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9/11 in European literature: Negotiating identities against the attacks and what followed

Publikation: Bücher und Anthologien › Sammelwerke und Anthologien › Forschung

Standard

9/11 in European literature: Negotiating identities against the attacks and what followed. / Frank, Svenja (Herausgeber*in).
Cham: Springer International Publishing AG, 2017. 386 S.

Publikation: Bücher und Anthologien › Sammelwerke und Anthologien › Forschung

Harvard

Frank, S (Hrsg.) 2017, 9/11 in European literature: Negotiating identities against the attacks and what followed. Springer International Publishing AG, Cham. https://doi.org/10.1007/978-3-319-64209-3

APA

Frank, S. (Hrsg.) (2017). 9/11 in European literature: Negotiating identities against the attacks and what followed. Springer International Publishing AG. https://doi.org/10.1007/978-3-319-64209-3

Vancouver

Frank S, (ed.). 9/11 in European literature: Negotiating identities against the attacks and what followed. Cham: Springer International Publishing AG, 2017. 386 S. doi: 10.1007/978-3-319-64209-3

Bibtex

@book{fcc4d8c2349b455e80f575e3c64ea61d,
title = "9/11 in European literature: Negotiating identities against the attacks and what followed",
abstract = "This volume looks at the representation of 9/11 and the resulting wars in European literature. In the face of inner-European divisions the texts under consideration take the terror attacks as a starting point to negotiate European as well as national identity. While the volume shows that these identity formations are frequently based on the construction of two Others-the US nation and a cultural-ethnic idea of Muslim communities-it also analyses examples which undermine such constructions. This much more self-critical strand in European literature unveils the Eurocentrism of a supposedly general humanistic value system through the use of complex aesthetic strategies. These strategies are in itself characteristic of the European reception as the Anglo-Irish, British, Dutch, Flemish, French, German, Italian, and Polish perspectives collected in this volume perceive of the terror attacks through the lens of continental media and semiotic theory.",
keywords = "9/11 europe, 9/11 social media, Adam zagajewski, Bernhard schlink, Colum McCann, Cultural and historical memory, Frederic beigbeder windows of the world, Ian McEwan saturday, Let the great world spin middle east, Literary culture after 9/11, Muslim society post-national identities, National trauma, Oriana fallaci trilogy, September 11 attacks, Terrorist attacks literature, Thomas Kling, Thomas tettche, Twin towers: poesie, Literature studies",
editor = "Svenja Frank",
year = "2017",
month = jan,
day = "1",
doi = "10.1007/978-3-319-64209-3",
language = "English",
isbn = "978-3-319-64208-6",
publisher = "Springer International Publishing AG",
address = "Switzerland",

}

RIS

TY - BOOK

T1 - 9/11 in European literature

T2 - Negotiating identities against the attacks and what followed

A2 - Frank, Svenja

PY - 2017/1/1

Y1 - 2017/1/1

N2 - This volume looks at the representation of 9/11 and the resulting wars in European literature. In the face of inner-European divisions the texts under consideration take the terror attacks as a starting point to negotiate European as well as national identity. While the volume shows that these identity formations are frequently based on the construction of two Others-the US nation and a cultural-ethnic idea of Muslim communities-it also analyses examples which undermine such constructions. This much more self-critical strand in European literature unveils the Eurocentrism of a supposedly general humanistic value system through the use of complex aesthetic strategies. These strategies are in itself characteristic of the European reception as the Anglo-Irish, British, Dutch, Flemish, French, German, Italian, and Polish perspectives collected in this volume perceive of the terror attacks through the lens of continental media and semiotic theory.

AB - This volume looks at the representation of 9/11 and the resulting wars in European literature. In the face of inner-European divisions the texts under consideration take the terror attacks as a starting point to negotiate European as well as national identity. While the volume shows that these identity formations are frequently based on the construction of two Others-the US nation and a cultural-ethnic idea of Muslim communities-it also analyses examples which undermine such constructions. This much more self-critical strand in European literature unveils the Eurocentrism of a supposedly general humanistic value system through the use of complex aesthetic strategies. These strategies are in itself characteristic of the European reception as the Anglo-Irish, British, Dutch, Flemish, French, German, Italian, and Polish perspectives collected in this volume perceive of the terror attacks through the lens of continental media and semiotic theory.

KW - 9/11 europe

KW - 9/11 social media

KW - Adam zagajewski

KW - Bernhard schlink

KW - Colum McCann

KW - Cultural and historical memory

KW - Frederic beigbeder windows of the world

KW - Ian McEwan saturday

KW - Let the great world spin middle east

KW - Literary culture after 9/11

KW - Muslim society post-national identities

KW - National trauma

KW - Oriana fallaci trilogy

KW - September 11 attacks

KW - Terrorist attacks literature

KW - Thomas Kling

KW - Thomas tettche

KW - Twin towers: poesie

KW - Literature studies

UR - http://www.scopus.com/inward/record.url?scp=85042781800&partnerID=8YFLogxK

UR - https://www.mendeley.com/catalogue/1e1cc0d9-18ee-3a3f-b914-51f7ff625c34/

U2 - 10.1007/978-3-319-64209-3

DO - 10.1007/978-3-319-64209-3

M3 - Collected editions and anthologies

AN - SCOPUS:85042781800

SN - 978-3-319-64208-6

SN - 978-3-319-87747-1

BT - 9/11 in European literature

PB - Springer International Publishing AG

CY - Cham

ER -

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