Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Charakterbilder und Projektionsfiguren: Chodowieckis Kupfer, Goethes Werther und die Darstellungstheorie in der Aufklärung
Schütz, A. C., 2019, Göttingen: Wallstein Verlag. 358 p. (Das achtzehnte Jahrhundert Supplementa ; vol. 26)Research output: Books and anthologies › Book
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Challenging Conventional Statistical Metrics for Gender Equity in Exhibitions Ecosystem
Romero Ferrón, B. & Rodríguez Ortega, N., 2024, DH2024 Book of Abstracts.Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review
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Carpet
Schulz, V.-S., 2017, Textile Terms: A Glossary. Reineke, A., Röhl, A., Kapustka, M. & Weddigen, T. (eds.). Emsdetten/Berlin , p. 33–37Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Can not wanting to know be responsible? Conceptual analysis and meanings of not-knowing in Israeli and German prenatal genetic practices
Schües, C., Reinsch, S., Raz, A. & Rehmann-Sutter, C., 18.11.2022, Genetic Responsibility in Germany and Israel: Practices of Prenatal Diagnosis. Schües, C. (ed.). transcript Verlag, p. 303-345 43 p. (Bioethik / Medizinethik; vol. 4).Research output: Contributions to collected editions/works › Chapter › peer-review
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’Cangiante Fabrics’, Marble Cloths, and the Textility of Stone: Transmaterial Aesthetics in Ambrogio Lorenzetti’s Presentation at the Temple and 13th- and 14th-Century Tuscan Painting
Schulz, V.-S., 2019, Steinformen: Materialität, Qualität, Imitation. Augart, I., Saß , M. & Wenderholm, I. (eds.). Berlin, p. 279–301Research output: Contributions to collected editions/works › Article in conference proceedings › Research
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Cancan
Mordhorst, S., 2016, Das große Tanz Lexikon: Tanzkulturen, Epochen, Personen, Werke. Hartmann, A. & Woitas, M. (eds.). 1 ed. Laaber: Laaber Verlag, p. 132-133 2 p.Research output: Contributions to collected editions/works › Articles for encyclopedia › Research
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Can Art Save The Ethnological Museum?
Leeb, S. A., 2013, The Challenge of the Object: 33rd congress of the International Committee of the History of Art, Nuremberg, 15th - 20th July 2012; Congress Proceedings. Großmann, G. U. (ed.). Verlag des Germanischen Nationalmuseums, Vol. 2. p. 556-560 5 p. (Wissenschaftlicher Beiband zum Anzeiger des Germanischen Nationalmuseums; no. 32,2).Research output: Contributions to collected editions/works › Article in conference proceedings › Research › peer-review
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Büchner getanzt: "Leonce und Lena" am Aalto-Theater Essen
Mordhorst, S., 2008, Industriekathedralen: Schauplatz Ruhr - Jahrbuch zum Theater im Ruhrgebiet. Haß, U. & Hiß, G. (eds.). Berlin: Verlag Theater der Zeit, p. 109 1 p. (Schauplatz Ruhr; vol. 2008).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Buchbesprechung: Eva Kernbauer, Der Platz des Publikums. Modelle für Kunstöffentlichkeit im 18. Jahrhundert, Köln/Weimar/Wien: Böhlau, 2011, 338 S., ISBN 978-3-412-20555-3
Söntgen, B., 2014, In: Zeitschrift für Kunstgeschichte. 77, 2, p. 283-286 4 p.Research output: Journal contributions › Critical reviews › Research