Professorship for Art History
Organisational unit: Professoship
Organisation profile
Research and teaching at the Professorship for Art History focuses on the history and theory of art from the Renaissance through Modernism and Postmodernism to the contemporary period. The art of the 20th and 21st centuries is in the foreground. Beyond the classical objects of art history – painting, graphics, sculpture – diverse forms of visual culture are also the subject of study, such as object art, arts and crafts, design, photography, video, installation, performance and new media.
Main research areas
In addition to the historical classification and the art-scientifically based interpretation of these various arts, media and creative spaces of action, there is a special focus on the contexts of use of artistic design. This includes in particular thinking about the social interconnections of artistic practices, institutions and actors under specific political and economic conditions. Central to this is the connection between historical research and current issues. In this way, the Professorship for Art History opens up participation in contemporary social debates in which art and visual cultures develop their meaning and function.
The connection to concrete projects, such as the university's Kunstraum, and the direct work in front of originals in the context of excursions are an important part of the studies. Through the exchange with artists and curators and the transfer of the place of study into institutional spaces of action of the arts, professional fields of practice are to be tested and developed.
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From Revolution to Reformation: From the Figurative Constructivism of the Cologne Progressives to Léna Meyer-Bergner’s Isotype in Mexico as Anti-imperialist Strategy, 1920–1946
Neugärtner, S., 12.2022, From Posada to Isotype, from Kollwitz to Catlett: Exchange of Political Print Culture. Germany–Mexico, 1900–1968. Buchloh, B. & Harewood, M. (eds.). Madrid: Museo Nacional Centro de Arte Reina Sofía, p. 400–417 18 p.Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research
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Foto-Essays: zur Geschichte und Theorie der Fotografie
Kemp, W., 2006, München: Schirmer/Mosel Verlag. 175 p.Research output: Books and anthologies › Monographs › Research
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"foto-bauhäusler, werdet arbeiterfotografen!"
Neugärtner, S., 24.10.2022, Linke Waffe Kunst: Die Kommunistische Studentenfraktion am Bauhaus. Thöner, W., Strob, F. & Schätzke, A. (eds.). Basel: Birkhäuser Verlag GmbH, p. 163-180 18 p. (Bauwelt Fundamente; vol. 175)(Edition Bauhaus; vol. 60).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Forschungsbericht zu Henry van de Velde: Von der Avantgarde zur Arrieregarde
Marchal, S. & Möllmer, T., 2014, In: Kunstchronik. 67, 12, p. 599-609 11 p.Research output: Journal contributions › Critical reviews › Research
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Formen des Kontakts: Auguste Renoirs Nach dem Mittagessen
Söntgen, B. E., 2015, Monet und die Geburt des Impressionsmus. Krämer, F. (ed.). München: Prestel Verlag, p. 183-193 11 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Formen der Kunstrezeption in der Moderne: Übertragung (Diderot) und Reflexion (Greenberg)
Söntgen, B. E., 03.2016, Handbuch Sprache in der Kunstkommunikation. Hausendorf, H. & Müller, M. (eds.). Berlin: Walter de Gruyter GmbH, p. 135-152 18 p. (Handbücher Sprachwissen; vol. 16).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Foreign affairs: Die Abenteuer einiger Engländer in Deutschland 1900-1947
Kemp, W., 2010, München: Carl Hanser Verlag GmbH & Co. KG. 383 p.Research output: Books and anthologies › Monographs › Research
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Figuren der Teilhabe in Mischa Kuballs NEW POTT
Söntgen, B., 31.08.2012, Neue Bezugsfelder in Kunst und Gesellschaft. New relations in art and society: anlässlich der Tagung "New Relations in Art & Society" (21./22. Januar 2011 im Campusmuseum der Kunstsammlungen der Ruhr-Universität Bochum) und der dort realisierten Ausstellung "Mischa Kuball: New Pott. 100 Lichter/100 Gesichter" (28. Oktober 2010 -10. Juli 2011. Wappler, F. (ed.). Zürich: JRP Ringier Verlag, p. 94-105 12 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
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Familienbande und Beziehungsmuster: Zum Ornamentalen in Édouard Vuillards Grand Intérieur
Söntgen, B., 2012, Ornament: Motiv - Modus - Bild. Beyer, V. & Spies, C. (eds.). Paderborn: Wilhelm Fink Verlag, p. 91-115 25 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Exposition eines Mediums: Internationale Photographische Ausstellung Dresden 1909
Brons, F., 2015, München: Wilhelm Fink Verlag. 496 p.Research output: Books and anthologies › Monographs › Research