Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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The Body as Medium: Fashion as Art
Förster-Beuthan, Y., 18.12.2015, From Humanism to Meta-, Post and Transhumanism?. Deretic, I. & Sorgner, S. L. (eds.). Frankfurt: Peter Lang Verlag, Vol. 8. p. 321-332 12 p. (Beyond humanism; vol. 8).Research output: Contributions to collected editions/works › Chapter › peer-review
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Nietzsche und das Politische: Zur Einführung
Andermann, K., Große Wiesmann, H. & Saar, M., 2016, ..... der unmögliche Mönch“? : Nietzsches Luther- und Reformationskritik. Reschke, R. (ed.). Walter de Gruyter, Vol. 23. p. 133-139 7 p. ( Nietzscheforschung - Jahrbuch der Nietzschegesellschaft; vol. 23).Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review
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Das Band der Affekte: Relationalität in Spinozas immanenter Ontologie der Menge
Andermann, K., 01.10.2016, Das soziale Band: Geschichte und Gegenwart eines sozialtheoretischen Grundbegriffs. Bedorf, T. & Herrmann, S. (eds.). Frankfurt/New York: Campus Verlag, p. 311-332 22 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Kritik der Kreativität
Raunig, G. (Editor) & Wuggenig, U. (Editor), 01.2016, 1 ed. Wien: Transversal Texts. 530 p.Research output: Books and anthologies › Collected editions and anthologies › Research
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Kreativitätsbegriffe. Von der Kritik zu Assimilation, Vergiftung, Ausschlag: Vorwort zur Neuauflage von Kritik der Kreativität
Wuggenig, U., 01.2016, Kritik der Kreativität. Raunig, G. & Wuggenig, U. (eds.). Wien: Transversal Texts, p. 11-70 60 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Transindividuelle Affizierung: Spinozas relationale Ontologie bewegter Körper
Andermann, K., 01.06.2016, Zwischenleiblichkeit und bewegtes Verstehen - Intercorporeity, Movement and Tacit Knowledge : Welche Bedeutung haben körperlich-leibliche Interaktion und Kommunikation für soziales Verstehen und Intersubjektivität?. Eberlein, U. (ed.). Bielefeld: transcript Verlag, p. 109-135 27 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Dokumente avant la lettre: Eine Spurensuche um 1900
Brons, F., 2015, Wie Bilder Dokumente wurden: Zur Genealogie dokumentarischer Darstellungspraktiken. Wöhrer, R. (ed.). Berlin: Kulturverlag Kadmos , p. 103-119 17 p. ( Kaleidogramme; vol. 119).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Reliquien des Bösen: Überlegungen zu einer Ding-Phantastik Ivan Turgenevs
Schulz, V.-S., 2015, Bild, Ding, Kunst. Wolf, G. (ed.). Berlin: Deutscher Kunstverlag, p. 189–213Research output: Contributions to collected editions/works › Chapter
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From Letter to Line: Artistic Experiments with Pseudo-Script in Late Medieval Italian Painting
Schulz, V.-S., 2015, The Power of Line. Faietti, M. & Wolf, G. (eds.). Munich: Deutscher Kunstverlag, p. 144–161Research output: Contributions to collected editions/works › Article in conference proceedings › Research
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You again Obsessive repeated Encounters in the Work of Rosamunde Pitcher and Leo Tolstoy
Kemp, W., 07.2015, In: Merkur. 69, 794, p. 5-19 15 p.Research output: Journal contributions › Journal articles › Research › peer-review