Professorship for Contemporary Art

Organisational unit: Professoship

Organisation profile

Research and teaching at the Professorship of Contemporary Art focuses on art from the 1960s to the present. We understand art as a material and an intellectual practice, which requires an intensive engagement with artistic processes as well as a reflection on theories of art and culture and socio-political discussions. The emphasis of the professorship is placed on the transcultural interconnections of art, decoloniality, gender issues, art theory, and art criticism.

Main research areas

Contemporary art is characterized in particular by dissolving traditional genres, questioning the formation of canons, inventing new genres and formats, critically examining its own conditions of production, and intervening in social processes. Thus, in addition to analyzing artworks and exploring artistic objects, thinking about the socio-political horizon of art is also an essential part of the study of contemporary art. In this way, the study of contemporary art not only gives students a good knowledge of contemporary art, artistic thinking, agency, research, and an insight into most recent developments of art historical research and methods, but also enables students to participate in current socio-political debates through the lens of art.

The teaching offered by the Professorship of Contemporary Art has most recently included undergraduate seminars such as Methods of Art Studies, Introduction to Art History as Cultural Studies, Transcultural Art History, as well as seminars on topics such as Ownership and Property in Art and Cultural Theory, Critique of Subjectivity in Contemporary Art, Documenta 15 - Artist Collectives, Production/Reproduction - Female Labor in Art and Cinema, Curating Video Art, Forms of Documentary Film, Canon/Canon Criticism, Photography and Feminism, Science Fiction, Visual Culture and the Afterlife of Colonialism, and many more.

Leuphana University is one of the few universities that has its own artistic project space: The Kunstraum, with its archive of more than thirty years of exhibition practice. Working with artists is an essential part of studying contemporary art at Leuphana. In exchanges with artists and curators, in project seminars and excursions, students deal intensively with artistic processes and participate in the production of exhibitions. In this way, students get to know professional fields of practice. 

The Archipelago Lab also regularly invites contemporary artists and cultural producers.

The Halle für Kunst in Lüneburg offers students further opportunities to engage intensively with contemporary art.

With the Leuphana Institute of Advanced Studies in Culture and Society, the university established its own Artists-in-Residence program, where international contemporary artists are invited to develop new work. Their activities will become visible in public presentations, participation in seminars, and exhibitions at the Kunstraum.

  1. Contributions to collected editions/anthologies › Research › Peer-reviewed
  2. Published

    Ein Filmbild im Blick

    Kuhn, E., 2012, Was ist ein Bild? : Antworten in Bildern ; Gottfried Boehm zum 70. Geburtstag. Egenhofer, S., Hinterwaldner, I. & Spies, C. (eds.). München : Wilhelm Fink Verlag, p. 229-232 4 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  3. Published

    Einleitung

    Leeb, S. A., 2012, Materialität der Diagramme: Kunst und Theorie. Leeb, S. (ed.). Berlin: b-books, p. 7-32 26 p. (Reihe Polypen).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  4. Published

    Entangled – But How?

    Leeb, S. A., 2015, Art in the Periphery of the Center . Behnke, C., Kastelan, C., Knoll, V. & Wuggenig, U. (eds.). Berlin: Sternberg Press, p. 210-219 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  5. Published

    Fahrten & Fährten: Zur Kamera in Eric Hattans Videoräumen

    Kuhn, E., 2016, Eric Hattan Works: Werke Œuvres 1979–2015. Spira, A. & Eitel, L. (eds.). Berlin: Holzwarth Publications, p. 175-185 11 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  6. Published

    Fluchtverwandlungstheater nach Catherine Sullivan

    Leeb, S. A., 2013, Disability Trouble: Ästhetik und Bildpolitik bei Helen Keller. Bergermann , U. (ed.). Berlin: b-books, p. 262-276 15 p. (PoLYpeN ).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  7. Published

    Flüssige Blicke: Malerei als Kontaktmedium

    Leeb, S. A., 2014, The Happy Fainting of Painting: Ein Reader zur zeitgenössischen Malerei. Hafner, H.-J. & Reski, G. (eds.). Köln: Verlag der Buchhandlung Walther König, p. 114-121 8 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  8. Published

    Geschichte auf Zeit

    Leeb, S. A., 2009, Rudolf Herz - Lenin on tour: Ausstellung Museum Ludwig, Köln, 23. Oktober 2009 - 31. Januar 2010.. Braun, V. & Halfbrodt, D. (eds.). Göttingen: Steidl Verlag, p. 7-17 11 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  9. Published

    Gibt es eine Kunst des Posthistoire? Zu einem Deutungsschema der Nachkriegszeit

    Leeb, S. A., 2008, Die Stadt von Morgen: Beiträge zu einer Archäologie des Hansaviertels Berlin. Maechtel, A. & Peters, K. (eds.). Köln: Verlag der Buchhandlung Walther König, p. 104-117 14 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  10. Published

