Institute of Philosophy and Art History
Organisational unit: Institute
Organisation profile
The institute consists of two departments: philosophy and art history.
Main research areas
Since the winter semester 2016/17, the Faculty of Humanities and Social Sciences has established a DFG Research Training Group, "Cultures of Critique. Forms, Media, Effects", in which the IPK is significantly involved (speaker: Prof. Dr. Beate Söntgen).
The Institute is also represented at the Leuphana Institute of Advanced Studies for Culture and Society (co-director: Prof. Dr. Susanne Leeb) and is significantly involved in the Center for Critical Studies (speaker: Dr. Ben Trott).
With the Lichtenberg Professorship (Prof. Dr. Lynn Rother), funded by the Volkswagen Foundation, Leuphana University has the first permanent full professorship dedicated entirely to questions of provenance research, looted art, and restitution.
The Kunstraum, which is connected to the Institute of Philosophy and Art History, offers a close practical connection to contemporary art and its actors.
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Dokumente avant la lettre: Eine Spurensuche um 1900
Brons, F., 2015, Wie Bilder Dokumente wurden: Zur Genealogie dokumentarischer Darstellungspraktiken. Wöhrer, R. (ed.). Berlin: Kulturverlag Kadmos , p. 103-119 17 p. ( Kaleidogramme; vol. 119).Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research › peer-review
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Dominik Perler, Transformationen der Gefühle. Philosophische Emotionstheorien 1270-1670
Andermann, K., 2013, In: Mittellateinisches Jahrbuch: Internationale Zeitschrift für Mediävistik und Humanismusforschung. 48, 2, p. 332-339 7 p.Research output: Journal contributions › Critical reviews › Research
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"Doppelbotschaft vom wirklichen Liebenkönnen und vom Sterbenmüssen": Gadamer und Rilke
Jamme, C., 2009, In: Bibliographie zur Symbolik, Ikonographie und Mythologie. 38, p. 5-16 12 p.Research output: Journal contributions › Journal articles › Research
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"Doppelbotschaft vom wirklichen Liebenkönnen und vom Sterbenmüssen": Gadamer und Rilke
Jamme, C., 2009, Wege zur Wahrheit: Festschrift für Otto Pöggeler zum 80. Geburtstag. Gethmann-Siefert, A. & Weisser-Lohmann, E. (eds.). Paderborn ; München: Wilhelm Fink Verlag, p. 145-156 12 p.Research output: Contributions to collected editions/works › Contributions to collected editions/anthologies › Research
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Drafts in Action: Concepts and Practices of Artistic Intervention
Kipke, A. (Editor), Woisnitza, M. (Editor), Kovalenko, I. (Editor), Rogalski, L. (Editor) & Teune, S. (Editor), 2025, 1 ed. Zurich: Diaphanes Verlag. 268 p. (Intervening Arts)Research output: Books and anthologies › Collected editions and anthologies › Research
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Dramaturgies of Theatrical Imagination: Spectatorial Agency in Lessing and Kleist
Woisnitza, M., 01.01.2020, Baden-Baden: Rombach Wissenschaft Verlag. 289 p. (Scenae; vol. 21)Research output: Books and anthologies › Monographs › Research › peer-review
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Drei philosophische Argumente für ein Recht auf Arbeit
Gürtler, S., 01.12.2000, In: Deutsche Zeitschrift für Philosophie. 48, 6, p. 867-888 22 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Dubious Friendships: On the "(Re)Construction of Friendships" exhibition in Riga
Gerhardt, U., 2014, In: KUNST.EE. . 2014, 4, p. 49-52 4 p., VII.Research output: Journal contributions › Critical reviews › Research
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D'une coopération. [About a Cooperation]: Jean-François Lyotard's work with the CCI on the exhibition Les Immatériaux
Broeckmann, A., 01.07.2025, In: Les Cahiers du Musée national d'art moderne. 170, p. 129-137 9 p.Research output: Journal contributions › Journal articles › Research › peer-review
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Ecologies of Recovery: Mónica de Miranda’s As If the World Had No West
Schulz, V.-S., 15.06.2025, In: Art Review Oxford. 12, 2025, p. 31–37Research output: Journal contributions › Journal articles › Research