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Wolf-Georg Zaddach

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Wolf-Georg Zaddach

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Dr. Wolf-Georg Zaddach

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    1. "Heavy Metal hat einen berechtigten Platz in der sozialistischen Musikkultur"? Wie in der DDR der 1980er Jahre eine posttraditionelle Jugendkultur verhandelt wurde

      Zaddach, W.-G., 2019, Kulturpolitik in Ostmittel- und Südosteuropa (1945 bis 2015). Höhne, S. (ed.). Wiesbaden: Harrassowitz Verlag, p. 105-140 36 p. (Ostmitteleuropa interdisziplinär; vol. 1).

      Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review

    2. Heavy Metal in der DDR: Szene, Akteure, Praktiken

      Zaddach, W.-G., 2018, 1st ed ed. Bielefeld: transcript Verlag. 369 p. (texte zur populären Musik; vol. 10)

      Research output: Books and anthologies › Book

    3. Heayy Metal in Germany

      Zaddach, W.-G., 2017, Europe. Prato, P. & Horn, D. (eds.). New York: Bloomsbury Academic, p. 357-361 5 p. ( Bloomsbury encyclopedia of popular music of the world; vol. 11)(Bloomsbury encyclopedia of popular music of the world; vol. Pt. 3, Genres).

      Research output: Contributions to collected editions/works › Articles for encyclopedia › Research

    4. Inside the Jazzomat: new perspectives for jazz research

      Pfleiderer, M. (Editor), Frieler, K. (Editor), Abeßer, J. (Editor), Zaddach, W.-G. (Editor) & Burkhart, B. (Editor), 01.12.2017, Mainz: Schott Music. 352 p.

      Research output: Books and anthologies › Book

    5. Jazzforschung heute: Themen, Methoden, Perspektiven

      Zaddach, W.-G. (Editor) & Pfleiderer, M. (Editor), 2019, Berlin: Verlag Edition EMVAS. 320 p. (sounding heritage; vol. 4)

      Research output: Books and anthologies › Conference proceedings › Research

    6. Jazz in Czechoslovakia during the 1950s and 1960s

      Zaddach, W.-G., 01.01.2017, Jazz and totalitarianism. Johnson, B. (ed.). New York: Routledge Taylor & Francis Group, p. 114-135 22 p. (Transnational studies in jazz).

      Research output: Contributions to collected editions/works › Chapter › peer-review

    7. Kirkland A. Fulk, ed., Sounds German: Popular Music in Postwar Germany at the Crossroads of the National and Transnational

      Zaddach, W. G., 08.12.2021, In: Popular Music History. 14, 1, p. 88-91 4 p.

      Research output: Journal contributions › Critical reviews › Research

    8. Metal militia behind the iron curtain: Scene formation in 1980s East Germany

      Zaddach, W. G., 01.09.2016, In: Metal Music Studies. 2, 3, p. 357-376 20 p.

      Research output: Journal contributions › Journal articles › Research › peer-review

    9. Michael Brecker's "I mean you"

      Zaddach, W.-G., 2017, Inside the Jazzomat : new perspectives for jazz research. Pfleiderer, M., Frieler, K., Abeßer, J., Zaddach, W.-G. & Burkhart, B. (eds.). Mainz: Schott Music, p. 211-225 15 p. (Schott Campus).

      Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

    10. Midlevel analysis of monophonic jazz solos: a new approach to the study of improvisation

      Frieler, K., Pfleiderer, M., Zaddach, W.-G. & Abeßer, J., 06.2016, In: Musicae Scientiae. 20, 2, p. 143-162 20 p.

      Research output: Journal contributions › Journal articles › Research › peer-review

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