Professorship for Provenance Studies

Organisational unit: Section

Organisation profile

Research and teaching in Provenance Studies at Leuphana cover the areas of provenance, restitution, and critical museum and art market studies. In addition to examining the past, present, and future of provenance and its production, we focus primarily on the institutional frameworks in which art is collected and exhibited. Here, we are particularly interested in the role of museums in the acquisition, archiving, display, and circulation of objects. To answer these questions, we also use digital tools and explore their relevance for provenance research and art history.

  1. 2014
  2. Published

    Matthew Rampley, The Vienna School of Art History: Empire and the Politics of Scholarship, 1847 – 1918

    Koss, M., 25.09.2014, 3 p. Council for European Studies - Columbia University.

    Research output: other publicationsArticles in scientific forums or blogsResearch

  3. 2020
  4. Published

    Provenance Research in Museums: The Long Run

    Rother, L. & Schmeisser, I., 2020, Provenance Research Today: Principles, Practice, Problems. Tompkins, A. (ed.). London: Lund Humphries, p. 106-116 10 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearch

  5. Published
  6. Published

    Thilo H. G. Westermann, Die Rezeption der Pan-Mythen in der bildenden Kunst zwischen Klassizismus und Moderne

    Koss, M., 24.07.2020, In: Jahrbuch der Raabe-Gesellschaft. 60, 1, p. 233-238 6 p.

    Research output: Journal contributionsCritical reviewsResearch

  7. Published

    On the Question of the Restoration of Wall Paintings

    Koss, M. & Riegl, A., 01.09.2020, In: West 86th. 27, 2, p. 250-269 20 p.

    Research output: Journal contributionsJournal articlesResearch

  8. 2022
  9. Accepted/In press

    Auf dem Weg zu einer emanzipierten Provenienzforschung

    Rother, L., 2022, (Accepted/In press) Entzug, Transfer, Transit – Menschen, Objekte, Orte und Ereignisse. Heidelberg University Publishing

    Research output: Contributions to collected editions/worksArticle in conference proceedingsResearch

  10. Published

    Looking at the World With You

    Koss, M., 2022, On the Edge of Time. Lyn, A. & Bird, R. (eds.). St. Gallen; Berlin: Vexer Verlag

    Research output: Contributions to collected editions/worksContribution of Exihibition cataloguesTransfer

  11. Published

    Von echten Geschenken, falschen Verkäufen und realen Verlusten

    Rother, L., 2022, Seismografen und Orientierungsspiegel: Bilder der Welt in kurzen Kunstgeschichten. Crasemann, L., Fellmann, B. & Hadjinicolaou, Y. (eds.). 1 ed. Walter de Gruyter GmbH, p. 292-297 6 p.

    Research output: Contributions to collected editions/worksChapter

  12. Published

    "Oh, You are a Scientist!" Elsa Glaser and Art History

    Rother, L. & Koss, M., 11.2022, The Collector Curt Glaser: From Champion of Modernism to Refugee. Haldemann, A. & Rauser, J. (eds.). Berlin: Deutscher Kunstverlag, p. 14-19 6 p.

    Research output: Contributions to collected editions/worksContribution of Exihibition cataloguesResearch

  13. Published

    Uncanny Provenance: Art History and its Double

    Rother, L., 12.2022, In: Texte zur Kunst. 2022, 128, p. 84-97 14 p.

    Research output: Journal contributionsJournal articlesResearchpeer-review

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