Professorship for Art History

Organisational unit: Professoship

Organisation profile

Research and teaching at the Professorship for Art History focuses on the history and theory of art from the Renaissance through Modernism and Postmodernism to the contemporary period. The art of the 20th and 21st centuries is in the foreground. Beyond the classical objects of art history – painting, graphics, sculpture – diverse forms of visual culture are also the subject of study, such as object art, arts and crafts, design, photography, video, installation, performance and new media.

Main research areas

In addition to the historical classification and the art-scientifically based interpretation of these various arts, media and creative spaces of action, there is a special focus on the contexts of use of artistic design. This includes in particular thinking about the social interconnections of artistic practices, institutions and actors under specific political and economic conditions. Central to this is the connection between historical research and current issues. In this way, the Professorship for Art History opens up participation in contemporary social debates in which art and visual cultures develop their meaning and function.

The connection to concrete projects, such as the university's Kunstraum, and the direct work in front of originals in the context of excursions are an important part of the studies. Through the exchange with artists and curators and the transfer of the place of study into institutional spaces of action of the arts, professional fields of practice are to be tested and developed.

  1. Lena Meyer-Bergner’s Commitment to Social Change through the Material Transformation of Everyday Life

    Neugärtner, S. (Speaker)

    13.04.2023

    Activity: Talk or presentationConference PresentationsResearch

  2. Lena Meyer-Bergner’s conception of modernism between graphics and weaving, between folk art and technology

    Neugärtner, S. (Speaker)

    01.11.2019

    Activity: Talk or presentationConference PresentationsResearch

  3. Lena Meyer-Bergner’s Teaching of Weaving Technology in Mexico: Attempts to Abolish Post-Colonial Rule

    Neugärtner, S. (Speaker)

    14.05.2021

    Activity: Talk or presentationConference PresentationsResearch

  4. „Lessing’s Freedom of Imagination and its Regulation on Stage“.

    Woisnitza, M. (Speaker)

    17.03.201120.03.2011

    Activity: Talk or presentationConference PresentationsResearch

  5. Leuphana Universität Lüneburg (Organisational unit)

    Söntgen, B. (Member)

    20122019

    Activity: MembershipLeuphana academic councils and committeesLeuphana Academic Committees

  6. L’ intruse – Der Eindringling im Installationsraum

    Hosseini, A. (Speaker)

    27.10.2007

    Activity: Talk or presentationGuest lecturesEducation

  7. „Making Characters. Lessing’s Dramaturgy of Imagination“.

    Woisnitza, M. (Speaker)

    06.01.201109.01.2011

    Activity: Talk or presentationConference PresentationsResearch

  8. Material Matters

    Kölmel, M.-J. (Speaker)

    23.01.2016

    Activity: Talk or presentationGuest lecturesTransfer

  9. „Meta-Representation of World War II in Tarantino’s Inglourious Basterds“.

    Woisnitza, M. (Speaker)

    02.2012

    Activity: Talk or presentationGuest lecturesEducation

  10. Naive Kunst, Primitivismus und Gegen-Primitvismus

    Tchelidze, K. (Speaker)

    01.10.202331.03.2024

    Activity: Participating in or organising an academic or articstic eventExternal workshops, courses, seminarsEducation