Sebastián Eduardo Dávila
- Science of art
Research areas
- Published
The Dance of Tradition in Contemporary Art. Edmundo Torres’ China Diabla Performance
Eduardo Dávila, S., 2025, In: caiana. Revista de Historia del Arte y Cultura Visual del Centro Argentino de Investigadores de Arte. 26Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Walking Text and Writing Space: Reflections on Ladinidad in Guatemala
Eduardo, N. D. C. & Eduardo Dávila, S., 31.03.2025, Raum - Theorie - Empirie: Ein Arbeitsbuch. Dlabaja, C., Nimführ, S. & Goez, N. (eds.). Springer Fachmedien Wiesbaden GmbH, p. 209–228 20 p. (Forschung und Praxis an der FHWien der WKW).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Desecularising Culture in Method: Five Theses on Syncretism
Eduardo Dávila, S., 18.07.2024, Berlin : Forum Transregionale Studien e.V.Research output: other publications › Articles in scientific forums or blogs › Research › peer-review
- Published
Edgar Calels "Skulpturale Erdarbeit" Umkreisen, Überfliegen und sich Danebenlegen
Eduardo Dávila, S., 06.2024, In: Texte zur Kunst. 134, p. 149-160 12 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
In the Aftermath of Violence. On Being Present and Calling Into Presence
Taylor, D., Eduardo Dávila, S. & Jordan, U., 2023, On Withdrawal: Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices. Eduardo Dávila, S., John, R. H., Jordan, U., Schneider, T., Sieber, J. & Wulff, N. (eds.). Zürich: Diaphanes Verlag, p. 159-176 18 p. ( Critical stances).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
A Psychiatric Clinic, a Monastery, a City and a River: On the (Artistic) Legibility of Disappearance in Topography
Eduardo Dávila, S. & Jordan, U., 2023, On Withdrawal: Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices. Eduardo Dávila, S., John, R. H., Jordan, U., Wulff, N., Sieber, J. & Schneider, T. (eds.). Berlin/Zürich: Diaphanes Verlag, p. 209-236 28 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
On Withdrawal: Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices
Eduardo Dávila, S. (Editor), John, R. H. (Editor), Jordan, U. (Editor), Wulff, N. (Editor), Sieber, J. (Editor) & Schneider, T. (Editor), 2023, Berlin/Zürich: Diaphanes Verlag. 384 p.Research output: Books and anthologies › Collected editions and anthologies › Research
- Published
Beneath the Second Skin. Mayan Textiles and Bodies in the Art of Manuel Tzoc Bucup and Sandra Monterroso
Eduardo, S., 29.03.2022, In: Miradas. Zeitschrift für Kunst und Kulturgeschichte der Amerikas und der iberischen Halbinsel. 6, 2, p. 104-125 22 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Visiting the Colección Poyón, or Indigeneity and the Nation-State in Guatemala: Performing the Nation for Two Hundred Years
Eduardo, S., 27.05.2022, Museums, Transculturality, and the Nation-State : Case Studies from a Global Context. Leeb, S. & Samuel, N. (eds.). Bielefeld: transcript Verlag, p. 213-240 28 p. (Edition Museum; vol. 52).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
"República": La Nueva Fábrica, Antigua Guatemala
Eduardo Dávila, S., 12.2021, In: Art Nexus. 117, p. 122-124 3 p.Research output: Journal contributions › Comments / Debate / Reports › Research