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Professorship for Contemporary Art

Organisational unit: Section

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Organisation profile

Research and teaching at the Professorship of Contemporary Art focuses on art from the 1960s to the present. We understand art as a material and an intellectual practice, which requires an intensive engagement with artistic processes as well as a reflection on theories of art and culture and socio-political discussions. The emphasis of the professorship is placed on the transcultural interconnections of art, decoloniality, gender issues, art theory, and art criticism.

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  1. Published

    Abstraktion als internationale Sprache

    Leeb, S. A., 2009, Kunst und Kalter Krieg: Deutsche Positionen 1945-1989. Barron, S. & Eckmann, S. (eds.). Köln: DuMont Literatur und Kunst Verlag, p. 118-133 16 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  2. Published

    Abstraktion und Alltag: Susanne Leeb über Susanne Paesler in der Galerie Barbara Weiss, Berlin

    Leeb, S. A., 2008, In: Texte zur Kunst. 69, p. 216-218 3 p.

    Research output: Journal contributions › Critical reviews › Research

  3. Published

    Achtundsechzig antikolonial: Szenen militanter Kunst- und Filmproduktion und Implikationen für eine (Kunst)Geschichtsschreibung

    Leeb, S., 05.03.2022, Dreizehn Beiträge zu 1968: Von künstlerischen Praktiken und vertrackten Utopien. Lange-Berndt, P. & Lindermann, I. (eds.). Bielefeld: transcript Verlag, p. 27-61 35 p. (Image; vol. 202).

    Research output: Contributions to collected editions/works › Chapter › peer-review

  4. Published

    Agentinnen in fremder Sache

    Leeb, S. A., 2001, In: Texte zur Kunst. 11, 43, p. 215-220 6 p.

    Research output: Journal contributions › Critical reviews › Research

  5. Published

    A Line with Variable Direction, which Traces No Contour, and Delimits No Form

    Leeb, S. A., 2011, Drawing A Hypothesis: Figures of Thought. Gansterer, N. (ed.). Wien / New York: Springer New York LLC, p. 29-42 14 p. (Edition Angewandte).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  6. Published

    Alltag als Form des Widerstands. Oder: Vom Haushalt mit den Bildern. Zum Kino von Chantal Akerman

    Kuhn, E., 09.2016, In: Filmbulletin. Zeitschrift für Film und Kino. 58, 6, p. 54-58 5 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  7. Published

    Amateur Weekenders

    Kuhn, E., 2003, In: Camera Austria. 81, p. 48-49 1 p.

    Research output: Journal contributions › Other (editorial matter etc.) › Research

  8. Published

    Anamnesis of Architecture.

    Broeckmann, A., 2023, Uccellini e uccellacci.: East of the City.. Leal, M. (ed.). Porto, Portugal: i2ADS Edições, p. 107-128 12 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer

  9. Published

    A Psychiatric Clinic, a Monastery, a City and a River: On the (Artistic) Legibility of Disappearance in Topography

    Eduardo Dávila, S. & Jordan, U., 2023, On Withdrawal: Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices. Eduardo Dávila, S., John, R. H., Jordan, U., Wulff, N., Sieber, J. & Schneider, T. (eds.). Berlin/Zürich: Diaphanes Verlag

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  10. Published

    Artistic Research on Anonymity

    Silvestrin, D. & Broeckmann, A., 03.04.2021, Book of Anonymity: An edited collection. Collective, A. (ed.). Brooklyn: punctum books, p. 35-67 33 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  11. Published

    Art Work as Life Work: Lu Märten’s Feminist “Objectivity”

    Nachtigall, J. & Stakemeier, K., 20.12.2021, In: October. 178, p. 35-54 20 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  12. Published

    Aspekte der Maschinenästhetik

    Broeckmann, A., 12.12.2022, Technik-Ästhetik : Zur Theorie techno-ästhetischer Realität. Ruf, O. & Grabbe, L. (eds.). Bielefeld: transcript Verlag, p. 125-144 20 p. ( Medien- und Gestaltungsästhetik; vol. 12).

    Research output: Contributions to collected editions/works › Chapter

  13. Published

    Asynchrone Objekte

    Leeb, S. A., 2013, In: Texte zur Kunst. 91, September, p. 40-62 23 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  14. Published

    BETWEEN SPECIFITY AND CONTEXT. SOCIAL ART HISTORY REVISITED: INTRODUCTION

    Leeb, S. A., 2011, In: Texte zur Kunst. 81, p. 73-75 3 p.

    Research output: Journal contributions › Other (editorial matter etc.) › Research

  15. Published

    Bilder ohne Worte

    Leeb, S. A., 2001, In: Texte zur Kunst. 11, 42, p. 107-108 2 p.

