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Professorship for Art History

Organisational unit: Section

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Organisation profile

Research and teaching at the Professorship for Art History focuses on the history and theory of art from the Renaissance through Modernism and Postmodernism to the contemporary period. The art of the 20th and 21st centuries is in the foreground. Beyond the classical objects of art history – painting, graphics, sculpture – diverse forms of visual culture are also the subject of study, such as object art, arts and crafts, design, photography, video, installation, performance and new media.

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  1. Contributions to collected editions/anthologies › Transfer › Peer-reviewed
  2. Published

    "ultraleichte Geste für…" ("ultra-light Gesture for…"): Ernst Caramelle's Art of Deception

    Söntgen, B. E., 2018, Ernst Caramelle: A Résumé. Folie, S. (ed.). 1. Auflage ed. Köln: Verlag der Buchhandlung Walther König, p. 128-136 9 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review

  3. Published

    Umgebungswissen. Zum Wert von Nachlässen für die Kunstgeschichte

    Söntgen, B., 10.2021, Heute, heute, nur nicht morgen...: Wer bestimmt unser Kunsterbe?. Köln: Salon Verlag , p. 30-32 3 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review

  4. Contributions to collected editions/anthologies › Transfer › Not peer-reviewed
  5. Published

    Interieur

    Söntgen, B. E., 2017, Matisse - Bonnard: Es lebe die Malerei! . Krämer, F. & Museum, S. (eds.). München: Prestel Verlag, p. 81-87 7 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer

  6. Contributions to collected editions/anthologies › Education › Peer-reviewed
  7. Published

    Lasst den Vorhang herunter! Die Kunst beginnt... zu gemalten Bildervorhängen bei Rembrandt und seinen Schülern.

    Kemp, W. K., 2016, Hinter dem Vorhang : Verhüllung und Enthüllung seit der Renaissance - von Tizian bis Christo . Blümle, C. & Wismer, B. (eds.). München: Hirmer, p. 56-64 8 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Education › peer-review

  8. Contributions to collected editions/anthologies › Research › Peer-reviewed
  9. Published

    Abstand nehmen: Bonnards Welt

    Söntgen, B., 2012, Pierre Bonnard. B. M. AG. & Küster, U. (eds.). Ostfildern: Hatje Cantz Verlag, p. 150-155 6 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  10. Accepted/In press

    Aktivierungen des Archivs und der Ausstellung: Zum Verhältnis von Deponieren und Exponieren im digitalen Museum

    Neugärtner, S., 2024, (Accepted/In press) Wandlungen des Sammelns: Praktiken, Wissen, Anordnungen. Ein Reader. Rau, S., Friedrich, S. & Mangold, J. (eds.). Bielefeld: transcript Verlag, Vol. 14. (Histoire; vol. 14).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  11. Published

    Bei sich sein: Szenen des Privaten in den Fotografien von Richard Billingham und Nan Goldin

    Söntgen, B., 2012, Hold it !: Zur Pose zwischen Bild und Performance. Brandl-Risi, B., Brandstetter, G. & Diekmann, S. (eds.). Berlin: Verlag Theater der Zeit, p. 96-111 16 p. (Theater der Zeit, Recherchen; no. 89).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  12. Published

    Chardin: Inwardness - Emotion - Communication

    Söntgen, B., 2014, Rethinking Emotion: Interiority and Exteriority in Premodern, Modern, and Contemporary Thought. Rüdiger, C. & Julia, W. (eds.). Berlin / Boston: Walter de Gruyter GmbH, p. 101 -133 33 p. 6. (Interdisciplinary German Cultural Studies; vol. 15).

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  13. Published

    Critical Stances: An Introduction to The Stakes of Form.

    Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B., 23.06.2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich/Berlin: Diaphanes Verlag, p. 7-36 30 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

  14. Published

    Das Interieur als psychische Installation: Zur Einrichtung des Innenraums bei Teresa Hubbard/Alexander Birchler und Eija-Liisa Ahtila

    Söntgen, B., 2012, Kinematographische Räume: Installationsästhetik in Film und Kunst. Frohne, U. & Haberer, L. (eds.). München: Wilhelm Fink Verlag, p. 419-446 28 p.

    Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review

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