Professorship for Art History

Organisational unit: Professoship

Organisation profile

Research and teaching at the Professorship for Art History focuses on the history and theory of art from the Renaissance through Modernism and Postmodernism to the contemporary period. The art of the 20th and 21st centuries is in the foreground. Beyond the classical objects of art history – painting, graphics, sculpture – diverse forms of visual culture are also the subject of study, such as object art, arts and crafts, design, photography, video, installation, performance and new media.

Main research areas

In addition to the historical classification and the art-scientifically based interpretation of these various arts, media and creative spaces of action, there is a special focus on the contexts of use of artistic design. This includes in particular thinking about the social interconnections of artistic practices, institutions and actors under specific political and economic conditions. Central to this is the connection between historical research and current issues. In this way, the Professorship for Art History opens up participation in contemporary social debates in which art and visual cultures develop their meaning and function.

The connection to concrete projects, such as the university's Kunstraum, and the direct work in front of originals in the context of excursions are an important part of the studies. Through the exchange with artists and curators and the transfer of the place of study into institutional spaces of action of the arts, professional fields of practice are to be tested and developed.

  1. Published

    Pia und die Dinge

    Söntgen, B. E., 2019, Pia Stadtbäumer. Psycho-Aktiv: 1989-2019.. Heynen, J. (ed.). 1. ed. Berlin: Distanz Verlag, p. 259-268 9 p.

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesTransferpeer-review

  2. Published

    Diderot, or The Power of Critique

    Söntgen, B. E., 2019, The Value of Critique: Exploring the Interrelations of Value, Critique, and Artistic Labour . Graw, I. & Menke, C. (eds.). 1. ed. Frankfurt am Main : Campus Verlag, p. 53-72 20 p. (Normative Orders; vol. 26).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  3. Published

    Jungfräuliche Membranen: Vom Pergament zum iPad

    Kuhn, H., 2021, Hautlichkeit : Oberflächen in Wissenschaft und Design. Schnödl, G. & Windgätter, C. (eds.). Berlin: Kulturverlag Kadmos , p. 161-180 20 p. (DesignWissen; vol. 3).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  4. Published

    Tanzbilder und Bildbewegungen: Toulouse-Lautrecs Plakate, fotografische Porträts und die Darstellung von Bewegung im Bild

    Ludwig, S., 2021, transcript Verlag. 236 p. (TanzScripte ; vol. 51)

    Research output: Books and anthologiesBook

  5. Published

    Dada Data: Contemporary Art in the Era of Post-Truth Politics

    Hegenbart, S. (Editor) & Kölmel, M.-J. (Editor), 23.02.2023, Bloomsbury Academic. 304 p.

    Research output: Books and anthologiesCollected editions and anthologiesResearch

  6. Published

    The Stakes of the Stage: Piscator's Scenography as a Practice of Critique and Benjamin's Discontent with the "Zeittheater"

    Woisnitza, M., 2020, Critique: The Stakes of Form. Khatib, S., Kuhn, H., Lochner, O., Mehl, I. & Söntgen, B. (eds.). Zürich: Diaphanes Verlag, p. 297-324 28 p. (Critical stances).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  7. Published

    Dramaturgies of Theatrical Imagination: Spectatorial Agency in Lessing and Kleist

    Woisnitza, M., 01.01.2020, Baden-Baden: Rombach Wissenschaft Verlag. 289 p. (Scenae; vol. 21)

    Research output: Books and anthologiesMonographsResearchpeer-review

  8. Published

    Structure as Infrastructure: The Interrelation of Fiber and Construction

    Neugärtner, S., 24.10.2022, Architect of Letters: Reading Hilberseimer. Strob, F. (ed.). Basel: Birkhäuser Verlag GmbH, p. 222–236 15 p. (Bauwelt Fundamente; vol. 174)(Edition Bauhaus; vol. 59).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  9. Published

    "foto-bauhäusler, werdet arbeiterfotografen!"

    Neugärtner, S., 24.10.2022, Linke Waffe Kunst: Die Kommunistische Studentenfraktion am Bauhaus. Thöner, W., Strob, F. & Schätzke, A. (eds.). Basel: Birkhäuser Verlag GmbH, p. 163-180 18 p. (Bauwelt Fundamente; vol. 175)(Edition Bauhaus; vol. 60).

    Research output: Contributions to collected editions/worksContributions to collected editions/anthologiesResearchpeer-review

  10. Published

    From Revolution to Reformation: From the Figurative Constructivism of the Cologne Progressives to Léna Meyer-Bergner’s Isotype in Mexico as Anti-imperialist Strategy, 1920–1946

    Neugärtner, S., 12.2022, From Posada to Isotype, from Kollwitz to Catlett: Exchange of Political Print Culture. Germany–Mexico, 1900–1968. Buchloh, B. & Harewood, M. (eds.). Madrid: Museo Nacional Centro de Arte Reina Sofía, p. 400–417 18 p.

    Research output: Contributions to collected editions/worksContribution of Exihibition cataloguesResearch