9/11 in European literature: Negotiating identities against the attacks and what followed
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Cham: Springer International Publishing AG, 2017. 386 p.
Research output: Books and anthologies › Collected editions and anthologies › Research
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TY - BOOK
T1 - 9/11 in European literature
T2 - Negotiating identities against the attacks and what followed
A2 - Frank, Svenja
PY - 2017/1/1
Y1 - 2017/1/1
N2 - This volume looks at the representation of 9/11 and the resulting wars in European literature. In the face of inner-European divisions the texts under consideration take the terror attacks as a starting point to negotiate European as well as national identity. While the volume shows that these identity formations are frequently based on the construction of two Others-the US nation and a cultural-ethnic idea of Muslim communities-it also analyses examples which undermine such constructions. This much more self-critical strand in European literature unveils the Eurocentrism of a supposedly general humanistic value system through the use of complex aesthetic strategies. These strategies are in itself characteristic of the European reception as the Anglo-Irish, British, Dutch, Flemish, French, German, Italian, and Polish perspectives collected in this volume perceive of the terror attacks through the lens of continental media and semiotic theory.
AB - This volume looks at the representation of 9/11 and the resulting wars in European literature. In the face of inner-European divisions the texts under consideration take the terror attacks as a starting point to negotiate European as well as national identity. While the volume shows that these identity formations are frequently based on the construction of two Others-the US nation and a cultural-ethnic idea of Muslim communities-it also analyses examples which undermine such constructions. This much more self-critical strand in European literature unveils the Eurocentrism of a supposedly general humanistic value system through the use of complex aesthetic strategies. These strategies are in itself characteristic of the European reception as the Anglo-Irish, British, Dutch, Flemish, French, German, Italian, and Polish perspectives collected in this volume perceive of the terror attacks through the lens of continental media and semiotic theory.
KW - 9/11 europe
KW - 9/11 social media
KW - Adam zagajewski
KW - Bernhard schlink
KW - Colum McCann
KW - Cultural and historical memory
KW - Frederic beigbeder windows of the world
KW - Ian McEwan saturday
KW - Let the great world spin middle east
KW - Literary culture after 9/11
KW - Muslim society post-national identities
KW - National trauma
KW - Oriana fallaci trilogy
KW - September 11 attacks
KW - Terrorist attacks literature
KW - Thomas Kling
KW - Thomas tettche
KW - Twin towers: poesie
KW - Literature studies
UR - http://www.scopus.com/inward/record.url?scp=85042781800&partnerID=8YFLogxK
UR - https://www.mendeley.com/catalogue/1e1cc0d9-18ee-3a3f-b914-51f7ff625c34/
U2 - 10.1007/978-3-319-64209-3
DO - 10.1007/978-3-319-64209-3
M3 - Collected editions and anthologies
AN - SCOPUS:85042781800
SN - 978-3-319-64208-6
SN - 978-3-319-87747-1
BT - 9/11 in European literature
PB - Springer International Publishing AG
CY - Cham
ER -