Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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A(l)gora: the Mindscape
von Xylander, C., 12.2020, In: Technology and Language. 1, 1, p. 115-125 11 p.Research output: Journal contributions › Journal articles › Research
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Alienation, The Social Individual, and Communism: Marx in the 21st Century
Nigro, R., 06.2016, Work, Migration, Memes, Personal Geopolitics. 30 ed. Zurich: CreateSpace, p. 44-53 9 p. (OnCurating.org; vol. 30).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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A Line with Variable Direction, which Traces No Contour, and Delimits No Form
Leeb, S. A., 2011, Drawing A Hypothesis: Figures of Thought. Gansterer, N. (ed.). Wien / New York: Springer New York, p. 29-42 14 p. (Edition Angewandte).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Alisa Baremboym between the Corporeal and the Digital
Kölmel, M.-J., 07.2015, In: DIE NADEL - Kulturwissenschaftliche Zeitschrift für Kunst und Medien. 3/2015, p. 87-115 30 p.Research output: Journal contributions › Journal articles › Research › peer-review
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"Alles, was sich kreuzt"? Der Intersektionalitätsbegriff und die Diskussion um Kategorien
Hobuß, S., 2013, In: Erwägen, Wissen, Ethik. 24, 3, p. 395-398 4 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Alltag als Form des Widerstands. Oder: Vom Haushalt mit den Bildern. Zum Kino von Chantal Akerman
Kuhn, E., 09.2016, In: Filmbulletin. Zeitschrift für Film und Kino. 58, 6, p. 54-58 5 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Along the Path of the Pine, the Parrot, and the Tortoise: Warburg’s Image Vehicles, Fourteenth-Century Italian Painting, and the Textile Arts
Schulz, V.-S., 2018, Liminal Spaces of Art between Europe and the Middle East. Prijatelj Pavičić, I. (ed.). Cambridge, p. 142–160Research output: Contributions to collected editions/works › Article in conference proceedings › Research
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"Als Deutscher unter Deutschen": Karl Jaspers' Die Schuldfrage
Schefczyk, M., 2014, Moralisierung des Rechts: Kontinuitäten und Diskontinuitäten nationalsozialistischer Normativität. Konitzer, W. (ed.). Frankfurt am Main: Campus Verlag, p. 189-214 26 p. (Jahrbuch 2014 zur Geschichte und Wirkung des Holocaust).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Altruism as a thick concept
Schefczyk, M. & Peacock, M., 07.2010, In: Economics and Philosophy. 26, 2, p. 165-187 23 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Amateur Weekenders
Kuhn, E., 2003, In: Camera Austria. 81, p. 48-49 1 p.Research output: Journal contributions › Other (editorial matter etc.) › Research