    Research output: Journal contributions › Critical reviews › Research

  16. Published

    Bodenlos

    Leeb, S. A., 2000, In: Texte zur Kunst. 10, 37, p. 70-74 5 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  17. Published

    Books on World Art from the 1920s: On the Ambivalence of a Discursive Awakening

    Leeb, S., 2019, Bauhaus Imaginista: Die globale Rezeption bis heute. von Osten, M. & Watson, G. (eds.). Zürich: Scheidegger & Spiess, p. 106-111 6 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  18. Published

    Border plants: globalisation as shown to us by the women living at its leading edge

    Kuhn, E., 25.01.2024, Coercion and Wage Labour: Exploring Work Relations through History and Art. Batista, A., Müller, V. F. & Peres, C. (eds.). London: UCL Press, p. 225-245 21 p. 10. (Work around the world: studies in global labour history).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  19. Published

    Can Art Save The Ethnological Museum?

    Leeb, S. A., 2013, The Challenge of the Object: 33rd congress of the International Committee of the History of Art, Nuremberg, 15th - 20th July 2012; Congress Proceedings. Großmann, G. U. (ed.). Verlag des Germanischen Nationalmuseums, Vol. 2. p. 556-560 5 p. (Wissenschaftlicher Beiband zum Anzeiger des Germanischen Nationalmuseums; no. 32,2).

    Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review

  20. Published

    Coexistence: Entretien avec Mathilde ter Heijne

    Leeb, S., 2019, In: Les Cahiers du Musée national d'art moderne. 2019, 147, p. 106-111 6 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  21. Published

    Comedy of Deviation: Tamar Getter's Hēliotropion Cycle

    Leeb, S., 2018, Tamar Getter. Hēliotropion: Catalogue for the exhibition held at the Mishkan Museum of Art, Ein Harod, January 6-March 3, 2018. 1. Auflage ed. En Harod: Mishkan Museum of Art, p. 157-164 7 p.

    Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research

  22. Published

    Conflicting Evidence

    Leeb, S., 2017, Evidentiary Realism: Investigative, Forensic, And Documentary Art. Ciro, P. (ed.). 1. Auflage ed. Berlin: NOME, p. 113-120 8 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  23. Published

    Dadadatadada: From Dada to Data and Back Again

    Kölmel, M-J., 09.03.2023, Dada Data: Contemporary Art Practice in the Era of Post-Truth Politics. Hegenbart, S. & Kölmel, M-J. (eds.). Bloomsbury Publishing Plc.

    Research output: Contributions to collected editions/works › Chapter › peer-review

  24. In preparation

    Der Avantgardefilm. Filmgeschichte kompakt

    Kuhn, E., 2024, (In preparation) München: edition text+kritik. (Filmgeschichte kompakt)

    Research output: Books and anthologies › Monographs › Research

  25. Published

    Der Kunstraum

    Leeb, S., 2018, Die Rolle der Universität in Wissenschaft und Gesellschaft im Wandel. Henkel, A., Hobuß, S., Jamme, C. & Wuggenig, U. (eds.). 1. ed. Berlin: Pro BUSINESS Verlag, p. 229-231 3 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer

  26. Published

    Der PC im Atelier: Interviews mit Albert Oehlen, Monique Prieto, Torsten Slama, Chris Finley und Thomas Ruff von Susanne Leeb

    Leeb, S. A., 1999, In: Texte zur Kunst. 9, 36, p. 48-75 28 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  27. Published

    "Der Tyrann braucht zerbrochene Seelen": Susanne Leeb über Rajkamal Kahlon

    Leeb, S., 09.2021, In: Lerchenfeld. 58, p. 25-28 4 p.

    Research output: Journal contributions › Journal articles › Research

  28. Published

    Der Unort von Karten und das Nirgendwo der Kunst: Drei Weisen der Entortung

    Leeb, S. A., 2012, KartenWissen: Territoriale Räume zwischen Bild und Diagramm. Günzel, S. & Novack, L. (eds.). Wiesbaden: Reichert, p. 315-340 26 p. (Trierer Beiträge zu den historischen Kulturwissenschaften; vol. 5).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  29. Published

    Des einen Freud, des anderen Leid

    Leeb, S. A., 2000, In: Texte zur Kunst. 10, 39, p. 197-199 3 p.

    Research output: Journal contributions › Critical reviews › Research

  30. Published

    Diagramme als Gestalt politischer Technologie: Zur Aufklärungskunst der Gegenwart

    Leeb, S. A., 2013, Schaubilder. Thiel, T. (ed.). Berlin: Sternberg Press, p. 16-23 8 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  31. Published

    Die Aufgabe der Fünfziger: Einleitung

    Leeb, S. A., 2003, In: Texte zur Kunst. 50, p. 40-43 4 p.

    Research output: Journal contributions › Other (editorial matter etc.) › Research

  32. Published

    Die Collage als Spottidiom: Die Monografie der Künstlerin Mary Beth Edelson

    Leeb, S. A., 2002, In: Texte zur Kunst. 12, 46, p. 150-155 6 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  33. Published

    Die Kunst der Anderen: "Weltkunst" und die anthropologische Konfiguration der Moderne

    Leeb, S. A., 2015, Berlin: b-books. 320 p. (PoLYpeN)

    Research output: Books and anthologies › Monographs › Transfer › peer-review

  34. Published

    Die Kunst der Stunde. Susanne Leeb über Kader Attia im Museum für Moderne Kunst, Frankfurt/M.

