Professorship for Provenance Studies
Organisational unit: Section
Organisation profile
Research and teaching in Provenance Studies at Leuphana cover the areas of provenance, restitution, and critical museum and art market studies. In addition to examining the past, present, and future of provenance and its production, we focus primarily on the institutional frameworks in which art is collected and exhibited. Here, we are particularly interested in the role of museums in the acquisition, archiving, display, and circulation of objects. To answer these questions, we also use digital tools and explore their relevance for provenance research and art history.
- 2024
- E-pub ahead of print
OpenCitations Meta
Massari, A., Mariani, F., Heibi, I., Peroni, S. & Shotton, D., 14.02.2024, (E-pub ahead of print) In: Quantitative Science Studies. 26 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Interpreting Strings, Weaving Threads: Structuring Provenance Data with AI
Rother, L., Mariani, F. & Koss, M., 31.01.2024, Sammlungsforschung im digitalen Zeitalter: Chancen, Herausforderungen und Grenzen. Günther, K. & Alschner, S. (eds.). Göttingen: Wallstein Verlag, p. 93-103 11 p. ( Kulturen des Sammelns. Akteure, Objekte, Medien; vol. 5).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- 2023
- Published
Teaching Provenance to AI: An Annotation Scheme for Museum Data
Mariani, F., Rother, L. & Koss, M., 27.12.2023, AI in Museums: Reflections, Perspectives and Applications. Thiel, S. & Bernhardt, J. (eds.). Bielefeld: transcript Verlag, p. 163-172 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- Published
Hidden Value: Provenance as a Source for Economic and Social History
Rother, L., Mariani, F. & Koss, M., 25.05.2023, In: Jahrbuch fur Wirtschaftsgeschichte. 64, 1, p. 111-142 32 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
Introducing VISU: Vagueness, Incompleteness, Subjectivity, and Uncertainty in Art Provenance Data
Mariani, F., 2023, Computational Methods in the Humanities 2022 : Proceedings of the Workshop on Computational Methods in the Humanities 2022 Lausanne, Switzerland, June 9–10, 2022.. Rochat, Y., Metrailler, C. & Piotrowski, M. (eds.). Aachen: Sun Site Central Europe (RWTH Aachen University), Vol. 3602. p. 63-84 22 p. (CEUR Workshop Proceedings; vol. 3602).Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review
- 2022
- Published
Taking Care of History: Toward a Politics of Provenance Linked Open Data in Museums
Rother, L., Koss, M. & Mariani, F., 19.12.2022, Perspectives on Data. Lew Fry, E. & Canning, E. (eds.). Chicago: Art Institute of Chicago, 31 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Uncanny Provenance: Art History and its Double
Rother, L., 12.2022, In: Texte zur Kunst. 2022, 128, p. 84-97 14 p.Research output: Journal contributions › Journal articles › Research › peer-review
- Published
"Oh, You are a Scientist!" Elsa Glaser and Art History
Rother, L. & Koss, M., 11.2022, The Collector Curt Glaser: From Champion of Modernism to Refugee. Haldemann, A. & Rauser, J. (eds.). Berlin: Deutscher Kunstverlag, p. 14-19 6 p.Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research
- Accepted/In press
Auf dem Weg zu einer emanzipierten Provenienzforschung
Rother, L., 2022, (Accepted/In press) Entzug, Transfer, Transit – Menschen, Objekte, Orte und Ereignisse. Heidelberg University PublishingResearch output: Contributions to collected editions/works › Article in conference proceedings › Research
- Published
Looking at the World With You
Koss, M., 2022, On the Edge of Time. Lyn, A. & Bird, R. (eds.). St. Gallen; Berlin: Vexer VerlagResearch output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Transfer
- Published
Von echten Geschenken, falschen Verkäufen und realen Verlusten
Rother, L., 2022, Seismografen und Orientierungsspiegel: Bilder der Welt in kurzen Kunstgeschichten. Crasemann, L., Fellmann, B. & Hadjinicolaou, Y. (eds.). 1 ed. Walter de Gruyter GmbH, p. 292-297 6 p.Research output: Contributions to collected editions/works › Chapter
- 2020
- Published
On the Question of the Restoration of Wall Paintings
Koss, M. & Riegl, A., 01.09.2020, In: West 86th. 27, 2, p. 250-269 20 p.Research output: Journal contributions › Journal articles › Research
- Published
Thilo H. G. Westermann, Die Rezeption der Pan-Mythen in der bildenden Kunst zwischen Klassizismus und Moderne
Koss, M., 24.07.2020, In: Jahrbuch der Raabe-Gesellschaft. 60, 1, p. 233-238 6 p.Research output: Journal contributions › Critical reviews › Research
- Published
Amy Lyford, Isamu Noguchi's Modernism: Negotiating Race, Labor and the Nation, 1930-1950: Berkeley, CA, University of California Press, 2018
Koss, M., 05.2020, In: Sculpture Journal. 29, 1, p. 115-117 3 p.Research output: Journal contributions › Critical reviews › Research
- Published
Provenance Research in Museums: The Long Run
Rother, L. & Schmeisser, I., 2020, Provenance Research Today: Principles, Practice, Problems. Tompkins, A. (ed.). London: Lund Humphries, p. 106-116 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
- 2014
- Published
Matthew Rampley, The Vienna School of Art History: Empire and the Politics of Scholarship, 1847 – 1918
Koss, M., 25.09.2014, 3 p. Council for European Studies - Columbia University.Research output: other publications › Articles in scientific forums or blogs › Research