    Hafnargata: die Hafenstrasse – eine fotografische Wegstrecke

    Kuhn, E., 2012, Silvia Bächli : Far apart - close together. Bitterli, K. (ed.). Nürnberg: Verlag für Moderne Kunst, p. 133-145 13 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  11. Published

    Im-Mobile Kadragen zwischen Lebenswelt und Kunst: Oder: zwei kinematografische Figuren von Chantal Akerman

    Kuhn, E., 2018, Projektion & Reflexion: Das Medium Film in Kunst und Literatur : le cinéma dans l'art et la littérature. Haupt, S. & Ruf, O. (eds.). Bielefeld: transcript Verlag, p. 199-217 19 p. (Medien- und Gestaltungsästhetik; vol. 6).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  12. Published

    In the Aftermath of Violence. On Being Present and Calling Into Presence

    Taylor, D., Eduardo Dávila, S. & Jordan, U., 2023, On Withdrawal: Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices. Eduardo Dávila, S., John, R. H., Jordan, U., Schneider, T., Sieber, J. & Wulff, N. (eds.). Zürich: Diaphanes Verlag, p. 159-176 18 p. ( Critical stances).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  13. Published

    Jonas Mekas' Mnemotaktik oder: LOST LOST LOST, ein filmisches Gedächtnis

    Kuhn, E., 2015, Kino und Erinnerung. Schmidt, S., von Keitz, U. & Haake, S. (eds.). Marburg: Schüren Verlag, p. 47-62 16 p. (Augenblick – Konstanzer Hefte zur Medienwissenschaft; vol. 61).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  14. Published

    Liquid Gazes (On Contemporary Painting)

    Leeb, S. A., 2014, Aesthetics of the flesh. Ensslin, F. & Klink, C. (eds.). Berlin: Sternberg Press, p. 179-202 24 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  15. Published

    Randgänge der Aufzeichnung: Morgan O’Haras Live Transmissions zwischen Kunst und Wissenschaft

    Leeb, S. A., 2010, Notationen und choreographisches Denken. Brandstetter, G., Hofmann, F. & Maar, K. (eds.). 1 ed. Rombach Verlag, p. 155-182 28 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  16. Published

    Schichten und der Zwischenraum: Über Ästhetik und Funktion von Scheiben im 3D-Film am Beispiel von Martin Scorseses HUGO

    Kuhn, E., 2016, Scheiben: Medien der Durchsicht und Reflexion. Göttel, D. & Krautkrämer, F. (eds.). Bielefeld: transcript Verlag, p. 89-103 15 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  17. Published

    Subjektivität und Selbstreflexion: Drei Formen von "Film-Ichs"

    Kuhn, E., 2013, Im Netz der Eindeutigkeiten : Unbestimmte Figuren und die Irritation von Identität. Andreas, M. & Frankenberg, N. (eds.). Bielefeld: transcript Verlag, p. 89-105 17 p. ( Kultur- und Medientheorie).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  18. Published

    Taktilität des Blickens in Portrait de la jeune fille en feu (Céline Sciamma, 2019)

    Kuhn, E., 31.05.2023, Ins Bild kommen : Spielräume der Kunstkritik. Hosseini, A., Kipke, A., Kuhn, H. & Woisnitza, M. (eds.). Paderborn: Wilhelm Fink Verlag, p. 204-209 6 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  19. Published

    The Anamnesis of Matter: Lyotard and the Immatériaux

    Broeckmann, A., 04.12.2023, Therapie der Dinge?: Materialität und Psychoanalyse in Literatur, Film und bildender Kunst. Danebrock, F. & Bartelmus, M. (eds.). Bielefeld: transcript Verlag, p. 49-59 11 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  20. Published

    Upheaval in the Depot’s Wake: Rehearsal and Drawing in the Work of Tamar Getter

    Leeb, S., 08.2016, Putting Rehearsals to the Test: Practices of Rehearsel in Fine Arts, Film, Theater, Theory, and Politics. Buchmann, S., Lafer, I. & Ruhm, C. (eds.). Berlin: Sternberg Press, p. 152-167 16 p. (Publication series of the Academy of Fine Arts Vienna; vol. 19).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  21. Published

    Walking Text and Writing Space: Reflections on Ladinidad in Guatemala

    Eduardo, N. D. C. & Eduardo Dávila, S., 31.03.2025, Raum - Theorie - Empirie: Ein Arbeitsbuch. Dlabaja, C., Nimführ, S. & Goez, N. (eds.). Springer Fachmedien Wiesbaden GmbH, p. 209–228 20 p. (Forschung und Praxis an der FHWien der WKW).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review