Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
- Published
Martin Heidegger's Reinvention 0f Phenomenology
Jamme, C., 2017, In: Kronos: Philosophical Journal. 6, p. 65-77 13 p.Research output: Journal contributions › Journal articles › Transfer › peer-review
- Published
Activist Sense: Affective Media Practices during the G20 Summit in Hamburg
Brunner, C., 03.2018, In: transversal / EIPCP multilingual webjournal. 2018, 3, 8 p.Research output: Journal contributions › Journal articles › Transfer › peer-review
- Published
Technoökologien / Technecologies / Tecnocologías
Brunner, C. (Editor), España Naveira, K. (Editor), Minichbauer, R. (Editor), Mulvaney, K. (Editor) & Raunig, G. (Editor), 2018, Wien, Linz: eipcp – European Institute for Progressive Cultural Policies. (transversal; vol. 3/2018)Research output: Books and anthologies › Special Journal issue › Transfer
- Published
Returning to Class? – Eribon and ‘Identity Politics’ in the Time of Trump
Trott, B., 02.2018, In: Berkeley Journal of Sociology. 61, FebruarResearch output: Journal contributions › Journal articles › Research
- Published
Comedy of Deviation: Tamar Getter's Hēliotropion Cycle
Leeb, S., 2018, Tamar Getter. Hēliotropion: Catalogue for the exhibition held at the Mishkan Museum of Art, Ein Harod, January 6-March 3, 2018. 1. Auflage ed. En Harod: Mishkan Museum of Art, p. 157-164 7 p.Research output: Contributions to collected editions/works › Contribution of Exihibition catalogues › Research
- Published
»daß ich an all diese Flußgötter denke«. Zur politischen Dimension anachronistischen Imaginierens in Durs Grünbeins 'Grauzone morgens'
Jürgens, A., 30.06.2018, Formen des Sprechens, Modi des Schweigens.: Sprache und Diktatur. Dhouib, S. (ed.). Weilerswist: Velbrück Wissenschaft, p. 266-274 9 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
Palaces, Stars and Abeceda. The Body as Indexical Reader in Post-Socialist Art by CORO Collective, Cooltūristės and Paulina Olowska
Gerhardt, U., 01.08.2018, Moving Images, Mobile Bodies : The Poetics and Practice of Corporeality in Visual and Performing Arts. Avram, H. (ed.). Newcastle: Cambridge Scholars Publishing, p. 161-180 20 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
- Published
’Cangiante Fabrics’, Marble Cloths, and the Textility of Stone: Transmaterial Aesthetics in Ambrogio Lorenzetti’s Presentation at the Temple and 13th- and 14th-Century Tuscan Painting
Schulz, V.-S., 2019, Steinformen: Materialität, Qualität, Imitation. Augart, I., Saß , M. & Wenderholm, I. (eds.). Berlin, p. 279–301Research output: Contributions to collected editions/works › Article in conference proceedings › Research
- Published
III. FORMAL CREATURES: GILLES CHÂTELET ’S METAPHORS
Woodard, B., 23.09.2019, Ghosts of Transparency: Shadows cast and shadows cast out. Doyle, M. R., Savic, S. & Bühlmann, V. (eds.). Berlin, Boston: Birkhäuser Verlag, p. 53-62 10 p. ( Applied Virtuality Book Series; vol. 13).Research output: Contributions to collected editions/works › Chapter › peer-review
- Published
Inexistent Ink: Michael Cisco and Quentin Meillassoux on Writing Worlds: Geocriticism and Spatial Literary Studies
Woodard, B., 18.11.2019, Spaces and Fictions of the Weird and the Fantastic : Ecologies, Geographies, Oddities. Greve, J. & Zappe, F. (eds.). Palgrave Macmillan, p. 149-164 16 p. (Geocriticism and Spatial Literary Studies).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research