0037",
language = "Deutsch",
volume = "79",
pages = "508--541",
journal = "Zeitschrift fur Kunstgeschichte",
issn = "0044-2992",
publisher = "Deutscher Kunstverlag GmbH",
number = "4",

}

RIS

TY - JOUR

T1 - Bild, Ding, Material

T2 - Nimben und Goldgründe italienischer Tafelmalerei in transkultureller Perspektive

AU - Schulz, Vera Simone

PY - 2016/12/30

Y1 - 2016/12/30

N2 - With a special focus on processes of artistic transfer between the Apennine peninsula and other regions in the Mediterranean and beyond, this paper sheds new light on haloes and gold grounds in thirteenth-to fifteenth-century Italian painting. By means of case studies, it analyzes both (1) the role of haloes and gold grounds within the specific logic of the images, and (2) the impact of imported artifacts (their techniques, decoration, and materiality) on Italian panel painting as well as the complex interplays between imports and local production. Elucidating the intersections, frictions, and fields of tension between visual and material culture, this paper contributes to discussions on transmedial and transmaterial dynamics, transcultural art history, and the multireferentiality of gold.

AB - With a special focus on processes of artistic transfer between the Apennine peninsula and other regions in the Mediterranean and beyond, this paper sheds new light on haloes and gold grounds in thirteenth-to fifteenth-century Italian painting. By means of case studies, it analyzes both (1) the role of haloes and gold grounds within the specific logic of the images, and (2) the impact of imported artifacts (their techniques, decoration, and materiality) on Italian panel painting as well as the complex interplays between imports and local production. Elucidating the intersections, frictions, and fields of tension between visual and material culture, this paper contributes to discussions on transmedial and transmaterial dynamics, transcultural art history, and the multireferentiality of gold.

KW - Kunstwissenschaft

UR - http://www.scopus.com/inward/record.url?scp=85026501633&partnerID=8YFLogxK

UR - https://www.mendeley.com/catalogue/ff865bfb-bdea-30ea-bdaf-f44717ef9252/

U2 - 10.1515/zkg-2016-0037

DO - 10.1515/zkg-2016-0037

M3 - Übersichtsarbeiten

AN - SCOPUS:85026501633

VL - 79

SP - 508

EP - 541

JO - Zeitschrift fur Kunstgeschichte

JF - Zeitschrift fur Kunstgeschichte

SN - 0044-2992

IS - 4

ER -

DOI