    Leeb, S., 12.2016, In: Texte zur Kunst. 104, p. 204-209 6 p.

    Research output: Journal contributions › Critical reviews › Research

  35. Published

    Die modernen Troglodyten: Willi Baumeisters Kunsttheorie

    Leeb, S. A., 2006, Kunstgeschichte nach 1945: Kontinuität und Neubeginn in Deutschland. Doll, N. (ed.). Köln: Böhlau Verlag GmbH, p. 149-164 16 p. (Atlas; vol. NF; 3).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  36. Published

    Die Ruhe selbst

    Leeb, S. A., 2000, In: Texte zur Kunst. 10, 37, p. 282-286 5 p.

    Research output: Journal contributions › Critical reviews › Research

  37. Published

    Die universale Sprache der vewaltungstechnischen Abstraktion. Zur Darstellung von Kolonialgeschichte in Dierk Schmidts Die Teilung der Erde. Tableaux zu rechtlichen Synopsen der Berliner Afrika-Konferenz (2005-2007)

    Leeb, S. A., 2015, total.: Universalismus und Partikularismus in post_kolonialer Medientheorie. Bergermann, U. & Heidenreich, N. (eds.). Bielefeld: transcript Verlag, p. 269-289 21 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  38. Published

    Die Zeitgenossenschaft der Hochmoderne: Susanne Leeb über Bridget Riley im Musée d'Art Moderne de la Ville de Paris

    Leeb, S. A., 2008, In: Texte zur Kunst. 72, p. 231-235 5 p.

    Research output: Journal contributions › Critical reviews › Research

  39. Published

    Editorial

    Kuhn, E., 01.10.2023, In: Frauen und Film. 71, p. 5-6 2 p.

    Research output: Journal contributions › Other (editorial matter etc.) › Research

  40. Published

    Eine soziale Dreiecksbeziehung: Mensch – Umwelt – Politik: Über "Soziale Diagramme. Planning Reconsidered" im Künstlerhaus Stuttgart

    Leeb, S. A., 2008, In: Texte zur Kunst. 72, p. 196-200 5 p.

    Research output: Journal contributions › Critical reviews › Research

  41. Published

    Ein Filmbild im Blick

    Kuhn, E., 2012, Was ist ein Bild? : Antworten in Bildern ; Gottfried Boehm zum 70. Geburtstag. Egenhofer, S., Hinterwaldner, I. & Spies, C. (eds.). München : Wilhelm Fink Verlag, p. 229-232 4 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  42. Published

    Einleitung

    Leeb, S. A., 2012, Materialität der Diagramme: Kunst und Theorie. Leeb, S. (ed.). Berlin: b-books, p. 7-32 26 p. (Reihe Polypen).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  43. Published

    Élie Faures Cineplastik oder vom Kino und Bilden der Künste

    Kuhn, E., 2016, In: Regards Croisés. 5, p. 50-61 12 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  44. Published

    Entangled – But How?

    Leeb, S. A., 2015, Art in the Periphery of the Center . Behnke, C., Kastelan, C., Knoll, V. & Wuggenig, U. (eds.). Berlin: Sternberg Press, p. 210-219 10 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  45. Published

    Fahrten & Fährten: Zur Kamera in Eric Hattans Videoräumen

    Kuhn, E., 2016, Eric Hattan Works: Werke Œuvres 1979–2015. Spira, A. & Eitel, L. (eds.). Berlin: Holzwarth Publications, p. 175-185 11 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  46. Published

    Feministische Ökonomien und Zeitlichkeit

    Kuhn, E. (ed.), 04.10.2023, Berlin : AvivA Verlag. 200 p. (Frauen und Film; no. 71)

    Research output: Books and anthologies › Special Journal issue › Research

  47. Published

    Figuren der Blindheit in der Kunst von Javier Téllez, James Coleman und Tamar Getter

    Leeb, S. A., 2016, Anderes Wissen: Kunstformen der Theorie. Busch, K. (ed.). 1 ed. Paderborn: Verlag der Merz Akademie, p. 206-241 37 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research

  48. Published

    Film Implosion! Ein Rundgang durch den ausgestellten Film.

    Kuhn, E., 2016, In: Filmbulletin. Zeitschrift für Film und Kino. 58, 1, p. 20-21 2 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  49. Published

    Flucht nach nicht ganz vorn: Geschichte in der Kunst der Gegenwart

    Leeb, S. A., 2009, In: Texte zur Kunst. 76, p. 28-44 17 p.

    Research output: Journal contributions › Journal articles › Research › peer-review

  50. Published

    Fluchtverwandlungstheater nach Catherine Sullivan

    Leeb, S. A., 2013, Disability Trouble: Ästhetik und Bildpolitik bei Helen Keller. Bergermann, U. (ed.). Berlin: b-books, p. 262-276 15 p. (PoLYpeN ).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

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