Professorship for Art History
Organisational unit: Professoship
Organisation profile
Research and teaching at the Professorship for Art History focuses on the history and theory of art from the Renaissance through Modernism and Postmodernism to the contemporary period. The art of the 20th and 21st centuries is in the foreground. Beyond the classical objects of art history – painting, graphics, sculpture – diverse forms of visual culture are also the subject of study, such as object art, arts and crafts, design, photography, video, installation, performance and new media.
Main research areas
In addition to the historical classification and the art-scientifically based interpretation of these various arts, media and creative spaces of action, there is a special focus on the contexts of use of artistic design. This includes in particular thinking about the social interconnections of artistic practices, institutions and actors under specific political and economic conditions. Central to this is the connection between historical research and current issues. In this way, the Professorship for Art History opens up participation in contemporary social debates in which art and visual cultures develop their meaning and function.
The connection to concrete projects, such as the university's Kunstraum, and the direct work in front of originals in the context of excursions are an important part of the studies. Through the exchange with artists and curators and the transfer of the place of study into institutional spaces of action of the arts, professional fields of practice are to be tested and developed.
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Ästhetikkolumne: Mit Blindman auf der Documenta 13
Kemp, W., 01.2013, In: Merkur. 67, 764, p. 45-50 6 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Mise-en-scène
Söntgen, B., 2013, Kunst - Begriffe der Gegenwart: Von Allegorie bis Zip. Schafaff, J., Schallenberg, N. & Vogt, T. (eds.). Köln: Verlag der Buchhandlung Walther König, p. 173-178 6 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Komplizen des Kapitals: Kunst, Stiere, Abstraktionen
Kuhn, H. & Loichinger, H. C., 10.2013, Das Beste vom Besten: Vom riskanten Geschäft der Kunst. Hafner, H.-J. (ed.). Düsseldorf: Kunstverein für die Rheinlande und Westfalen, p. 65-71 80 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Wassily Kandinsky - Biografie
Vietmeier, M., 2008, Kandinsky: Das druckgrafische Werk ; [anlässlich der Ausstellung Kandinsky - Das Druckgrafische Werk, Lenbachhaus München, 25.10.2008 - 22.2.2009 ; Kunstmuseum Bonn, 2.4.2009 - 12.7.2009]. Friedel, H. & Hoberg, A. (eds.). Köln: Wienand Verlag, p. 67-74 8 p.Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Transfer
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"Kandinskys frühe Holzschnitte - Polyphonie von Farben und Formen"
Vietmeier, M., 2008, Kandinsky: das druckgrafische Werk ; [anlässlich der Ausstellung Kandinsky - Das Druckgrafische Werk, Lenbachhaus München, 25.10.2008 - 22.2.2009 ; Kunstmuseum Bonn, 2.4.2009 - 12.7.2009]. Friedel, H. & Hoberg, A. (eds.). Köln: Wienand Verlag, p. 11 - 31 21 p.Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Transfer
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Biografie
Vietmeier, M., 2009, Jean Dubuffet. Künstlerbücher: [Katalog zur Ausstellung Jean Dubuffet "... das Papier beleben", München 2009]. Franzke, A. (ed.). Köln: Verlag der Buchhandlung Walther König, p. 109 - 123 15 p.Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Transfer
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"'Jeder braucht mindestens ein Fenster'. Isa Genzkens Fensterskulpturen"
Vietmeier, M., 2012, Fresh Widow. Fensterbilder seit Matisse und Duchamp. K.N.-W. (ed.). Ostfildern Ruit: Hatje Cantz Verlag, p. 201 - 210 10 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
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"Verweigerung des Durchblicks. Christos verhüllte 'Schau-Fenster'"
Vietmeier, M., 2012, Fresh Widow: Fenster-Bilder seit Matisse und Duchamp ; [... anlässlich der Ausstellung "Fresh Widow. Fenster-Bilder seit Matisse und Duchamp", Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 31.März bis 12. August 2012]. K.N.-W. (ed.). Ostfildern: Hatje Cantz Verlag, p. 137 - 142 6 p.Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Transfer
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Auswendigkeit (oder: Toast Master´s Backen ohne Mehl)
Söntgen, B., 2013, Denkfiguren: für Anselm Haverkamp. Horn, E. & Lowrie, M. (eds.). Berlin: August Verlag, p. 43-44 2 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Transfer › peer-review
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Schichtungen: Zur Malerei von Thomas Scheibitz
Söntgen, B., 2012, Thomas Scheibitz. One Time Pad: One Time Pad. Gaensheimer, S. (ed.). Berlin: Verlag der Buchhandlung Walther König, p. 77-89 13 p.Research output: Contributions to collected editions/works › Other › Transfer