Professorship for Provenance Studies

Organisational unit: Section

Organisation profile

Research and teaching in Provenance Studies at Leuphana cover the areas of provenance, restitution, and critical museum and art market studies. In addition to examining the past, present, and future of provenance and its production, we focus primarily on the institutional frameworks in which art is collected and exhibited. Here, we are particularly interested in the role of museums in the acquisition, archiving, display, and circulation of objects. To answer these questions, we also use digital tools and explore their relevance for provenance research and art history.

  1. Published

    Provenance Research in Museums: The Long Run

    Rother, L. & Schmeisser, I., 2020, Provenance Research Today: Principles, Practice, Problems. Tompkins, A. (ed.). London: Lund Humphries, p. 106-116 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  2. Published

    Taking Care of History: Toward a Politics of Provenance Linked Open Data in Museums

    Rother, L., Koss, M. & Mariani, F., 19.12.2022, Perspectives on Data. Lew Fry, E. & Canning, E. (eds.). Chicago: Art Institute of Chicago, 31 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  3. Published

    Teaching Provenance to AI: An Annotation Scheme for Museum Data

    Mariani, F., Rother, L. & Koss, M., 27.12.2023, AI in Museums: Reflections, Perspectives and Applications. Thiel, S. & Bernhardt, J. (eds.). Bielefeld: transcript Verlag, p. 163-172 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  4. Published

    Thilo H. G. Westermann, Die Rezeption der Pan-Mythen in der bildenden Kunst zwischen Klassizismus und Moderne

    Koss, M., 24.07.2020, In: Jahrbuch der Raabe-Gesellschaft. 60, 1, p. 233-238 6 p.

    Research output: Journal contributionsCritical reviewsResearch

  5. Published

    Uncanny Provenance: Art History and its Double

    Rother, L., 12.2022, In: Texte zur Kunst. 2022, 128, p. 84-97 14 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

  6. Published

    Von echten Geschenken, falschen Verkäufen und realen Verlusten

    Rother, L., 2022, Seismografen und Orientierungsspiegel: Bilder der Welt in kurzen Kunstgeschichten. Crasemann, L., Fellmann, B. & Hadjinicolaou, Y. (eds.). 1 ed. Walter de Gruyter GmbH, p. 292-297 6 p.

    Research output: Contributions to collected editions/worksChapter

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